Fraîchement diplômé de la prestigieuse Université de New York, Moose fait équipe avec une bande de loyaux street dancers et, parmi eux, Luke et Natalie. Ensemble ils vont se mesurer aux meil... Tout lireFraîchement diplômé de la prestigieuse Université de New York, Moose fait équipe avec une bande de loyaux street dancers et, parmi eux, Luke et Natalie. Ensemble ils vont se mesurer aux meilleurs break dancers du monde au cours dun affrontement dont lissue changera leur destin à ... Tout lireFraîchement diplômé de la prestigieuse Université de New York, Moose fait équipe avec une bande de loyaux street dancers et, parmi eux, Luke et Natalie. Ensemble ils vont se mesurer aux meilleurs break dancers du monde au cours dun affrontement dont lissue changera leur destin à tout jamais.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Moose
- (as Adam G. Sevani)
- Jason
- (as Stephen 'tWitch' Boss)
- Carlos
- (as Oren 'Flearock' Michaeli)
- Julien
- (as Joe Slaughter)
- Vladd
- (as Chadd 'Madd Chadd' Smith)
Avis à la une
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
The beginning scene gets it moving. Why do you dance? To express. Because we can be someone amazing when we move. So, in the movie we got astonishing dancers, outstanding choreography and so much color and visuals that its really a great watch, especially in 3D. And 3D works very well for this film. Just... when you see the choreography, how can you not love the movie? Its just sick. Some of the scenes are brilliant, watch out for the one briefly seen in the trailer, when Moose and Camille are dancing through the city. That scene steals the show.
Well, Moose, played by Adam G. Sevani, is the best character in the movie. He is believable, can act and is the only one with any character development. He also has pretty good charisma that makes him interesting to watch, and is quite funny. We also have some of the best (and i really mean the best) dancers from all around the world, starting with bboys and finishing with the finalists of SYTYCD. And all the other ones. And, as a dancer, i had to pick up my dropped jaw from the floor after the movie. Did i mention awesome dancing?
So, this movie is made for specific audience and as for it, isn't for everyone. Dancers are going to love this. We'll always have those who will bash this movie and see it as the worst ever made, but they're just haters. If you're up for some insanity on the dancefloor, colorness and excitement, watch Step Up 3D. It will blow your mind off, and take the roof with it. I like.
Le saviez-vous
- AnecdotesWith an opening weekend tally of $15.8 million, this was the lowest-earning movie of the "Step Up" movies. However, the film went on to international grosses of $159,000,000, making it the biggest earner of its (at the time) films.
- GaffesAt the final battle where Julien takes 2 of his crew members as dogs with chains, he once wears his jacket, the next shot he stands there without it and so on.
- Crédits fousAt the beginning of the end credits there's a scene in which Jay Franco (aka J-Smooth) sits on a chair and performs an impressive catalog of finger tutting moves
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #18.93 (2010)
- Bandes originalesEmpire State of Mind
Written by Jay-Z (as Shawn Carter), Alicia Keys (as Alicia Augello-Cook), Angela Hunte, Bert Keyes, Sylvia Robinson, Janet Sewell (as Jane't Sewell), Al Shux (as Al Shuckburgh)
Performed by Jay-Z featuring Alicia Keys
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Alicia Keys appears courtesy of J Records
Contains a sample of "Love on a Two Way Street"
Performed by The Moments
Courtesy of Sugarhill Records Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 400 223 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 812 311 $US
- 8 août 2010
- Montant brut mondial
- 159 291 809 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1