Obsessed
- 2009
- Tous publics
- 1h 48min
NOTE IMDb
5,0/10
35 k
MA NOTE
Un homme, heureux dans son couple et dans sa carrière, voit sa vie basculer le jour où une intérimaire commence à le suivre partout...Un homme, heureux dans son couple et dans sa carrière, voit sa vie basculer le jour où une intérimaire commence à le suivre partout...Un homme, heureux dans son couple et dans sa carrière, voit sa vie basculer le jour où une intérimaire commence à le suivre partout...
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 9 nominations au total
Ron Rogge'
- Roger
- (as Ron Roggé)
Meredith Roberts Quill
- Connie
- (as Meredith Roberts)
Catherine Munden
- Cocktail Waitress
- (as Catherine Georges)
Avis à la une
A friend had free movie passes to see this movie--and on my birthday, of all days.
That is two hours of my life that I will never get back.
The movie is a remix of Fatal Attraction, but the plot is nowhere near as edgy and suspenseful. As for the acting...I never expected much of Beyonce in the first place (because she can't act, nor can she speak very well), but I was so disappointed in Idris Elba's performance. A friend remarked that he was probably underacting in order not to overshadow Beyonce, and she was probably right. Still, his character was a caricature of a pseudo-thug from New York who moved up the corporate ranks and added a veneer of sophistication over that thug image. Stringer Bell, we hardly knew ye.
Even Ali Larter didn't come off as psychotic as she could have...perhaps because underneath her lines was the feeling that she was thinking, "What in the world is THIS crap?" Beyonce was a relative nonentity (albeit a well-dressed one), but I'm sure that she and her father bankrolled this movie in further misguided efforts to try and prove that she is a Serious Actress (not to mention a vehicle for further promotion of the House of Dead Wrong--excuse me, the House of Dereon). Too bad it didn't work. However, Beyonce fans and stans will faithfully flock to theaters and will loudly proclaim that she is the best actress since Madea, and should win an Oscar for her performance since she was "robbed" in Dreamgirls. I will give her this: she didn't completely suck as an actress in this movie, but she didn't really stretch herself as an actress either--but then again, she never has. At least she didn't play a singer of some sort in this one, so there is some progress being made.
My disbelief was hardly suspended in this movie. There were so many ways that the movie could have been beefed up to carry viewers on an emotional roller coaster ride, but the writers and directors chose to take the safe route. I'd strongly suggest that people wait for the movie to show up on regular cable programming, and not pay-per-view or view-on-demand.
That is two hours of my life that I will never get back.
The movie is a remix of Fatal Attraction, but the plot is nowhere near as edgy and suspenseful. As for the acting...I never expected much of Beyonce in the first place (because she can't act, nor can she speak very well), but I was so disappointed in Idris Elba's performance. A friend remarked that he was probably underacting in order not to overshadow Beyonce, and she was probably right. Still, his character was a caricature of a pseudo-thug from New York who moved up the corporate ranks and added a veneer of sophistication over that thug image. Stringer Bell, we hardly knew ye.
Even Ali Larter didn't come off as psychotic as she could have...perhaps because underneath her lines was the feeling that she was thinking, "What in the world is THIS crap?" Beyonce was a relative nonentity (albeit a well-dressed one), but I'm sure that she and her father bankrolled this movie in further misguided efforts to try and prove that she is a Serious Actress (not to mention a vehicle for further promotion of the House of Dead Wrong--excuse me, the House of Dereon). Too bad it didn't work. However, Beyonce fans and stans will faithfully flock to theaters and will loudly proclaim that she is the best actress since Madea, and should win an Oscar for her performance since she was "robbed" in Dreamgirls. I will give her this: she didn't completely suck as an actress in this movie, but she didn't really stretch herself as an actress either--but then again, she never has. At least she didn't play a singer of some sort in this one, so there is some progress being made.
My disbelief was hardly suspended in this movie. There were so many ways that the movie could have been beefed up to carry viewers on an emotional roller coaster ride, but the writers and directors chose to take the safe route. I'd strongly suggest that people wait for the movie to show up on regular cable programming, and not pay-per-view or view-on-demand.
I've seen lot of movies on television with similar basic story,but those movies were made directly for television(most of them) That is why I wanted to know how I will feel about this one.
It was mildly entertaining,if the screenplay is not original,but this time the creators maybe directly did this,cause as I sad that would be almost impossible to write an original screenplay today about a love triangle.
Acting is not irritating,and this is very important,cause story using mostly the acting to create tension,and scenery.
The message is very clear in my opinion,and this time this was not focused to last lines.
6/10
It was mildly entertaining,if the screenplay is not original,but this time the creators maybe directly did this,cause as I sad that would be almost impossible to write an original screenplay today about a love triangle.
Acting is not irritating,and this is very important,cause story using mostly the acting to create tension,and scenery.
The message is very clear in my opinion,and this time this was not focused to last lines.
