Donne-moi ta main

Matthew Goode thinks Leap Year is a terrible movie. What's odd about that is Goode is one of the stars of the movie. What's even more odd is that it is not at all a terrible movie. Yes, it is very predictable and formulaic. But sometimes you have to remember that in life there are established formulas because those formulas work. And Leap Year, for what it is intended to be, works. No, it is not by any means a serious motion picture. But not every movie is meant to be The Godfather. There's plenty of room in the world for a light, breezy, enjoyable romantic comedy. And Leap Year fits the bill.

Amy Adams plays Anna, an ultra-organized Boston woman who has her life planned out down to the tiniest detail. She patiently waits for Jeremy, her boyfriend of four years, to propose to her. Finally her patience runs out. When Jeremy takes off for Dublin for a cardiology convention Anna decides to follow him, intending to take advantage of an Irish tradition of women proposing to their men on Leap Day. Unfortunately a storm causes her flight to be diverted and when she finally gets to Ireland she's not in Dublin but way over on the other side of the country. Stuck in this rural no-man's land she needs transportation to Dublin. Enter Goode's character of Declan, the town's innkeeper, bartender and, most importantly, taxi driver. So Anna, the prim, proper girl with her whole life planned out and Declan, the earthy, sarcastic guy who flies by the seat of his pants set out on their road trip. Gee, you don't suppose this mismatched couple might end up falling for one another do you? It's a movie with very little drama. You know the formula, so you think you know where the story's headed. But just because you think you know the ultimate destination that doesn't mean you can't have some fun along the way. Leap Year is not a movie which is uproariously funny by an means but there are enough solid laughs scattered throughout to keep you smiling. The interplay between Adams and Goode is excellent. Adams is relentlessly charming and Goode makes for a very good rogue. The movie looks spectacular, the rolling Irish countryside a sight to behold and a wonderful setting for the story. Many people seem to bemoan what this movie isn't. They miss what it is. A charming, fun, entertaining romantic comedy. That's all the movie aspires to be and in this aim it succeeds. Adams is the perfect actress for this sort of thing, she lights up the screen. And Goode? He does well here too and for him I dearly hope the acting thing works out. Because he has no future as a film critic.

This film is about an American woman who decides to fly to Ireland to surprise her boyfriend, and to propose to him because an Irish tradition allows it.

"Leap Year" is a predictable romantic comedy that captures female psychology well. I can see women loving this film so much because it is so romantic and full of love. Amy Adams acts well in her role, she portrays her desire to be married so well that even by looking at her face, you know she wants to get a proposal so much.

"Leap Year" showcases amazing Irish scenery, with all the right colours, composition and saturation. I am also impressed by the technical side of it, as the filmmakers paid a lot of details into location scouting, set decoration and composing a scene. It makes "Leap Year" visually so pleasing to watch.

Anna (Amy Adams) - busy, dedicated, talented, goal oriented with one track mind on life matters. Has "what she wants and not what she needs".

Jeremy (Adam Scott) - accomplished cardiologist with no need to be concerned. Has what he wants and not sure what he needs. Loves himself and thinks everyone else does, too.

Declan (Matthew Goode) - very much a Hugh Jackman "coulda-been", content with what he has and thinks he needs nothing, Luck 'o the Irish did nothing for him but he doesn't believe in luck anyway.

As Anna herself put it, she has "what she wants but not what she needs". Since becoming an accomplished "Stager", decorating homes to display in hopes of selling, she happily puts herself on display, knowing exactly what it takes. We see her first known personal disappointment when she expects her boyfriend, Jeremy, to propose. He is so comfortable with her company, earrings are the obvious gift to surprise his girlfriend of 4 years, and not an engagement ring. She is further disappointed when he immediately has to leave the country temporarily. Being the woman she is, she spends no time with self pity but decides it's time to go to Dublin and propose to him as Leap Year permits.

Leap Year is an excellent romantic comedy. I was reminded of Doris Day and Audrey Hepburn comedies. Nothing hilarious, Amy really has wonderful physical comedic skills but still allows her charm to come across and make me smile. While the movie gets a little clumsy, nothing is bad enough to keep me from appreciating her. Her chemistry with Matthew Goode played well. He was fun to watch as the Irish he-man who lives a casual life with no expectations and no concern for others'. But then along comes Anna, and their one-track lives intertwine and soon the future becomes less clear. Anna and Declan travel to Dublin finding strangers and situations that force them to examine life and its meaning, or lack thereof. A forked road appears and we find both now have reason to question a future with or without each other.

Please don't expect hilarity. Sit down, get comfy, and admire a good, simple love story. It's what we all need.

7 of 10

(2010) Leap Year DRAMA/ ROMANTIC COMEDY

Sometimes over-the-top with plenty of awkward moments more than the film can handle is still quite a passable watch which demands some reconstructing or editing! This is yet another romantic comedy centering on an Irish folklore tradition when on Feb 29 every four years has females proposing marriage to their spouses! In this case it's actress Amy Adams and her misadventures into attempting to do just that, and at the same time build a rapport with someone else which is actor Matthew Goode who is being paid to guide her. It's basically another one of those films where viewers are aware about it's ending without knowing what it can offer in the middle which can sometimes showcase some really good moments, as well as avoidable awkward ones! It also can be looked at as an Irish rendition of a much more superior film called "The Sure Thing" starring John Cusack and Daphne Zuniga made in 1985. Amy Adams is still a wonderful to watch which kept this film from going under.

I saw Leap Year at a screening before the holidays, and found it much more "enchanting" than the typical romantic comedy. The story line is simple - basically, it is "It Happened One Night" in Ireland: apartment "stager" Amy Adams, tired of waiting for her uptight, longtime boyfriend to propose, decides to meet him on business in Dublin on Leap Day when tradition states that a man must accept a woman's proposal. Weather forces her to be diverted, first to Wales and then to the west coast of Ireland, she has to be driven to Dublin by and disgruntled bitter local.

But while the story is straight-ahead, the movie is extremely charming due to the terrific chemistry in between Amy Adams and Matthew Good. Whereas other romantic comedies pander to the lowest common denominator with base humor, this one feels much more like "4 Weddings and a Funeral" or "Local Hero." The characters seem simple at first, but we see the depth beyond them as the movie goes on. The comedy is always sharp, and special kudos to the actors who play the superstitious friends of Matthew Good, but this movie never forces in the pratfalls and dumb jokes that we see in your typical romantic comedy movie. And when there a bigger laughs (a scene at a wedding is particularly funny), the movie delivers.

There are a couple of slow spots, especially at the very beginning, but the last 20 minutes are funny, touching and real. I think it is a very good movie for our times right now, with a message that rebukes control and superficiality and all the trappings of what most of feel makes for a successful life. And our audience was with it throughout, and applauded at the end.