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Le journaliste Gary Webb a commencé à enquêter sur le rôle de la CIA dans les années 1980 dans l'acheminement de crack pour obtenir de l'argent et des armes pour les combattants de la libert... Tout lireLe journaliste Gary Webb a commencé à enquêter sur le rôle de la CIA dans les années 1980 dans l'acheminement de crack pour obtenir de l'argent et des armes pour les combattants de la liberté au Nicaragua.Le journaliste Gary Webb a commencé à enquêter sur le rôle de la CIA dans les années 1980 dans l'acheminement de crack pour obtenir de l'argent et des armes pour les combattants de la liberté au Nicaragua.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 6 nominations au total
Joshua Close
- Rich Kline
- (as Josh Close)
Clay Edmund Kraski
- DEA Agent Jones
- (as Clay Kraski)
Avis à la une
I try to see every one of Jeremy Renner's films after his great performance in Kathryn Bigelow's THE HURT LOCKER where he played a Sergeant in Iraq dismantling IED's (improvised explosive devices) in the dusty, tension filled streets of Baghdad. I will never forget a scene in the shower, water pouring over his bloodied body slowly slumping down to the ground, tears mixing in with the wet spray that was bathing his body; an attempt to cleanse his psyche of the horrors of warfare. In KILL THE MESSENGER directed by Michael Cuesta, based on a true story, Renner is in another descent - one that is politically driven - in an intense performance as Pulitzer Prize winner Gary Webb, an investigative journalist for the San Jose Mercury News writing a series entitled "Dark Alliance" on the CIA's drug dealing connection to the "Contras" in the war in Nicaragua in the 1980's. "
Webb investigated Nicaraguans linked to the CIA-backed Contras who had smuggled cocaine into the U.S. Their smuggled cocaine was distributed as crack cocaine in Los Angeles, with the profits funneled back to the Contras. Webb also alleged that this influx of Nicaraguan-supplied cocaine sparked, and significantly fueled, the widespread crack cocaine epidemic that swept through many U.S. cities during the 1980s. According to Webb, the CIA was aware of the cocaine transactions and the large shipments of drugs into the U.S. by Contra personnel. Webb charged that the Reagan administration shielded inner-city drug dealers from prosecution in order to raise money for the Contras, especially after Congress passed the Boland Amendment, which prohibited direct Contra funding
" (Wikipedia)
In this film we see the backlash to Webb's reporting including correspondents from the mighty NY Times, The LA Times and The Washington Post who had glazed over the story in their own papers; the tragic manipulation of facts in order to destroy the veracity of Webb's coverage of events. We view the absence of San Jose Mercury News' editorial support at critical moments in Webb's heroic scrutiny of the research; the Reagan Administration's financing of a war through drug trafficking pitting "truth vs. power"; the perversion of principle to the needs of "security" on the backs of the South Central Los Angeles community. One does not need to "kill the messenger" with bullets - one can do so through the media attacking the person not the story under the potent pressure of the government.
KILL THE MESSENGER attempts to portray Gary Webb in his domestic, familial role as a loving though humanly "flawed" father of 3 children, with a supportive loving wife (the beautiful actor Rosemarie De Witt) all in danger and threatened by Webb's probing into the murkiness of political sludge - the undisclosed secrets of the inner workings of government aired out inviting dirty revenge. This is also a David vs. Goliath tale - a lone person who in his "innocence" believes in the unveiling of the machinations of authority through the pen and the judiciousness of our legal system.
The portrait of Gary Webb is a tenacious and vivid study of idealism in the fight for the unearthing of corruption. I left the theater saddened and disheartened, but at the same time hopeful for those rare individuals who are fearless enough to stand up for what they believe when their support system has been paralyzed. Hard to do! They merit my deepest respect and admiration.
In this film we see the backlash to Webb's reporting including correspondents from the mighty NY Times, The LA Times and The Washington Post who had glazed over the story in their own papers; the tragic manipulation of facts in order to destroy the veracity of Webb's coverage of events. We view the absence of San Jose Mercury News' editorial support at critical moments in Webb's heroic scrutiny of the research; the Reagan Administration's financing of a war through drug trafficking pitting "truth vs. power"; the perversion of principle to the needs of "security" on the backs of the South Central Los Angeles community. One does not need to "kill the messenger" with bullets - one can do so through the media attacking the person not the story under the potent pressure of the government.
KILL THE MESSENGER attempts to portray Gary Webb in his domestic, familial role as a loving though humanly "flawed" father of 3 children, with a supportive loving wife (the beautiful actor Rosemarie De Witt) all in danger and threatened by Webb's probing into the murkiness of political sludge - the undisclosed secrets of the inner workings of government aired out inviting dirty revenge. This is also a David vs. Goliath tale - a lone person who in his "innocence" believes in the unveiling of the machinations of authority through the pen and the judiciousness of our legal system.
