Corsage
- 2022
- Tous publics
- 1h 54min
NOTE IMDb
6,5/10
11 k
MA NOTE
L'impératrice Elisabeth d'Autriche est idolâtrée pour sa beauté et réputée pour ses tendances mode inspirantes. En 1877, elle est considérée comme une vieille femme, elle commence donc à ess... Tout lireL'impératrice Elisabeth d'Autriche est idolâtrée pour sa beauté et réputée pour ses tendances mode inspirantes. En 1877, elle est considérée comme une vieille femme, elle commence donc à essayer de maintenir son image publique.L'impératrice Elisabeth d'Autriche est idolâtrée pour sa beauté et réputée pour ses tendances mode inspirantes. En 1877, elle est considérée comme une vieille femme, elle commence donc à essayer de maintenir son image publique.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 17 victoires et 43 nominations au total
Résumé
Reviewers say 'Corsage' delves into Empress Elisabeth of Austria's conflict with societal norms and personal autonomy, emphasizing beauty, power, and gender limitations. Vicky Krieps' performance is lauded for its depth and complexity. However, the film faces criticism for its sluggish tempo, historical inaccuracies, and disjointed storyline. Some find the anachronistic aspects and historical deviations distracting. Despite these drawbacks, the film's cinematography, costume design, and Krieps' captivating performance are often noted as significant strengths.
Avis à la une
The danger with fictional accounts of the lives of real people, is that it is frequently all to easy to poke holes in the plot. This is one such film that takes just a little too much creative licence with the the life of the Empress Elisabeth (Vicky Krieps). Wife of the famed Austro-Hungarian Emperor Franz Josef (Florian Teichtmeister), this film follows a supposed year in the life of this curious historical figure who, having suffered a family tragedy and having a rather estranged emotional relationship with her husband, spends much of her life obsessing with her weight and seeking solitude. Krieps is on good form, she creates a persona for her character that is effective to watch, but the mixture of modern and period scenarios (old buildings with modern fire doors; a cross-channel ferry!) seems anachronistic - to what end? The buildings in which she and her family inhabit have none of the opulence and grandeur of the Hofburg or Prague Castle, indeed the British home of her horse-master "Bay" (Colin Morgan) looks little better that a ramshackle ruin - and this is incongruous with the way we know she lived her life. Reclusive, yes, but still in splendour. It is also a particularly unremarkable year in her life to have chosen to illustrate. Not the previous ones where turbulence within the Imperial family reigned, not the famed "Mayerling" period which was ultimately held responsible for the final decline of this lady. There is also an highly speculative portrayal of her relationship with Bavaria's equally famous King Ludwig II (Manuel Rubey). The denouement itself is presented here in a rather too bizarre fashion that rather topped off this interesting but frankly flat and pace-less drama that offers us a glimpse of this intriguing woman, but little more of substance. Pity.
A beautifully shot and elegiac film that explores the life of Empress Elisabeth of Austria as she navigates the expectations of her culture and her own desires. Vicky Krieps gives a layered and nuanced performance as Elisabeth, and the metaphor of the corset effectively symbolizes the constrictions of her privileged but powerless life. While the film is unabashedly fictionalized, it effectively captures the internal struggles of a woman who is constantly told what to do and who grapples with the fear of losing her beauty and power as she ages. The sumptuous settings and contemporary songs add to the overall atmosphere of the film, which is both poignant and thought-provoking. Overall, "Corsage" is a worthwhile watch for fans of historical dramas and those interested in exploring themes of beauty, power, and the constraints of societal expectations.
Corsage is a tale of a woman now and then a prisoner of fame a prisoner of formalities. Torturing depression that an empress can't escape, corsage captures the tragic reality of human lives that's glazed with grandeurs erupting from time to time, Vicky's performance is absolutely devoted and sharp along with the equally excellent work by the rest of the cast. The cinematography captures the simplicity and beauty of every moment very well. Great use of audio enriching each scene with melody. Corsage is a slow developing story about life that has a bittersweetness that would last for a good amount of time.
I've noticed a number of reviewers having difficulty with this film on grounds of its historical inaccuracy. I can't speak to any of that. Being myself blissfully ignorant of the relevant history, I was untroubled by such considerations as I settled into my seat at my local Picture House - perfectly happy to take it as Art: a work of speculative fiction, and a somewhat impressionistic one at that.
