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4,0/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueAn anti-American filmmaker who's out to abolish the July Fourth holiday is visited by three ghosts who try to change his perception of the country.An anti-American filmmaker who's out to abolish the July Fourth holiday is visited by three ghosts who try to change his perception of the country.An anti-American filmmaker who's out to abolish the July Fourth holiday is visited by three ghosts who try to change his perception of the country.
- Réalisation
- Scénario
- Casting principal
Kevin P. Farley
- Michael Malone
- (as Kevin Farley)
Mark Vafiades
- Look Out! It's Those Christians!
- (as Mark Basil)
Avis à la une
A funny spoof on all anti-American movies that seem to spew from Hollywood like fire ants through the Texas prairie. Far from being all about Michael Moore, as liberals profess, this movie takes dead-on shots at general liberal/anti-U.S. propaganda that is taken as truth by the mainstream media and gullible Americans. The director is not afraid to give credit to Lincoln for going to war to fight slavery, when the Democrat Party of that day was willing to let the South have its way, just to avoid a war. I had to laugh when Malone and the Rosie O'Donnell character put up that radical Christian video as evidence that America deserved 9/11. If you know history as it happened, you will like this movie. If you know history as told by Hollywood, you will understand nothing. Good job Zucker, and now I want to see the Ben Stein movie that was in the previews.
...but these guys actually tried to make it funny and that's why they failed. They should have tried to make a neocon documentary about leftism instead that would be funny as hell. Insulting to other races "jokes", senile humor, extremely divisive world-view and the stalking of a fairly good documentarist (yeah I said Michael Moore is a good documentarist, go cry in your corners now). So pretty much all the ignorance and stupidity you'd expect from redneck neocons. Only surprise was that the movie wasn't produced in Alabama. The only joke I laughed at was the Taliban training video and I felt like an idiot after that.
An American Carol is an entertaining movie on many levels. I found it to be humorous and extremely poignant. The last take off on Dickens' "A Christmas Carol" that was this funny and this entertaining was Bill Murray's Scrooged. Kevin Farley (yes, Chris' brother) is amazing as rotund, anti-American film maker Michael Malone. This film perfectly lampoons and wonderfully illustrates mindless liberal agendas across the board. It's even emotional and moving at times. The amazing cast includes many cameos (Leslie Nielsen, Dennis Hopper, Kelsey Grammar, James Woods, etc.) and many outstanding performances. Almost every scene delivers either something silly, flat out funny or something to think about. If this movie doesn't make you think and cherish America then your mind is already closed, what there is of it.
I loved Airplane! I think it's a staple on the American comedy scene. In fact, I love several of David Zucker's movies, but he seems to have lost his understanding of the American psyche in his last few attempts. An American Carol, for instance, could just as well have been a pro-Nixon movie, released soon after Watergate. I'm sure there will be a few who will find Zucker's portrayal of Michael Moore funny and they would likely find a Zucker portrayal of Martha Mitchell to be humorous, as well. The irony comes in Zucker's failure to realize that most people side with Michael Moore on his opinions, as well as the facts that support his opinions, which Zucker pokes fun at by treating them as if they were untrue.
As a Liberal, I didn't expect to agree with Zucker's political views, and yet, I felt compelled to watch it and give it a fair shake, believing that my difference in politics might not prevent me from finding it funny. Unfortunately, An American Carol ended up being as disconnected from reality as I'd feared beforehand and I can't help wondering what Hollywood genius figured it would be a good idea to make fun of a controversial American political icon, just as the vast majority of Americans were figuring out that his serious accusations were justified. If Zucker were around for the Boston Tea Party, he most surely would have had a blast ridiculing Samuel Adams, and those throwing tea overboard, and I'm sure he wouldn't have spared American revolutionaries for wanting independence, either, because Zucker seems all about protecting the establishment, no matter who it is and what faults it may have.
I may sound motivated by politics, but that's really not the impetus for my harsh review at all. We've all seen funny political humor that was driven by views that we didn't share, but this is different because Zucker is trying to force humor that just isn't there. Michael Moore offers a plethora of opportunities for humor, but there is nothing funny about portraying people as wrong, when in fact, they were right. And if I am wrong on this, then I have a great idea for a satire about Abraham Lincoln foolishly trying to end slavery, which I'm certain will have it's fans as well.