The portrait of Gary Webb is a tenacious and vivid study of idealism in the fight for the unearthing of corruption. I left the theater saddened and disheartened, but at the same time hopeful for those rare individuals who are fearless enough to stand up for what they believe when their support system has been paralyzed. Hard to do! They merit my deepest respect and admiration.
Greetings again from the darkness. This is one of those true stories that probably works better as a drama than as a documentary. Jeremy Renner brings passion and believability to his role as infamous journalist Gary Webb. This allows us to gain insight into Mr. Webb as a father, husband and man, rather than only as a fiery investigative reporter.
You likely recall Webb's published story from 1996, when his research uncovered the likelihood that cocaine imported into the US was being sold as crack cocaine and the profits were going towards funding arms for the Contra rebels in Nicaragua. The kicker being that the CIA was well aware of these activities.
The film presents Webb as an idealist, too naive to comprehend that the story would have ramifications to his employer, his family and his self. The use of actual news footage adds a dose of reality, as does the mention of Ronald Reagan, Oliver North, John Kerry ... and even the role Bill Clinton and Monica Lewinsky played in outshining the ultimate acknowledgment of Webb's work.
The underlying message here ... beyond the governmental cover-up ... is the lack of a true free press. Of course, this issue remains front and center today, but in this particular instance, it's surprising to see the influence and pressure applied by outside forces. It's further proof that any hope for checks and balances from our news outlets was snuffed out many years ago.
The movie is based on two books: Gary Webb's own "Dark Alliance" and Nick Shou's "Kill the Messenger". The frustration as a viewer is derived from the fragmented presentation brought on by steady stream of new characters who mostly only appear in one or maybe two scenes. The list of known actors is impressive: Rosemary DeWitt, Oliver Platt, Robert Patrick, Tim Blake Nelson, Michael Sheen, Mary Elizabeth Winstead, Paz Vega, Barry Pepper, Michael Kenneth Williams, Andy Garcia, Gil Bellows, Lucas Hedges, Richard Schiff, and Ray Liotta. That should help explain what I mean by fragmented.
The story is an important one and the film is worth seeing. It's impossible to not think of All the President's Men while watching. The Grandaddy of crusading journalism continues to produce heirs ... even those that are a black eye for the newspaper industry and our government.
You likely recall Webb's published story from 1996, when his research uncovered the likelihood that cocaine imported into the US was being sold as crack cocaine and the profits were going towards funding arms for the Contra rebels in Nicaragua. The kicker being that the CIA was well aware of these activities.
The film presents Webb as an idealist, too naive to comprehend that the story would have ramifications to his employer, his family and his self. The use of actual news footage adds a dose of reality, as does the mention of Ronald Reagan, Oliver North, John Kerry ... and even the role Bill Clinton and Monica Lewinsky played in outshining the ultimate acknowledgment of Webb's work.
The underlying message here ... beyond the governmental cover-up ... is the lack of a true free press. Of course, this issue remains front and center today, but in this particular instance, it's surprising to see the influence and pressure applied by outside forces. It's further proof that any hope for checks and balances from our news outlets was snuffed out many years ago.
The movie is based on two books: Gary Webb's own "Dark Alliance" and Nick Shou's "Kill the Messenger". The frustration as a viewer is derived from the fragmented presentation brought on by steady stream of new characters who mostly only appear in one or maybe two scenes. The list of known actors is impressive: Rosemary DeWitt, Oliver Platt, Robert Patrick, Tim Blake Nelson, Michael Sheen, Mary Elizabeth Winstead, Paz Vega, Barry Pepper, Michael Kenneth Williams, Andy Garcia, Gil Bellows, Lucas Hedges, Richard Schiff, and Ray Liotta. That should help explain what I mean by fragmented.
The story is an important one and the film is worth seeing. It's impossible to not think of All the President's Men while watching. The Grandaddy of crusading journalism continues to produce heirs ... even those that are a black eye for the newspaper industry and our government.
The longer I cogitate on Michael Cuesta's KILL THE MESSENGER, the more I realise just how unobtrusively compelling this film truly is.
Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.
Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.
Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.
Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.
You can catch me at my handle and at The Hollywood News.
Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.
Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.
Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.
Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.
You can catch me at my handle and at The Hollywood News.
'KILL THE MESSENGER': Four Stars (Out of Five)
Dramatic thriller film telling the true story of journalist Gary Webb. It centers on Webb's efforts to expose the CIA's former involvement in importing cocaine into California, in order to raise funding for Nicaraguan Contra rebels. It was directed by Michael Cuesta and written by Peter Landesman. The script is based on the book, of the same name, by Nick Schou and the novel 'Dark Allaince' by Webb himself. Jeremy Renner stars as Webb in the movie and also served as a producer. The film costars Rosemarie DeWitt, Mary Elizabeth Winstead, Oliver Platt, Lucas Hedges, Barry Pepper, Tim Blake Nelson, Michael Sheen, Paz Vega, Ray Liotta, Andy Garcia and Michael K. Williams. It's a very fascinating and informative movie.
