Anna Brady décide de se rendre à Dublin pour demander son petit ami en mariage le 29 février. Selon la tradition irlandaise, un homme qui reçoit une demande en mariage un 29 février est obli... Tout lireAnna Brady décide de se rendre à Dublin pour demander son petit ami en mariage le 29 février. Selon la tradition irlandaise, un homme qui reçoit une demande en mariage un 29 février est obligé d'accepter.Anna Brady décide de se rendre à Dublin pour demander son petit ami en mariage le 29 février. Selon la tradition irlandaise, un homme qui reçoit une demande en mariage un 29 février est obligé d'accepter.
- Réalisation
- Scénario
- Casting principal
Macdara Ó Fátharta
- Father Malone
- (as Macdara O'Fatharta)
Avis à la une
I saw Leap Year at a screening before the holidays, and found it much more "enchanting" than the typical romantic comedy. The story line is simple - basically, it is "It Happened One Night" in Ireland: apartment "stager" Amy Adams, tired of waiting for her uptight, longtime boyfriend to propose, decides to meet him on business in Dublin on Leap Day when tradition states that a man must accept a woman's proposal. Weather forces her to be diverted, first to Wales and then to the west coast of Ireland, she has to be driven to Dublin by and disgruntled bitter local.
But while the story is straight-ahead, the movie is extremely charming due to the terrific chemistry in between Amy Adams and Matthew Good. Whereas other romantic comedies pander to the lowest common denominator with base humor, this one feels much more like "4 Weddings and a Funeral" or "Local Hero." The characters seem simple at first, but we see the depth beyond them as the movie goes on. The comedy is always sharp, and special kudos to the actors who play the superstitious friends of Matthew Good, but this movie never forces in the pratfalls and dumb jokes that we see in your typical romantic comedy movie. And when there a bigger laughs (a scene at a wedding is particularly funny), the movie delivers.
There are a couple of slow spots, especially at the very beginning, but the last 20 minutes are funny, touching and real. I think it is a very good movie for our times right now, with a message that rebukes control and superficiality and all the trappings of what most of feel makes for a successful life. And our audience was with it throughout, and applauded at the end.
But while the story is straight-ahead, the movie is extremely charming due to the terrific chemistry in between Amy Adams and Matthew Good. Whereas other romantic comedies pander to the lowest common denominator with base humor, this one feels much more like "4 Weddings and a Funeral" or "Local Hero." The characters seem simple at first, but we see the depth beyond them as the movie goes on. The comedy is always sharp, and special kudos to the actors who play the superstitious friends of Matthew Good, but this movie never forces in the pratfalls and dumb jokes that we see in your typical romantic comedy movie. And when there a bigger laughs (a scene at a wedding is particularly funny), the movie delivers.
There are a couple of slow spots, especially at the very beginning, but the last 20 minutes are funny, touching and real. I think it is a very good movie for our times right now, with a message that rebukes control and superficiality and all the trappings of what most of feel makes for a successful life. And our audience was with it throughout, and applauded at the end.
(2010) Leap Year
DRAMA/ ROMANTIC COMEDY
Sometimes over-the-top with plenty of awkward moments more than the film can handle is still quite a passable watch which demands some reconstructing or editing! This is yet another romantic comedy centering on an Irish folklore tradition when on Feb 29 every four years has females proposing marriage to their spouses! In this case it's actress Amy Adams and her misadventures into attempting to do just that, and at the same time build a rapport with someone else which is actor Matthew Goode who is being paid to guide her. It's basically another one of those films where viewers are aware about it's ending without knowing what it can offer in the middle which can sometimes showcase some really good moments, as well as avoidable awkward ones! It also can be looked at as an Irish rendition of a much more superior film called "The Sure Thing" starring John Cusack and Daphne Zuniga made in 1985. Amy Adams is still a wonderful to watch which kept this film from going under.
Sometimes over-the-top with plenty of awkward moments more than the film can handle is still quite a passable watch which demands some reconstructing or editing! This is yet another romantic comedy centering on an Irish folklore tradition when on Feb 29 every four years has females proposing marriage to their spouses! In this case it's actress Amy Adams and her misadventures into attempting to do just that, and at the same time build a rapport with someone else which is actor Matthew Goode who is being paid to guide her. It's basically another one of those films where viewers are aware about it's ending without knowing what it can offer in the middle which can sometimes showcase some really good moments, as well as avoidable awkward ones! It also can be looked at as an Irish rendition of a much more superior film called "The Sure Thing" starring John Cusack and Daphne Zuniga made in 1985. Amy Adams is still a wonderful to watch which kept this film from going under.
Sometimes after seeing (and enjoying) a particular film several times over a period of years -- which BTW is the real acid test of a film, ie, whether it holds up -- you revisit the IMDb database and discover that, for whatever reason, the critics of the day did not agree.
To which you may be inclined to quote a line of dialog from LEAP YEAR, and respond, the critics are "full of pooh." And indeed they are.
This one has it all -- a subtle script that leads you rather than shoves you, great direction, great stars, and great scenery.
It also features Adams at what may be the peak of her beauty. It would be an understatement to say that "the camera loved her." It would be more accurate to say that, if a camera could talk, it would have asked for her number by the last day of shooting.
