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Les amants sacrifiés

Titre original : Supai no tsuma
  • Téléfilm
  • 2020
  • Tous publics
  • 1h 55min
NOTE IMDb
6,6/10
3,4 k
MA NOTE
Yû Aoi in Les amants sacrifiés (2020)
Trailer 1
Lire trailer1:47
2 Videos
13 photos
DrameGuerreL'histoire

Un marchand japonais qui laisse derrière lui sa femme pour se rendre en Mandchourie, où il est témoin d'un acte de barbarie. Ses actions ultérieures provoquent des malentendus, de la jalousi... Tout lireUn marchand japonais qui laisse derrière lui sa femme pour se rendre en Mandchourie, où il est témoin d'un acte de barbarie. Ses actions ultérieures provoquent des malentendus, de la jalousie et des problèmes juridiques pour sa femme.Un marchand japonais qui laisse derrière lui sa femme pour se rendre en Mandchourie, où il est témoin d'un acte de barbarie. Ses actions ultérieures provoquent des malentendus, de la jalousie et des problèmes juridiques pour sa femme.

  • Réalisation
    • Kiyoshi Kurosawa
  • Scénario
    • Ryûsuke Hamaguchi
    • Kiyoshi Kurosawa
    • Tadashi Nohara
  • Casting principal
    • Yû Aoi
    • Issei Takahashi
    • Masahiro Higashide
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    3,4 k
    MA NOTE
    • Réalisation
      • Kiyoshi Kurosawa
    • Scénario
      • Ryûsuke Hamaguchi
      • Kiyoshi Kurosawa
      • Tadashi Nohara
    • Casting principal
      • Yû Aoi
      • Issei Takahashi
      • Masahiro Higashide
    • 14avis d'utilisateurs
    • 74avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires et 9 nominations au total

    Vidéos2

    Wife of a Spy
    Trailer 1:47
    Wife of a Spy
    WIFE OF A SPY - official US trailer
    Trailer 1:47
    WIFE OF A SPY - official US trailer
    WIFE OF A SPY - official US trailer
    Trailer 1:47
    WIFE OF A SPY - official US trailer

    Photos12

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 7
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    Rôles principaux12

    Modifier
    Yû Aoi
    Yû Aoi
    • Satoko Fukuhara
    Issei Takahashi
    Issei Takahashi
    • Yusaku Fukuhara
    • (as Issey Takahashi)
    Masahiro Higashide
    Masahiro Higashide
    • Yasuharu Tsumori
    Ryôta Bandô
    • Fumio Takeshita
    Yuri Tsunematsu
    Yuri Tsunematsu
    • Komako
    Minosuke
    • Kanemura
    Hyunri
    Hyunri
    • Hiroko Kusakabe
    Takashi Sasano
    • Doctor Nozaki
    Chuck Johnson
    Chuck Johnson
    • Bob
    Nihi
    • Foreign Business Supplier
    David Ridges
    • John Fitzgerald Drummond
    Sakichi Sato
    • Diamond Seller in alley
    • Réalisation
      • Kiyoshi Kurosawa
    • Scénario
      • Ryûsuke Hamaguchi
      • Kiyoshi Kurosawa
      • Tadashi Nohara
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,63.3K
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    9
    10

    Avis à la une

    7dmansel

    A competent thriller that manages to keep the audience engaged and guessing throughout

    Wife of a Spy, a historical drama set in Japan during the early days of World War II, centers on Yu Aoi as Satoko Fukuhara, the wife of a businessman (Takahashi) whom she slowly suspects may be a spy for the United States. Be warned, if you're looking for a tense, taught thriller that showcases the art of spycraft, intrigue, and narrow escapes, Wife of a Spy is not that. Instead, it's a solid character driven film devoid of any bombast or spectacle. The film takes its time letting the audience get to know the characters before upending Satoko's happiness, plunging her into a world of lies and deceit.

