Les Muppets, le retour

In Disney's major release for the holiday season, they went with an old stand by, the Muppets, in a film simply called The Muppets. It's a strange blend of humor, nostalgia, and satire. Here we meet Walter, who we know just by looking at him is a little bit different. He is, well, for lack of a better word, a Muppet. The only thing is he is a Muppet living in the real world, and not, I stress not, a member of the Muppet gang. At a very young age he fell under their spell, through television and video rentals. Walter's dream was to walk through the studio that his beloved Muppet's walked through. He gets his chance to meet them when his brother Gary (Jason Segel, who also co-wrote the script) takes his girlfriend Mary (Amy Adams) to Los Angeles.

Walter finds out that the Muppets aren't as popular as they used to be. He finds only remnants of the glory days in a dusty studio, but winds up uncovering a sinister plot intending to bury the Muppet franchise for good. With so much at stake, Walter goes to great lengths to find his idols and bring them back together. With the help of Gary, Amy, Kermit, Fozzie, and the rest of the gang, Walter sets in motion a reunion scenario where if the Muppets put on one last show they can raise enough money to stop the maniacal Tex Richman (Chris Cooper) from ending the Muppet's hopes of survival.

It's almost like The Blues Brothers, where if "the band" gets back together all will be saved. The only difference is that for the audience it's like a reunion, too. We haven't seen the Muppets together save for a few commercials and music videos here and there. I would be lying if I said I didn't get goosebumps seeing Gonzo with his chickens, or the Swedish Chef and his man-hands. Without even trying this film grabs you right in the heart, squeezing every ounce of childhood you have left in there.

It is really evident that Segel took the task of acting and, more importantly, writing, very seriously. His heart really comes through. He didn't want to do an injustice to the franchise that gave him so much pleasure as a youngster. It's as if he wrote Walter as a Muppetization of himself (which really comes through during one particular musical number). He follows the Muppet formula of combining cultural references with the power of celebrity and the importance of silliness and childlike inhibition.

Has any of the magic left the Muppets? I don't think so. I must admit that some of the story points were a bit ridiculous, and sometimes a little too on the nose (yes, I am aware that it was trying to be, but doing it too much becomes tedious). I wasn't entering the film expecting completely revamped Muppet style. It was by the book, aimed appropriately at both children and adults, without ever stepping too far in either direction.

The BIG question remains...now what? The whole point of the movie is to show that the Muppet's have basically become an afterthought. A fond memory that quickly fades. Will this film attract a slew of Muppet followers? Will there be another film? Television show? Who knows. The movie ends optimistically, but how could it not? The thought of a world without the Muppets is scary. It's nice knowing that somewhere Kermit and the gang are waiting for their next queue. To light the lights, put on make up, and all that jazz.

So go treat yourself to a little taste of your childhood. It will do the soul good.

It's bad enough when you watch human actors doing a movie or a sequel that is obviously being done out of an ulterior motive, but with a bunch of F-in muppets?!?! Does the Henson estate owe taxes or are they losing their property? (which is the ridiculous premise of this movie) I really thought Segel would have done something special with this because of all of the attention given to his interests in this field and the fact that he put together a muppet-type play of his own. No! And!, he had someone help him with it as well (Stoller). I was even in a good mood when I rented it, expecting a new revitalized movie from a zealot in this field of entertainment. A random pick out of a lottery ball of kids' scripts would have been better than this, and because of this, my interest in Segel went far down. Cameos and "you sing it, audience!" are sure signs that the artist isn't secure with what is being performed and there are so many cameos that it even outshines the completely apathetic humor. Statler and Waldorf couldn't even trash this movie properly, and it's too bad because all of the resources were there.

I wasn't raised on Barbie dolls, or cartoons. I wasn't in love with Duck Tales or The Secret of Nimh (in fact it scared me senseless), but I was raised to love The Muppets. Fozzie the Bear was a safe old friend who always cheered me up, Kermit was my sense of justice and reason, Miss Piggy was an exercise in the unrestrained Id, Gonzo was something I didn't and still don't understand, but he's blue and adorable! The Muppets are incredibly precious to me. And I just LUCKED out, because the newest Muppet movie was made by a fan who took all of that into account and made a film that just celebrated the glory of the Muppets. Sure there were moments of overkill, sure it sometimes got ridiculous, but The Muppets is about more than just the Muppets. It's about yearning for something pure; something innocent without patronizing its audience. This film was really clever, self aware with a great sense of humor with a giant heart. Definitely see it!

For all of you who are wondering if this will even come close to capturing the magic of the original Muppet movie, I just have one thing to say to you: go see this movie!!!!! I was a little worried myself that this movie would not be great, but tonight, I gave it a chance. And I left with a smile on my face. :) The story is that Gary (Jason Segel), Mary (Amy Adams), and Walter (the new Muppet) decide to take a trip down to Los Angeles; Walter wants to see the Muppet studios, but Mary and Gary are going for their 10th year anniversary of dating. There, they discover the oil tycoon Tex Richman's (Chris Cooper) plan to tear down the Muppet theater. That's when they decide to get the Muppets gang back together, and to put on one last show to raise enough money to save the theater. I'll let you put two and two together now.

Warning: This just might be my longest review so far on this website. That's right: I loved this film so much that I have to ramble on and on about how much I love it.