Treating it as such, I found it thoroughly engrossing: 1hr 54 well spent, IMO. The central performance by Vicky Krieps is wholly engaging and deliciously subtle, and its portrayal of an intelligent, creative spirit struggling to maintain sanity against a straitjacket (or should that be corset? That's the big metaphor, after all) of patriarchal social convention had me hook, line and sinker, from the opening scene to the (breathtakingly unexpected) final one.
In the interests of full disclosure might as well mention the two things I was less keen on. Neither of them deal-breakers, but...
1) In a couple of scenes, characters are heard singing late 20th century pop songs. This practice of inserting anachronistic modern detail into period drama has become a bit of a fad in the last few years, especially, it seems, in German productions (the recent TV series KaDeWe springs to mind as a prime example). My personal feeling is that it's a stylistic quirk that's been done to death and has outlived its welcome. Others may disagree!
2) One part of the story (we are told by the onscreen captions) takes place in "Northamptonshire". Yeah right. Northamptonshire my ***! Neither the architecture nor the scenery are remotely British. It's blatantly obvious that these scenes were shot, like the rest of the movie, in mainland Europe - most likely southern Germany or Austria. Perhaps the production budget wouldn't stretch to a trip across the channel? Ah well...
These minor niggles aside, though, I'm glad I went to see this movie. Its imagery will linger in my consciousness a long time. If you're debating whether or not to buy that ticket, I'd say go for it. :)
Treating it as such, I found it thoroughly engrossing: 1hr 54 well spent, IMO. The central performance by Vicky Krieps is wholly engaging and deliciously subtle, and its portrayal of an intelligent, creative spirit struggling to maintain sanity against a straitjacket (or should that be corset? That's the big metaphor, after all) of patriarchal social convention had me hook, line and sinker, from the opening scene to the (breathtakingly unexpected) final one.
In the interests of full disclosure might as well mention the two things I was less keen on. Neither of them deal-breakers, but...
1) In a couple of scenes, characters are heard singing late 20th century pop songs. This practice of inserting anachronistic modern detail into period drama has become a bit of a fad in the last few years, especially, it seems, in German productions (the recent TV series KaDeWe springs to mind as a prime example). My personal feeling is that it's a stylistic quirk that's been done to death and has outlived its welcome. Others may disagree!
2) One part of the story (we are told by the onscreen captions) takes place in "Northamptonshire". Yeah right. Northamptonshire my ***! Neither the architecture nor the scenery are remotely British. It's blatantly obvious that these scenes were shot, like the rest of the movie, in mainland Europe - most likely southern Germany or Austria. Perhaps the production budget wouldn't stretch to a trip across the channel? Ah well...
These minor niggles aside, though, I'm glad I went to see this movie. Its imagery will linger in my consciousness a long time. If you're debating whether or not to buy that ticket, I'd say go for it. :)
It has been many months since I came across a new film as satisfying as this one. The unusual device of seeding a big-budget costume drama with anachronisms to signal that something applicable across time is being communicated does alas lend itself to misunderstanding. It is good enough for this to be merely a vehicle for Ms. Krieps. That being a woman is complicated no matter the time period or the circumstances is enough for a premise.
To best be able to enjoy Corsage, I recommend finding out as little as possible about its many surprises in advance. But I do recommend finding out about the pertinent history and people, and in particular, to see the old Sissi films with Romy Schneider. This film is intended for German speakers, after all. I can easily imagine the two renditions of Empress Elizabeth as the same personality at different points in her life. Cf. Sissi (2021)
Hint: the secondary dictionary meaning of "corsage" is intended.
To best be able to enjoy Corsage, I recommend finding out as little as possible about its many surprises in advance. But I do recommend finding out about the pertinent history and people, and in particular, to see the old Sissi films with Romy Schneider. This film is intended for German speakers, after all. I can easily imagine the two renditions of Empress Elizabeth as the same personality at different points in her life. Cf. Sissi (2021)
Hint: the secondary dictionary meaning of "corsage" is intended.
Le saviez-vous
- AnecdotesThe real Empress Elisabeth Of Austria refused all portraits or photographs after the age of 40 to maintain her youthful public image.
- GaffesFranz Joseph I of Austria never blamed his wife, the Empress Elisabeth of Austria, for the death of Archduchess Sophie of Austria. The criticism of Elisabeth's parenting came from her mother-in-law, Princess Sophie of Bavaria.
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- How long is Corsage?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Corsage. La emperatriz rebelde
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 500 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 705 767 $US
- Week-end de sortie aux États-Unis et au Canada
- 32 285 $US
- 25 déc. 2022
- Montant brut mondial
- 3 110 623 $US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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