    As Satoko is slowly drawn in to Yusaku's world, her transition from timidity to confidence is almost immediate, making game-changing decisions that forces Yusaku to include her into his plans. Hunting the couple is Masahiro Higashide as Taiji, an ambitious and recently promoted member of military police. Taiji, a childhood friend of Satoko, brings the tension to the film as his affections for Yusaku's wife make for source of emotional conflict for Satoko. While not on screen often, Higashide plays the brooding, power hungry officer well, and shines in his final confrontation with Aoi. The final resolution is painful and melancholic as audiences are taken through the ride of 1940s Japan to settle at the final days of the war.

    Starring Yu Aoi and Issey Takahashi, Wife of a Spy's main strength lies in its acting. Issey Takahashi's relaxed, almost informal body language conveys a sense of confidence, of self assuredness in the actions he's taking against his home country. Takahashi is equal parts charming and affable as he moves through the film, interacting with businessmen and officers of the law alike in an easy manner that almost appears effortless. It's this disarming nature that beguiles both the characters and us the audience, and it's only when Yusaku's plans are fully revealed that we realize just how calculating Yusaku has been the entire time.

    Still, for all of Takahashi and Higashihde's prowess, the star of the film is Yu Aoi as the titular spy's wife. Aoi's transition from happy housewife to woman of conviction to something entirely different by the movie's end is played masterfully by Aoi as Satoko navigates through the twists and turns of the story. Alternating between ignorance, anger, fear, and confidence, Aoi employs a full acting clinic as she carries the film.

    Directed by Kiyoshi Kurosawa, Wife of a Spy burns slow, but never manages to bore. Within its 115 minute runtime, Kurosawa has created a world of 1940s Japan littered with possible friends and possible foes. Never explicitly stating who the Fukuharas can and can't trust, the audience is left just as wary as the characters are in their decision making. Kurosawa bring a realistic feel to the movie, choosing to use natural light often to illuminate his characters, helping to lend credence to the period piece. The almost Hitchcockian feel of the film is expertly handled by the veteran director, and while the Wife of a Spy never quite reaches the level of thrills that say Rear Window or Vertigo provide, it still manages to craft a solid story featuring hidden motivations and crisis of identity.

    Overall, Wife of a Spy is a competent thriller that manages to keep the audience engaged and guessing throughout. Thanks to a shocking third act twist that's sure to catch viewers off their guard, the film is elevated from standard spy fare to something deeper and more appreciative of the subgenre. More focused on the themes of strong relationship ties and national pride than on espionage, Kurosawa's movie is clever in its approach to the story, choosing to stay focused on Satoko and her desires over Yusaku's scheming. Strong performances from Yu Aoi and Issey Takahashi, as well as the direction from Kiyoshi Kurosawa combine to place it on a list of worthy must-see movies of 2021. Wife of a Spy hits theaters in a limited release September 17th in New York and September 24th in Los Angeles.
    5ops-52535

    starts with a cry...

    And end with an even longer cry. The story though might be interresting, but not exactly as exciting as could be.its made in a japanese customly humble and cultural driven manner, and very theatrical in its execution. Its a fingerpinchsize of a daring topic to raise, namely the years before ww2 japan, where manchuria was the battle field, the nipponese fascism near its summit, and where spies operated everywhere and upon everyone. Being a wife to a spy is a dire choice of existece, and when you dont know what to believe, even from your right hand side, then tragedy is pretty near.

    Its a pretty classical japanese production on a tv broadcaster budget, its pretty rigid on outdoor scenes, and plentyfilled with tears and agony. Some historical images there are but not of the cruel stuff. There are no sex and nudity, barely a kiss to see, but drama youll get if you want that. The grumpy old man had expected more due to norwegian broadcaster nrk's ''the film police'' review.
    7dudumnz

    Intriguing, frightening, unexpected!

    Considering it's seemingly cheap, it's still a very enjoyable piece. Direction, screenplay, footage and actings are greatly done and the plot is unusual and surprising, although threre are some gaps that could be better elucidated it's solid enough.
    6Pjtaylor-96-138044

    The spy who married me.

