Lorsque le comédien George Simmons apprend son état de santé en phase terminale, son désir de former une véritable amitié le pousse à prendre un artiste débutant sous son aile.Lorsque le comédien George Simmons apprend son état de santé en phase terminale, son désir de former une véritable amitié le pousse à prendre un artiste débutant sous son aile.Lorsque le comédien George Simmons apprend son état de santé en phase terminale, son désir de former une véritable amitié le pousse à prendre un artiste débutant sous son aile.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
Having said that, this is only the beginning and is supposed to be a character beat. Now Sandler is playing a comedian, but he can draw from personal experiences. Others here play themselves (no pun intended). Overall this has an amazing cast. I watched the extended cut, which adds more minutes to an already long movie. But I didn't mind. It is predictable, but it is also fun. The drama works and it showcases that Sandler can do more than just being silly. I understand that it's still what most of his fans want to see him in - and not dramas like this. It's unfortunate
George and Ira meet when George goes to one of the old comedy clubs he used to do stand up at and stands on stage without any material, talking about how he knows he's bombing when he can hear people in the audience cough. George ends up hiring Ira as his assistant and their odd friendship/work relationship begins. Ira has always been a big fan of George and is spellbound by the limos, private planes, and the women George has gotten so used to.
Their relationship is at sometimes interesting, I'm not sure where Judd Apatow (the director) meant to go with this picture, he seems to get a little bit of everything, not enough of the good and too much time spent on the bad. Ira likes one of his neighbors, Daisy "Aubrey Plaza" and that was a fun relationship that the movie really neglected. By the end, it felt very underdeveloped. Most of the dialog feels improvised and very clunky. Judd Apatow was trying to convey something here that he just couldn't in the end.
For what does work, this movie deserves a 6/10 rating. It's a dramedy, anyone looking for one or the other will likely be disappointed.
Le saviez-vous
- AnecdotesThe opening video with the prank calls is a real video shot by Judd Apatow when he and Adam Sandler were younger. The two other people appearing in this video are Janeane Garofalo and Ben Stiller.
- GaffesThe MySpace gig takes place far enough away that George and Ira take a private plane. At the end of scene, he gets two girls to go back to his place. But at the end of those scenes the girls leave on their own, apparently left to their own resources to get back.
- Citations
Eminem: Everyone in this fucking room is either staring at us or wanting to take a fucking picture.
Ira Wright: [Ira takes a picture of Eminem and George from across the room] Yeah. Got it.
Ray Romano: E-mail that to me.
Ira Wright: I will. That's awesome.
Ray Romano: Yeah.
Eminem: Who the fuck is that guy right there?
Eminem: [Eminem points at Ray] That fucking guy right there.
George Simmons: What? Ray Romano's bothering you?
Eminem: Who? Ray, Ray who?
George Simmons: Ray Romano, the guy from "Everybody Loves Raymond".
Eminem: I don't give a fuck what show he's on. I'll fuck this motherfucker up, man!
George Simmons: Hey.
Eminem: Hey, Ray!
Ray Romano: Hello, Marshall.
Eminem: Fucking problem here, buddy?
[Ray shakes his head confused]
Eminem: Would you like to fuck me? Is that what this is?
Ray Romano: [to Ira] I don't get it, man. What's going on?
Eminem: Would you like me to fucking bend over for you right now?
Ira Wright: [whispering] Say no.
Ray Romano: No, man.
Eminem: [to George] I just gotta always be on my toes, man. You know?
George Simmons: I see that, but not with Ray Romano.
Ray Romano: [to Ira] This is why I don't go out of the house.
Ira Wright: I thought everybody loved you.
- Crédits fousJudd Apatow's daughter's cover of Memory is played during the credits.
- Versions alternativesRegion 1 (US) DVD release includes an unrated version of the movie with a running time of 2 hours 32 minutes.
- ConnexionsFeatured in The 81st Annual Academy Awards (2009)
- Bandes originalesGreat Day
Written by Paul McCartney
Performed by Paul McCartney
Courtesy of MPL Communications Ltd./Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Siempre hay tiempo para reír
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 855 045 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 657 780 $US
- 2 août 2009
- Montant brut mondial
- 71 585 235 $US
- Durée
- 2h 26min(146 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1