Dans le Sud-Ouest des années 1970, la vie d'un chauffeur de fuite courageux pour un syndicat du crime en pleine expansion passe d'horrible à sauvagement, stupidement et dangereusement horrib... Tout lireDans le Sud-Ouest des années 1970, la vie d'un chauffeur de fuite courageux pour un syndicat du crime en pleine expansion passe d'horrible à sauvagement, stupidement et dangereusement horrible.Dans le Sud-Ouest des années 1970, la vie d'un chauffeur de fuite courageux pour un syndicat du crime en pleine expansion passe d'horrible à sauvagement, stupidement et dangereusement horrible.
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So for you lost fans, most of you will have a favorable opinion of the character Sawyer by the end of the show. In season five, Sawyer has an opportunity to leave the island but return to US in the 1970s. If your head canon has ever considered what it would be like for him to have lived those years, well thank you too JJ Abrams we get to see this in Duster. So far, I've had a big smile on my face. It's fun and entertaining. I hope it continues this way.
Josh Holloway gives a good performance so far. He is definitely an underrated actor and this type of character always fits him well. I highly recommend that you give this a try and see if it's for you. I look forward to watching each week. I don't know if this is a single-season show, but I hope they're the second season if the story makes sense to have a continue.
Josh Holloway gives a good performance so far. He is definitely an underrated actor and this type of character always fits him well. I highly recommend that you give this a try and see if it's for you. I look forward to watching each week. I don't know if this is a single-season show, but I hope they're the second season if the story makes sense to have a continue.
From the very first episode, it's clear that this isn't your typical throwaway series. There's real production value here-everything from the lighting to the costume design and soundtrack screams attention to detail. The show captures an atmosphere that's both grounded and stylized, which is no easy feat. It's good-really good. And what's more impressive is how it manages to feel fresh while still borrowing heavily from familiar genres and eras.
Season 1 sets the bar incredibly high. That's not just lip service-it establishes characters with depth, pacing that never drags, and plotlines that keep you invested without being overly complicated or forced. It leaves just enough questions unanswered to build momentum into a second season, while still offering satisfying story arcs along the way. If the showrunners can keep up the quality, I truly hope we'll see a few more seasons. That said, following up such a strong opener will be a tall order. Season 2 will need to honor the foundation without falling into the trap of repetition or gimmickry. But based on what we've seen so far, I'm optimistic.
I'll definitely be watching this one again. It's the kind of show that invites a second viewing-not because it's confusing, but because there are layers to it. Little visual cues, background details, bits of dialogue-all the things you miss when you're focused on the main plot. The acting across the board is strong. Not overdone. Not flat. Just right. The cast clearly understood their characters, and you get the sense that even supporting roles were thoughtfully cast and directed.
The props, set design, and cinematography are outstanding. They're not flashy for the sake of it. Instead, they serve the narrative, anchoring the story in a very specific time and place that feels both real and nostalgic. What really stood out for me, though, was the writing. It walks a fine line between sharp and sentimental, between commentary and storytelling. The dialogue feels natural, never preachy or on-the-nose, and the themes-while clearly reflecting modern issues-are delivered through a 1970s lens that gives everything a certain timelessness.
It's like someone took fragments of recent history-political tension, social unrest, economic anxiety-and reimagined it as a retro drama set in the '70s. But rather than being stuck in the past, it uses that era to reflect on the present. That kind of writing takes skill, and I think it's what makes the show especially appealing to a broader audience. It doesn't try too hard to be edgy or nostalgic-it just is.
As someone who genuinely loves the 1970s aesthetic-the fashion, the music, and especially the muscle cars-this show checked a lot of boxes for me. So yes, maybe I'm a bit biased. But even setting that aside, I think the show earns its praise. It balances mood and message, plot and personality. It's entertainment that respects the viewer's intelligence.
If you're a fan of high-quality TV that doesn't insult your attention span, this is absolutely worth your time. Whether you're in it for the drama, the world-building, or just to hear a V8 engine roar beneath a perfectly restored hood, you'll find something to enjoy. Here's hoping Season 2 doesn't keep us waiting long.
