Vampir

Brooding folk horror from Serbia (with an English script) as a familiar tale is given a downbeat (not sparkly not glamorous) vampire in a small rural village.

The central character arrives to look after a cemetery, but its not long before rumours of the undead begin to affect his dreams.

Beautiful simplicity without many of the sfx or hammy performances we've cone to expect from vampires. Dark and delightful soundtrack too.

The main story is told by a handful of characters, but the villagers (living and dead) create an otherworldly environment to scare our hero. But is he a Harker, a Van Helsing or a Renfield?

Vampir is grounded in Serbia and this country side. The pace is slow, and the land is sparse. The film is somewhat silent given the main character doesn't speak Serbian, and no one in the village speaks English.

The main character suddenly arrives in Serbia from London, and he is taking a position to be the caretaker for a cemetery.

But, as he tries to settle in, the main character finds that the village and villagers are odd. Then, he starts experiencing odd disturbing dreams. At this point, the reality of this character starts to be questioned.

Small subtle details can be found that relate to some points in Dracula. These are little hints to show where the story is heading. The main acotr does well in his role as his past unfolds into his present.

This doesn't have the typical shock and gore of a horror vampire film. Instead, it has a steady and quiet sense that overpowers by the end.

Vampir is a erie and hunting drama played out in a sinister and suffocating rural village in Serbia. The drama places the audience in the shoes of Arnaut, played beautifully and sensitively by the director, keeping his head down in the aforesaid village where a group of gangsters in London don't have a hope of tracking him down. Arnaut struggles to find some peace and isolation in an environment where the people are outwardly friendly, but gloomy and ominously uncanny. I had a very strong feeling of 'The Twilight Zone'.

The film is grim and macabre with excellent performances, whilst managing to show the beauty, style and distinct vibe of the rural villages of Yugoslavia. Excellent, and very enjoyable horror !!!

I saw this not knowing what to expect. And I was pleasantly surprised to see something so different from what's currently being offered in mainstream cinemas. This film is art, beautiful cinematography, haunting soundtrack, original directing ideas, no CGI and very subtle and honest performances.

Above all, this film will take you on a journey and suck you in deeper and deeper into this small Serbian village and its dark secrets.

The atmosphere and suspense that Tomovic creates in his film will get under your skin.

I saw this film at Sitges International Film Festival and was pleasantly surprised. This film reminded me of earlier horror classics like Carnival of Souls and especially of contemporary European auteur cinema. This is a different kind of horror film, not a typical vampire horror movie with loud bangs and cheap tricks what we have been used to seeing in recent years.

Vampir takes place in modern times in rural Serbia. We follow the protagonist as he arrives from London to this place and is confronted by local habits, traditions and superstitions.

Tomovic does a great job by telling the story by staying close to the character and showing everything subjectively through the main character's eyes. The lack of subtitles for the Serbian dialogue spoken by the locals enhances the paranoia and fear. The film is very creepy and atmospheric, cinematography and sound design go hand in hand in creating this beautiful yet very haunting picture. The acting throughout is superb as it's very authentic, subtle and naturalistic.

Tomovic as a writer/director succeeds in creating a very Kafkaesque story that has a much deeper meaning than an ordinary vampire movie. It is full of metaphors and has themes of returning as an immigrant child to your ancestor's country and belonging.