Vampir

A very promising film with great locations, and a decent story.

However the camerawork is shaky at best, and except for one or two acceptable locations it never shines or manages to pull off anything remotely scary.

Most of the scenes are shot in the daylight which does confuse the overall nature and intent of the film.

There are a plethora of vampire films out there to choose from, but this fails in almost every department which is a real shame.

The main characters performance is so wooden he could've staked the entire village in one sentence.

A shame really as this could've been something special.

This film has some really interesting and promising aspects to it but unfortunately fell just below average for me.

This one was a slow one guys... and I mean slow. Nothing super interesting happens until about 40 minutes in and nothing particularly exciting happens for another 20 minutes after that.

Aesthetically, this was super enjoyable and intriguing and this is what primarily carried the film for me. It had beautiful and atmospheric settings and shots throughout.

There wasn't a ton of dialogue in this, and when there was, it was clunky most of the time. So, I preferred when it was silent or in a foreign language the most.

All in all it just didn't give me enough of a story, and what it did give me was a bit confusing with a lot of unanswered questions. The positives were there, but unfortunately the negatives outweighed. Wouldn't recommend to most unless you're looking for something aesthetically pleasing.

Brooding folk horror from Serbia (with an English script) as a familiar tale is given a downbeat (not sparkly not glamorous) vampire in a small rural village.

The central character arrives to look after a cemetery, but its not long before rumours of the undead begin to affect his dreams.

Beautiful simplicity without many of the sfx or hammy performances we've cone to expect from vampires. Dark and delightful soundtrack too.

The main story is told by a handful of characters, but the villagers (living and dead) create an otherworldly environment to scare our hero. But is he a Harker, a Van Helsing or a Renfield?

I saw this not knowing what to expect. And I was pleasantly surprised to see something so different from what's currently being offered in mainstream cinemas. This film is art, beautiful cinematography, haunting soundtrack, original directing ideas, no CGI and very subtle and honest performances.

Above all, this film will take you on a journey and suck you in deeper and deeper into this small Serbian village and its dark secrets.

The atmosphere and suspense that Tomovic creates in his film will get under your skin.

I saw this film at Sitges International Film Festival and was pleasantly surprised. This film reminded me of earlier horror classics like Carnival of Souls and especially of contemporary European auteur cinema. This is a different kind of horror film, not a typical vampire horror movie with loud bangs and cheap tricks what we have been used to seeing in recent years.

Vampir takes place in modern times in rural Serbia. We follow the protagonist as he arrives from London to this place and is confronted by local habits, traditions and superstitions.

Tomovic does a great job by telling the story by staying close to the character and showing everything subjectively through the main character's eyes. The lack of subtitles for the Serbian dialogue spoken by the locals enhances the paranoia and fear. The film is very creepy and atmospheric, cinematography and sound design go hand in hand in creating this beautiful yet very haunting picture. The acting throughout is superb as it's very authentic, subtle and naturalistic.

Tomovic as a writer/director succeeds in creating a very Kafkaesque story that has a much deeper meaning than an ordinary vampire movie. It is full of metaphors and has themes of returning as an immigrant child to your ancestor's country and belonging.