La Mission

"La Mission" is a project of love about the barrio neighborhood the Bratt brothers grew up in. Writer/Director Peter Bratt takes time and care to set up a strong sense of cultural pride with Aztec dancers, Catholic rituals, "slow and low" cruising in shiny low riders through the family oriented Mission District of San Francisco.

Che Rivera (Benjamin Bratt) an ex-con and recovering alcoholic, has worked hard to earn the respect of his community by going straight and being a good father to his college bound son (Jeremy Ray Valdez.) Benjamin Bratt portrays Che as the embodiment of Mexican machismo. The director presents him as a sympathetic character who was brought up to use his fists to survive on the hard streets. Che finds strength for his quest for redemption in his culture and religion. But when he discovers that his beloved son is gay, that homophobic culture drives his negative response.

Enhancing the theme is a multi-racial relationship with Che's black, culturally diverse, social-worker neighbor Lena (Erika Alexander.) Lena sees through Che's violent, macho exterior. Experience has taught her that this kind of man is incapable of changing, but she can't help but be moved by the wounded boy inside.

There is an odd visual metaphor which I believe is meant to show the contrast between past and present Chicano culture: colorful Aztec dancers perform at the shine of a murdered teen with a sign, "No more violence." I found it odd because the Aztec's practiced human sacrifice. Whether intentional or not, the Aztec dancers are a good metaphor for the theme: We need to keep what is healthy from our culture or religion and let go of what is destructive.

"La Mission" isn't perfect. A few scenes were just left hanging - especially in the romantic subplot. I didn't feel the chemistry between Che and Lena. But Benjamin Bratt delivers one of his strongest performances. The brothers have given us an authentic, loving depiction of the culture in the Mission barrio with an important theme for our times.

Movie Blessings! Jana Segal,Reel Inspiration

It was fun to see a movie set in San Francisco with places I've been to in the background. Most of the time I forgot I was watching actors in a movie. When that happens I know I'm watching a good show with solid acting and direction. I felt anxiety, fear, and foreboding during much of the movie and that was authentic too. I've been in the Mission lots of times but I'm not Hispanic, didn't grow up there, and usually feel some degree of anxiety and sense of danger when I am there.

The thunder during Che's cathartic moment seemed a bit phony since that only happens once in a great while in San Francisco and all of the Bay Area.

I was wondering how Che was going to fuel his Biodiesel '64 Chevy during the trip to LA. Maybe it could run on regular diesel fuel?

I saw it on DVD and was disappointed that the only special feature was the music soundtrack. I would love to see interviews and some behind the scenes footage.

This movie is smart, passionate, down to earth, poignant, heartbreaking and heartwarming. Superb acting, scenery, setting and supporting cast.

Benjamin Bratt and Erika Alexander are inspired in starring roles. But the supporting cast is rich with excellent actors. The resultant effect is a true ensemble feeling. Intertwined with the main story - about a man and his high school son who is emerging as a gay man - are many subplots that help paint a richer picture of the barrio and the culture:

There are the low rider cars - colorful and flamboyant. And there is the life of the neighborhood, hanging on the stoops, getting along with the people next door.

This is a must see.

This underrated movie provides an insider's view of the colorful San Francisco's neighborhood known as the "Mission" - a predominantly Latino enclave in San Francisco. Inspired by real characters, it does not present the usual clichés of the ethnic minority drama by avoiding the romanticizing of this environment; it skews the typical down home ethnic wisdom favored by liberal Hollywood and does not become another histrionic sordid ghetto thriller/soap opera.

Supported by an excellent cast, Benjamin Bratt gives an astonishing performance as an intolerant bus driver, a single father who cannot accept his adolescent only son's homosexuality despite the love and pride he feels for him. The violent machismo that have shaped his life is perpetuated by the next generation of disenfranchised youth who prey La Mission.

The neighborhood is presented as an insular world almost anachronistic in 21st century San Francisco. Working class middle age men turn old cars into souped-up low-riding monsters and make fun of soy lattes and recycling, feathered Aztec dancers fill the streets with color and sound as neighbors try to maintain a sense of heritage with their indigenous past, families place flowers and pray where their children have been slain.

The movie transcends its family drama genre allowing the story to evolve at its own pace with a feeling of authenticity and honesty prevailing in every scene. Without providing easy solutions, it centers on a character whose contradictions reflect the world he inhabits. Highly recommended.

My family was from the Mission District when it was primarily an Irish neighborhood. Its main claim to fame was it has the nicest weather in San Francisco. I grew up during the transition from Irish to Hispanic, and had a front row seat on the ethnic diversity that took root during the late 1940's/early 1950's. While much has changed since then much has remained the same. Still has great weather and a beautiful park in its midst, right next to Mission High School and Mission Delores. The film perfectly captures the Mission District of today with its hugely Hispanic influence. It is a refreshing change from the yuppie San Francisco we usually see in movies with an emphasis on the Marina, Union Square, and Pacific Heights. The Mission is still where the working class live as it was back when I was growing up. This is a movie about working class values, family values, and machismo, with a San Francisco backdrop. The cinematography is first class with good use of closeups of people, cars, and interesting houses. The movie of course is mainly about the class of Hispanic male culture versus the gay experience in San Francisco, and it pulls that off by presenting a sympathetic view of each culture. That is not easy to do. I enjoyed this movie not so much because it was so well made but because there are so few movies that even attempt to capture a human sized story with a story about a working class neighborhood in a world famous city. This movie was different in a very good way. It was also nice to see a movie about Hispanics not centered either in L.A. or New York. The cast was uniformly excellent. There wasn't a false note in this movie. Kudo's to the Bratt brothers for having the tenacity to make this movie.