Season 1 sets the bar incredibly high. That's not just lip service-it establishes characters with depth, pacing that never drags, and plotlines that keep you invested without being overly complicated or forced. It leaves just enough questions unanswered to build momentum into a second season, while still offering satisfying story arcs along the way. If the showrunners can keep up the quality, I truly hope we'll see a few more seasons. That said, following up such a strong opener will be a tall order. Season 2 will need to honor the foundation without falling into the trap of repetition or gimmickry. But based on what we've seen so far, I'm optimistic.
I'll definitely be watching this one again. It's the kind of show that invites a second viewing-not because it's confusing, but because there are layers to it. Little visual cues, background details, bits of dialogue-all the things you miss when you're focused on the main plot. The acting across the board is strong. Not overdone. Not flat. Just right. The cast clearly understood their characters, and you get the sense that even supporting roles were thoughtfully cast and directed.
The props, set design, and cinematography are outstanding. They're not flashy for the sake of it. Instead, they serve the narrative, anchoring the story in a very specific time and place that feels both real and nostalgic. What really stood out for me, though, was the writing. It walks a fine line between sharp and sentimental, between commentary and storytelling. The dialogue feels natural, never preachy or on-the-nose, and the themes-while clearly reflecting modern issues-are delivered through a 1970s lens that gives everything a certain timelessness.
It's like someone took fragments of recent history-political tension, social unrest, economic anxiety-and reimagined it as a retro drama set in the '70s. But rather than being stuck in the past, it uses that era to reflect on the present. That kind of writing takes skill, and I think it's what makes the show especially appealing to a broader audience. It doesn't try too hard to be edgy or nostalgic-it just is.
As someone who genuinely loves the 1970s aesthetic-the fashion, the music, and especially the muscle cars-this show checked a lot of boxes for me. So yes, maybe I'm a bit biased. But even setting that aside, I think the show earns its praise. It balances mood and message, plot and personality. It's entertainment that respects the viewer's intelligence.
If you're a fan of high-quality TV that doesn't insult your attention span, this is absolutely worth your time. Whether you're in it for the drama, the world-building, or just to hear a V8 engine roar beneath a perfectly restored hood, you'll find something to enjoy. Here's hoping Season 2 doesn't keep us waiting long.
Really like the music, the cars, the clothes that is the icing on the cake. Run through all episodes at once and I want more now! Entertaining with a lot of nice lines and action, a lot of stories woven together, no dull moments.
I didn't know what to expect but this is for me filling a hole as it ain't much new that comes out with this perfect mix of the music I like, the atmosphere from a time period which is made perfectly together with today's action we are more use to, pedal to the metal. The only bad thing I can say is that it was over to fast, want more and I want it now, so more episodes per season thank you.
I didn't know what to expect but this is for me filling a hole as it ain't much new that comes out with this perfect mix of the music I like, the atmosphere from a time period which is made perfectly together with today's action we are more use to, pedal to the metal. The only bad thing I can say is that it was over to fast, want more and I want it now, so more episodes per season thank you.
I've never written a review although I have wanted to on many series n movies. I recently finished the season and recently saw an article where they say they will not have a 2nd season. What troubles me is that a so-so, 5 star rated show will get multiple seasons, but shows that receive 7 stars n above do not get a chance at a 2nd season. There's not much not to like about this series, unless you just can't stand the underlying racial undertones on what this country thought about and as we are living in now, people of color and women. I found the storyline pretty good along with the artwork and period correctness stunning...I truly hope they can rethink and develop a second season.
This show is so easy to enjoy. The simple narrative, with all the cliches and the incredible 70's vibe really makes it a great show. You will not find any mindblowing plot or any innovative feature in this show, but it is the simplicity that is captivating.. it feels like back when there was no stream services, the family together in the couch watching TV.. dont even know how to elaborate it, but the thing is that was really enjoyable to watch. It feels very light, differently from many TV shows now a days, that are overflowing with lore, complex story line or twists that you have to keep up with.. Basically in this show, you can just power down your brain and just enjoy it.
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- AnecdotesShow filmed the pilot in Tucson, AZ in the Fall 2021. HBO/Max retooled the show adding Rachel Hilson and Corbin Bernsen in Feb 2023. They subsequently moved the production of the show from Tucson to Albuquerque, and re-shot the pilot and the remaining episodes of Season 1 ending production in March 2024.
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