The ultimate compliment -- gets better with each viewing.
To which you may be inclined to quote a line of dialog from LEAP YEAR, and respond, the critics are "full of pooh." And indeed they are.
This one has it all -- a subtle script that leads you rather than shoves you, great direction, great stars, and great scenery.
It also features Adams at what may be the peak of her beauty. It would be an understatement to say that "the camera loved her." It would be more accurate to say that, if a camera could talk, it would have asked for her number by the last day of shooting.
The ultimate compliment -- gets better with each viewing.
Anna (Amy Adams) - busy, dedicated, talented, goal oriented with one track mind on life matters. Has "what she wants and not what she needs".
Jeremy (Adam Scott) - accomplished cardiologist with no need to be concerned. Has what he wants and not sure what he needs. Loves himself and thinks everyone else does, too.
Declan (Matthew Goode) - very much a Hugh Jackman "coulda-been", content with what he has and thinks he needs nothing, Luck 'o the Irish did nothing for him but he doesn't believe in luck anyway.
As Anna herself put it, she has "what she wants but not what she needs". Since becoming an accomplished "Stager", decorating homes to display in hopes of selling, she happily puts herself on display, knowing exactly what it takes. We see her first known personal disappointment when she expects her boyfriend, Jeremy, to propose. He is so comfortable with her company, earrings are the obvious gift to surprise his girlfriend of 4 years, and not an engagement ring. She is further disappointed when he immediately has to leave the country temporarily. Being the woman she is, she spends no time with self pity but decides it's time to go to Dublin and propose to him as Leap Year permits.
Leap Year is an excellent romantic comedy. I was reminded of Doris Day and Audrey Hepburn comedies. Nothing hilarious, Amy really has wonderful physical comedic skills but still allows her charm to come across and make me smile. While the movie gets a little clumsy, nothing is bad enough to keep me from appreciating her. Her chemistry with Matthew Goode played well. He was fun to watch as the Irish he-man who lives a casual life with no expectations and no concern for others'. But then along comes Anna, and their one-track lives intertwine and soon the future becomes less clear. Anna and Declan travel to Dublin finding strangers and situations that force them to examine life and its meaning, or lack thereof. A forked road appears and we find both now have reason to question a future with or without each other.
Please don't expect hilarity. Sit down, get comfy, and admire a good, simple love story. It's what we all need.
7 of 10
Jeremy (Adam Scott) - accomplished cardiologist with no need to be concerned. Has what he wants and not sure what he needs. Loves himself and thinks everyone else does, too.
Declan (Matthew Goode) - very much a Hugh Jackman "coulda-been", content with what he has and thinks he needs nothing, Luck 'o the Irish did nothing for him but he doesn't believe in luck anyway.
As Anna herself put it, she has "what she wants but not what she needs". Since becoming an accomplished "Stager", decorating homes to display in hopes of selling, she happily puts herself on display, knowing exactly what it takes. We see her first known personal disappointment when she expects her boyfriend, Jeremy, to propose. He is so comfortable with her company, earrings are the obvious gift to surprise his girlfriend of 4 years, and not an engagement ring. She is further disappointed when he immediately has to leave the country temporarily. Being the woman she is, she spends no time with self pity but decides it's time to go to Dublin and propose to him as Leap Year permits.
Leap Year is an excellent romantic comedy. I was reminded of Doris Day and Audrey Hepburn comedies. Nothing hilarious, Amy really has wonderful physical comedic skills but still allows her charm to come across and make me smile. While the movie gets a little clumsy, nothing is bad enough to keep me from appreciating her. Her chemistry with Matthew Goode played well. He was fun to watch as the Irish he-man who lives a casual life with no expectations and no concern for others'. But then along comes Anna, and their one-track lives intertwine and soon the future becomes less clear. Anna and Declan travel to Dublin finding strangers and situations that force them to examine life and its meaning, or lack thereof. A forked road appears and we find both now have reason to question a future with or without each other.
Please don't expect hilarity. Sit down, get comfy, and admire a good, simple love story. It's what we all need.
7 of 10
Get over the negative reviews. This is a lovely film, sweet, with charming characters and a lovely setting. If you believe in the power of romance it may even make tears well up in your eyes. Not meant to change the world just meant to be a fun film. Louis, as in Louis Vuitton the suitcase, is one of the best characters right to the end of the film!
Le saviez-vous
- AnecdotesThe castle the two leading characters climb up to is the Rock of Dunamase in County Laois - although it has been added to with CGI.
- GaffesWhile crossing the Celtic Sea, the captain of the boat says that because of the storm they would have to put in at Dingle instead of Cork. They would actually have to have passed Cork and sailed for several more hours to reach Dingle, which is on the West coast.
- ConnexionsFeatured in The Rotten Tomatoes Show: The Road/Ninja Assassin/Old Dogs (2009)
- Bandes originalesI'll Tell My Ma
Performed by The Colonials featuring Candice Gordon
Arranged and Produced by Liam Bates
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Año Bisiesto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 918 920 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 202 815 $US
- 10 janv. 2010
- Montant brut mondial
- 32 686 500 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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