6/10
I absolutely love this movie... except for the part where Beyoncé stars in it. I'm sorry but she ruins the whole thing for me. Her voice and her terrible acting kills any chance of this being a good movie. She's got to be one of the worst actresses I have ever seen. The rest of the cast is amazing, A+ for them. Ali Larter is amazing at being sweet and psycho at the same time and Idris Elba is phenomenal as the lead. I could watch this movie over and over again if Beyoncé didn't come in and ruin the whole thing. They should have casted anyone but her
This movie is simple; if you saw the previews then you pretty much saw the movie. If you saw any other movie about obsessed chick stalkers then you saw this movie. The directors and producers get a big fat "F" for originality and creativity. However credit needs to be given to Idris Elba because he convincingly made me feel bad for his character, great acting. Ali Larder was obviously hot and her usual temptress self, however I must add that she played her role so well that towards the end of the movie I didn't care how hot she was, I too wanted to just get away from she creeped me out so much. Hope I didn't give anything away. P.S. this movie should not be ranked a 4.
Fellas, do yourself a favor - if you have to see this, see it with your "woman" (by that I mean wife or very close significant other, not a first date for the love of Pete), and make sure she pays. You all know she wants to see it, and by the end you'll maybe even thank her for it. Obsessed is one of those movies that women love to watch in their PJ's on a Sunday afternoon with a pint of ice-cream when nothing else is on *except* for the trashiest piece of trash on TV. And make no mistake, Obsessed is such trash that it is a 3rd rate ripoff of Fatal Attraction, which many forget was *already* a rip-off on Clint Eastwood's Play Misty for Me. Here's what you need to know: nice business guy with lots of cake and a fine mansion and a super-fine wife and young tot gets derailed off of living in banality by a foxy-but-trouble type of girl who's working part time in the office.
That's it. No more explanation. If you can guess everything that the characters will do, or wont due to incompetence, then you're doing well. Obsessed makes no bones about being original, and in fact could be the precise template needed if anyone ever wanted to do a full-blown ZAZ-style parody on pscyho-chick movies. It takes itself so seriously that it's hard not to knock on it in most of the scenes - and it becomes further frustrating since out of the three main characters, one actor (Idris Elba) is actually very good, almost too good, for the material, and another (Ali Larter) fits in in her completely 1 1/2 dimensional role without much struggle. Only one, Beyonce, seems to be actually trying too hard to "act" and again gets in trouble as she did in Dreamgirls.
The direction is very slack- considering it's a TV guy who did it, maybe only TV according to his creds- and the writing is slack-ier. The development of characterization and plot moves along like a expertly crafted diarrhea, meaning that it never really stops from its trajectory, and it may be a little smooth going, but it also hurts trying to see it accomplish anything aside from pain. And yet, as far as painful cinema goes, it could've been worse. It certainly has the grace to give us a gigantic cat-fight at the end that you'd expect samurai swords. It's not campy enough to recommend, and by no means if you are a heterosexual male will you get much satisfaction out of it. Girls will giggle and be fine with stuff that is run of the mill, with a few jolting twists along the way.
That's it. No more explanation. If you can guess everything that the characters will do, or wont due to incompetence, then you're doing well. Obsessed makes no bones about being original, and in fact could be the precise template needed if anyone ever wanted to do a full-blown ZAZ-style parody on pscyho-chick movies. It takes itself so seriously that it's hard not to knock on it in most of the scenes - and it becomes further frustrating since out of the three main characters, one actor (Idris Elba) is actually very good, almost too good, for the material, and another (Ali Larter) fits in in her completely 1 1/2 dimensional role without much struggle. Only one, Beyonce, seems to be actually trying too hard to "act" and again gets in trouble as she did in Dreamgirls.
The direction is very slack- considering it's a TV guy who did it, maybe only TV according to his creds- and the writing is slack-ier. The development of characterization and plot moves along like a expertly crafted diarrhea, meaning that it never really stops from its trajectory, and it may be a little smooth going, but it also hurts trying to see it accomplish anything aside from pain. And yet, as far as painful cinema goes, it could've been worse. It certainly has the grace to give us a gigantic cat-fight at the end that you'd expect samurai swords. It's not campy enough to recommend, and by no means if you are a heterosexual male will you get much satisfaction out of it. Girls will giggle and be fine with stuff that is run of the mill, with a few jolting twists along the way.
Le saviez-vous
- AnecdotesA passionate sex scene with Derek and Sharon was written in the original script, but it was never filmed.
- GaffesWhen Derek is getting ready to go to the Christmas party and asks which tie to put on, after the selection is made, his collar is not on straight. In the next shot his collar is smooth, then it's not on straight, then it's smooth again.
- Citations
Sharon Charles: Didn't I tell you not to come to my house?
[punches Lisa]
Sharon Charles: Nobody touches my child!
[punches Lisa]
- Bandes originalesAny Other Day
Written by Lee Alexander, Jerry 'Wonder' Duplessis (as Jerry Duplessis), Wyclef Jean and Norah Jones
Performed by Wyclef Jean and Norah Jones
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
and Courtesy of The Blue Note Label Group
Under license from EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Oh No She Didn't
- Lieux de tournage
- Altadena, Californie, États-Unis(Family home environs.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 68 261 644 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 612 730 $US
- 26 avr. 2009
- Montant brut mondial
- 73 830 347 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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