The film is set in the mid-1990s when Gary Webb first learned of the CIA's past involvement in importing large amounts of cocaine into the US. They did this in order to sell it in ghettos, primarily in California, in order to raise money for supporting Contra rebels in Nicaragua. He goes public with the story, in a series of articles called 'Dark Alliance' (which he later based his book on). As retaliation the CIA aggressively smeared Webb's name and harassed him and his family.
The film is really interesting and involving, from the opening scene almost till the last. It's fast paced and brilliantly directed, by Cuesta. Renner may not seem like much of an actor in 'THE AVENGERS' but in the right role he's fantastic; this is one of those roles. I'm a big fan of DeWitt, her part here is small but she's still powerful in it, and the rest of the cast is good as well. This is also a story I previously knew very little about, so for me it was very informative too. I definitely recommend it.
Watch our movie review show 'MOVIE TALK' at: http://youtu.be/ON8Zn42-940
Dramatic thriller film telling the true story of journalist Gary Webb. It centers on Webb's efforts to expose the CIA's former involvement in importing cocaine into California, in order to raise funding for Nicaraguan Contra rebels. It was directed by Michael Cuesta and written by Peter Landesman. The script is based on the book, of the same name, by Nick Schou and the novel 'Dark Allaince' by Webb himself. Jeremy Renner stars as Webb in the movie and also served as a producer. The film costars Rosemarie DeWitt, Mary Elizabeth Winstead, Oliver Platt, Lucas Hedges, Barry Pepper, Tim Blake Nelson, Michael Sheen, Paz Vega, Ray Liotta, Andy Garcia and Michael K. Williams. It's a very fascinating and informative movie.
The film is set in the mid-1990s when Gary Webb first learned of the CIA's past involvement in importing large amounts of cocaine into the US. They did this in order to sell it in ghettos, primarily in California, in order to raise money for supporting Contra rebels in Nicaragua. He goes public with the story, in a series of articles called 'Dark Alliance' (which he later based his book on). As retaliation the CIA aggressively smeared Webb's name and harassed him and his family.
The film is really interesting and involving, from the opening scene almost till the last. It's fast paced and brilliantly directed, by Cuesta. Renner may not seem like much of an actor in 'THE AVENGERS' but in the right role he's fantastic; this is one of those roles. I'm a big fan of DeWitt, her part here is small but she's still powerful in it, and the rest of the cast is good as well. This is also a story I previously knew very little about, so for me it was very informative too. I definitely recommend it.
Watch our movie review show 'MOVIE TALK' at: http://youtu.be/ON8Zn42-940
It was a movie that made me think, as it involved a different angle to a subject that I knew something about.
The trailer suggest that the movie is about the true story of Gary Webb's article that suggest the CIA were evolved with drug dealing as a way to fund a war in the 1980's, but as the title of the movie described the people read the article and ran with their own conspiracies which lead to a CIA cover up that lead to Webb's downward spiral.
It is an Intriguing tell of a journalist trying to keep his integrity while forces were trying to ruin it to keep their own.
Jeremy Renner drove his acting vehicle well, not well enough in my opinion to win an Oscar or anything, but it proves that he can headline anything.
Definitely a good movie to sit through.
The trailer suggest that the movie is about the true story of Gary Webb's article that suggest the CIA were evolved with drug dealing as a way to fund a war in the 1980's, but as the title of the movie described the people read the article and ran with their own conspiracies which lead to a CIA cover up that lead to Webb's downward spiral.
It is an Intriguing tell of a journalist trying to keep his integrity while forces were trying to ruin it to keep their own.
Jeremy Renner drove his acting vehicle well, not well enough in my opinion to win an Oscar or anything, but it proves that he can headline anything.
Definitely a good movie to sit through.
Le saviez-vous
- AnecdotesVarious members of the cast and crew have admitted to receiving government-level "push back" to the film, both during filming and in post-production.
- GaffesJerry Ceppos announces that Gary has been named the National Press Association's Journalist of the Year. There is no such thing as the National Press Association. He was named Journalist of the Year by the Bay Area Society of Professional Journalists. This is why he is speaking at the SPJ awards at the end of the film.
- Crédits fousJust before the closing credits, there is a short video showing the real Gary Webb at home with his children.
- Bandes originalesBring It On Home
Written by Tommy Girvin and Don Cromwell
Performed by Ransom
Courtesy of 474 Records and Music Supervisor Inc.
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- How long is Kill the Messenger?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Kill the Messenger
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 450 846 $US
- Week-end de sortie aux États-Unis et au Canada
- 941 809 $US
- 12 oct. 2014
- Montant brut mondial
- 5 218 973 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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