As a Liberal, I didn't expect to agree with Zucker's political views, and yet, I felt compelled to watch it and give it a fair shake, believing that my difference in politics might not prevent me from finding it funny. Unfortunately, An American Carol ended up being as disconnected from reality as I'd feared beforehand and I can't help wondering what Hollywood genius figured it would be a good idea to make fun of a controversial American political icon, just as the vast majority of Americans were figuring out that his serious accusations were justified. If Zucker were around for the Boston Tea Party, he most surely would have had a blast ridiculing Samuel Adams, and those throwing tea overboard, and I'm sure he wouldn't have spared American revolutionaries for wanting independence, either, because Zucker seems all about protecting the establishment, no matter who it is and what faults it may have.
I may sound motivated by politics, but that's really not the impetus for my harsh review at all. We've all seen funny political humor that was driven by views that we didn't share, but this is different because Zucker is trying to force humor that just isn't there. Michael Moore offers a plethora of opportunities for humor, but there is nothing funny about portraying people as wrong, when in fact, they were right. And if I am wrong on this, then I have a great idea for a satire about Abraham Lincoln foolishly trying to end slavery, which I'm certain will have it's fans as well.
I laughed when I came on here and saw a handful of sheepish shoegazers reviewing this movie. They called it 'propaganda', they called it a 'Conservative brainwashing tool.' Let's be honest for a few minutes. Hollywood is riddled with mind-numbingly moronic 'actors' who tell you how to feel, tell you how to spend your money, tell you how to vote, and tell you how you should live your life. Honestly, how can you 16 year old latte lappers truthfully view this film as 'propaganda'? It just makes me laugh.
Anyway, this film was a nice breath of fresh air. I'm sick of Sean Penn pouring his whining little do-nothing tears all over the television set. I'm sick of Opera sitting on her $6,000 white sofa while crying about every low-life druggy that plops onto the seat next to her. I'm sick of the ALCU grave diggers scouring the globe and looking for the next person who says the word 'black' or spills coffee on their lap. I'm sick of Rosie Odonnell spraying bacon bits out of her loud mouth while she thinks she's daytime TVs answer to all the world's problems. Like I said, this film was a breath of fresh air.
Watching this film I realized that modern day America has no General Patton, we have no war hero JFK, we have no liberty loving George Washington. Modern day America needs public officials that know the price of freedom...now I know some of you leftist Bolsheviks will laugh at that, but that's only to your demise. Billions of people around the world are suffering at the hands of brutal and power hungry dictators...yet you sit behind your computer, posting your inane blogs, and believing all the answers can be solved with a click of a mouse and a hug. Get a grip on reality and stop living in Candy Land.
-AZ3 USN
Anyway, this film was a nice breath of fresh air. I'm sick of Sean Penn pouring his whining little do-nothing tears all over the television set. I'm sick of Opera sitting on her $6,000 white sofa while crying about every low-life druggy that plops onto the seat next to her. I'm sick of the ALCU grave diggers scouring the globe and looking for the next person who says the word 'black' or spills coffee on their lap. I'm sick of Rosie Odonnell spraying bacon bits out of her loud mouth while she thinks she's daytime TVs answer to all the world's problems. Like I said, this film was a breath of fresh air.
Watching this film I realized that modern day America has no General Patton, we have no war hero JFK, we have no liberty loving George Washington. Modern day America needs public officials that know the price of freedom...now I know some of you leftist Bolsheviks will laugh at that, but that's only to your demise. Billions of people around the world are suffering at the hands of brutal and power hungry dictators...yet you sit behind your computer, posting your inane blogs, and believing all the answers can be solved with a click of a mouse and a hug. Get a grip on reality and stop living in Candy Land.
-AZ3 USN
Le saviez-vous
- AnecdotesWayne Knight and Frank Caliendo turned down the role of Michael Malone.
- GaffesPatton speaks dismissively of his portrayal in Patton (1970) ("That Patton was an actor!"). And yet throughout the film Kelsey Grammer speaks in the gruff, gravely voice that George C. Scott used in that picture. In fact, the real historical Patton spoke in a sharp, nasal, and slightly Southern accented voice.
- ConnexionsFeatured in The O'Reilly Factor: Épisode datant du 18 septembre 2008 (2008)
- Bandes originales1968
Written and Produced by Allen Simpson
Additional Lyrics by Lewis Friedman
Performed by Bobbie Bates, Lisa Fredrickson, Marcy Goldman, Sandra Asbury-Johnson,
Brian Michael Jones, Anthony Marciona, Stan Mazin and Allen Simpson
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Big Fat Important Movie
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 013 191 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 810 000 $US
- 5 oct. 2008
- Montant brut mondial
- 7 013 191 $US
- Durée1 heure 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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