    'Wife Of A Spy (2020)' is a historical thriller in which a woman begins to suspect her husband is hiding something when he returns from a business trip. Set during the second world war, the flick focuses on the way in which Japan is changing and demands its citizens do the same. The central character initially cares only for her own safety and happiness (which includes the safety and happiness of her husband), but soon becomes to realise that it's impossible to remain apolitical in an increasingly political world. War cannot be ignored, no matter how hard you try. Though it may sound like a suspenseful story full of enigmatic intrigue, the narrative actually presents itself mostly as a quiet drama. It focuses far more on its characters than on its plot, though these elements do obviously influence each other heavily, and is much slower than you may expect. Claims that it's Kurosawa's attempt at Hitchcock seem slightly off the mark. That doesn't mean it's bad, of course. It's generally compelling and has moments of more concentrated excitement. Plus, its overall tapestry is fairly tactile and it takes a slightly distinct approach to its material. It doesn't seem to quite know how to wrap things up, opting to present an extended epilogue that feels fairly baggy and even a little thematically dissonant. The English-language acting, as infrequent as it is, is noticeably bad; it honestly takes you out of the experience. Despite its issues, though, it's an entertaining affair overall. It's a well-achieved film in almost every technical aspect. Ultimately, it's a solid character study by way of a WWII espionage thriller.
    8lee_eisenberg

    not enough has gotten told about 1930s and '40s Japan

    Kiyoshi Kurosawa's "Supai no tsuma" ("Wife of a Spy" in English) is about a woman in 1940s Japan married to a man suspected of being a double agent. It's one of those movies that manages to be romantic and intense at the same time.

    One thing about it that I hope catches viewers' attention is the Japanese authorities' discussion of events in China. It refers to Unit 731, where Japanese troops performed horrific scientific experiments on the Chinese. This was just one of countless monstrous war crimes carried out by the Japanese troops in the '30s and '40s. While there was some prosecution of these atrocities, most of them got swept under the rug. No doubt it'll take years to fully expose the war criminals. It's perfectly understandable why Satoko and Yusaku do what they do.

    Anyway, it's a fine look at Japan. The generations since WWII have been unwilling to fully acknowledge the country's war crimes; maybe the younger generation will be willing to.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Fumio and Yusaku are about to depart to Manchuria, Fumio mentions "Here we go to settler's paradise". This refers to the propaganda regarding the massive migration program undertook by the Japanese government called "Millions to Manchuria" that sent hundreds of thousands of peasants to settle and colonize the rural areas of northern Manchuria (Manchukuo at the time).
    • Gaffes
      After their departing British friend gives them silk in an early scene, Yusaku suggests making it into western-style clothes. Satoko warns that this will go against the new National Uniform Edict. A few scenes later, Yusaku leaves for a business trip to Manchuria. While he is away, Satoko hears on the radio that the Tripartite Pact has been signed with Germany and Italy. The radio makes clear that the date is September 27, 1940. However, the National Uniform Edict was not issued until over a month later, on November 2, 1940, meaning it would not have been in effect during the earlier scene with the silk.
    • Connexions
      Features Kôchiyama Sôshun (1936)
    • Bandes originales
      Make Believe
      Music by Jerome Kern

      8mm movie BGM

    Meilleurs choix

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    Détails

    Modifier
    • Date de sortie
      • 6 juin 2020 (Japon)
    • Pays d’origine
      • Japon
    • Sites officiels
      • A Contracorriente Films (Spain)
      • Amuse Soft (Japan)
    • Langues
      • Japonais
      • Anglais
    • Aussi connu sous le nom de
      • Wife of a Spy
    • Lieux de tournage
      • Kobe, Hyôgo, Japon
    • Sociétés de production
      • C&I Entertainment
      • ENBU Seminar
      • Incline
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 69 464 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 162 $US
      • 19 sept. 2021
    • Montant brut mondial
      • 2 292 553 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color

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    Yû Aoi in Les amants sacrifiés (2020)
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    By what name was Les amants sacrifiés (2020) officially released in Canada in French?
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