Let me first start off with the behind-the-scenes work. Jason Segel, I applaud you. You believed in this movie more than anybody else, and it is why they trusted you, my man. Thank you so much for everything you have done on this film; the result is that kids are now laughing at the Muppets, while adults are reminiscing about the old days when Kermit, Fozzie, Miss Piggy, Gonzo, and the rest would come into their TV's and bring laughter into their homes. Both generations are coming out with smiles on their faces. As for the rest of the crew, thank you so much for doing your job right. I am so happy that cgi and 3d was not used here, so thank you for not incorporating those elements.

Now, to the actors (the human actors). Jason Segel and Amy Adams are perfectly corny in this, but it works here, because it's the muppets! Their little story on the side was great; it was not overplayed, it was just right. I won't spoil what this side-story is, but trust me, you'll enjoy it. Chris Cooper was perfectly evil here. I would say that he was one of the most evil characters in the history of the Muppets, but even he gets a song in this movie.

Speaking of the songs, they are all so great and corny here. From the new songs, like "Life's a Happy Song," to the great old ones, like (yes, you are hearing this right) "The Rainbow Connection." They even have the celebrities in this movie singing "Mahna Mahna" in the credits. Loved every bit of it.

And finally, the stars themselves: the Muppets. The trailers did emphasize Jason Segel and Amy Adams, but make no mistake, this is a Muppet film, and the whole entire gang was back. Kermit is still the normal Muppet trying to pull it all together, Fozzie still has a bad sense of humour, Miss Piggy is still very selfish, Gonzo is still trying to perform dangerous stunts, Animal still plays the drums, Rowlf still plays the piano, and all the others are doing their thing. But, let's not forget the newest addition to this wonderful gang: Walter. If you guys are wondering if whether or not he is worth watching, guess what, he is worth it! He is a really likable character, who grew up watching the muppets, and therefore has found them to be his place in life. He is a very nice addition to the family, and I welcome him aboard.

Simply put, I can't stress on how great this film is. Forget about Twilight; The Muppets is where it's at! Everything about this film is great! Honestly, I don't know why Frank Oz said that he felt like this film did not focus on character development of the Muppets. Um Frank, I believe that the Muppets have been around for around 35 years now; I don't think they need that much more character development. Simply put, this movie is great. Kids will love the Muppets, and Adults will remember why they loved the muppets when they were growing up. My only complaint is that this movie should have been longer, but that's barely a complaint, since I enjoyed the movie so much that I will give it a 10/10. That's right, a 10/10 for me! Welcome back, muppets!

This was the best Muppet Movie since 1981's The Great Muppet Caper, which is saying a lot, because I hold that film in very high regard.

The Muppets have been rather hit and miss since Jim Henson passed away. The Muppet Show was originally started by Henson and Oz as a more adult oriented, yet still family friendly comedy variety show as an outlet for gags and bits that wouldn't work on Sesame Street. It worked too, both kids and adults loved the show, and the first three films are classics in their own right. But, sometime in the 80s, The Muppets started to cater more towards Kids rather than adults. The Muppet Babies were first introduced in the third feature film which eventually spawned its own series. Henson then sold the franchise to Disney and sadly died shortly thereafter. It seems that, after the success of Muppet Babies, Disney decided to continue to move The Muppets in a more kid oriented direction ... one with a decidedly Disney flavor to it. This didn't really help the Muppets legacy in the long term. Kids grow up, and eventually grow out of kid shows and movies. And with very little, if any, appeal to adult audiences, The Muppets were soon forgotten by the generation who grew up in the 90s and 2000s.

But the generation that that grew up in the 70s and 80s had not forgotten the old Muppets, in fact they missed them dearly. Jason Segel is one of those people, and it is clear from this film that his enduring love of The Muppets and the influence they had on him as a child, was the driving force behind this movie.

This is a comeback movie. The Muppets start off in a bad way. People have forgotten them, their abandoned studio is about to be torn down, and they just aren't popular anymore. This is reflecting the actual situation The Muppets franchise was in at the time they were making the movie. And thus the plot lends itself to fourth wall jokes that were so prevalent in the early films.

It is, for the most part, a return to form. This is old school muppet humor at its best. You have the silly and catchy musical numbers, mixed in with a bit of sincere songs, celebrity cameos, fourth wall jokes, pop culture humor, a self aware plot that frequently pokes fun at itself, Fozzie's bad jokes, Statler and Waldorf's heckling, a Kermit and Miss Piggy romance plot, and just general wackiness and slapstick.

Still, as similar as it is to the old Muppet formula, it's also quite different. After Disney took over, human characters often played larger roles in the Muppet films. That is the case with this one. In fact, much of the plot and humor in this film is not centered around the muppets at all, but are centered around the two human characters and the new muppet. While some may be disappointed by this change, I have to disagree and say that, for this film, it works and works quite well. Still, it's clear that Disney doesn't have much confidence in The Muppets holding the film together on their own, like they did in the original (and best) Muppet Movie.

As a result there are times where the movie feels less like a Muppet Movie and more like a tribute to the Muppets. In some ways this is the film's strength, in other cases it is a weakness. Also, some of the bits in the second half seem a bit awkward and fall flat, often on purpose, but usually it isn't worth the payoff. Nevertheless, this film hits on an emotional and nostalgic level, especially for those who grew up with The Muppets. There were times when I actually felt a tear come to my eye. It's that moving.

The film's success so far has been warranted, and I'm hopeful that Disney will do the right thing and green light "The Cheapest Muppet Movie Ever Made", a project Henson and Oz had been pushing for since 1985. There were even plans to make it in 2009, but the project was set aside for this film instead. Hopefully, this last idea by Jim Henson will be the next sequel, the premise certainly looks like it has potential.