État de choc

INHALE is a fine little gripping drama from writers Walter Doty and John Clafin who based this timely tale on a story by Christian Escario about the extremes to which people will go to when terminal illness takes the mains stage of their lives. It is a very dark story but survives becoming morbidly dreary by the sensitive direction from Baltasar Kormákur and a strong cast.

Paul Stanton (Dermot Mulroney) is a successful attorney married to Diane (Diane Kruger) and they have one child Chloe (Mia Stallard) who suffers form a terminal pulmonary disease. The family's life is driven by love but also by the fact that Chloe needs frequent emergency trips to the hospital because of her tenuous hold on life. Paul and Diane are finally told Dr. Rubin (Roseanna Arquette) that the only choice they have for saving Chole is a lung transplant. Paul searches the methods for finding an entry into this overcrowded demand for organ transplant and when he discovers that a powerful man James Harrison (Sam Shepard) received an illegal heart transplant in Mexico, Paul sets out to find the source. In Mexico he discovers just how crime-ridden is this area of 'sales' and persists until he uncovers a doctor Navarro - a code name - in the person of Dr. Martinez (Vincent Perez). The hideaway compound where the illegal transplants are performed is surrounded by poor people and gangs and the one person that helps the desperate Paul find the source of illegal organs is a kid who befriends him. When a 'donor' becomes available, there is a decision that Paul must make, one based on human kindness and compassion balancing with his won desires to deliver lungs to his daughter.

Mulroney is particularly excellent in this tough role and the gamut of emotions is staggering. And the remainder of the cast, including the gifted Jordi Mollà in an important cameo, is superb. The film is intense and disturbing but successfully explores the little known world of illegal organ transplantation. Another fine feather in the cap of Icelandic director Baltasar Kormákur!

Grady Harp

What would you do? Your daughter is about to die, your family is breaking apart and your wallet is big enough to afford a human life.

This is basically what this movie is about. As boring that this story starts it really changes fast to an affecting one for everybody who watches this movie. When life saving decisions all of the sudden fall into the hands of a father and a mother of an seriously ill child you should expect to see heartbreaking drama. If then heartless people get involved you should even expect some fireworks. This is basically what you get here.

I seriously recommend this movie to everybody who doesn't wanna see another softened Hollywood ballyhoo and instead likes to ask themselves questions about life and how they would react to certain decisions.

Somewhat in the same genre' as the film "Traffic" which takes the viewer into the extremely dark world of human trafficking of kidnapped children sold to pedophile clients, "Inhale" takes the viewer into the dark world of "no questions asked" human organ trafficking, sold into the medical black market.

There's no fooling around, fluff or frills in this film.

Right from the start, the viewer is plunged into a contorted realm of existence, faced with horrific choices that have to be made under the worst of imaginable circumstances.

Desperate parents, hoping against hope for a donor lung transplant, while their daughter is inching ever closer to death, faced with a seemingly illogical and unfair organ recipient listing system, realize that they have to resort to other "outside the box" options, immediately.

In the real world, this is a scenario that is all too familiar for countless thousands of parents, who, regardless of expense or effort needed, will travel to various clinics outside the USA, to save their children from otherwise certain death. To cater to this need, there are many parts of the world where, for the right price, the desperately needed organ(s) in question magically appear on demand to the highest bidder.

All things considered, this film does deliver a bone chilling dose of drama under duress, and then some.

The only part that I felt seemed to be a bit weak was the ending, which was tailored more to suit a politically correct message, rather than deliver a realistic rendering of what would actually happen in such circumstances.

Having said that, however, the casting and acting in this piece fit into this story like a hand to a glove. I had no trouble in suspending disbelief while viewing this film, as I personally have traveled around a bit and have seen first hand what this sort of scenario looks like.

I give the director a lot of credit for trying to deliver this view into a world mostly hidden from the general public, via this dramatic platform.

As previously suggested, this film is not for the squeamish or faint of heart.

This movie is part of a series of movies (Babel, Man on fire comes to mind) which portray the very difficult Mexican social and economic situation next to the American border and how delicate the balance between the two countries is. While North Americans in general have a complete ignorance of the culture and origins of Mexico, they still see them as a source of trouble for their fatherland. As I speak, more restrictive immigration laws are being enforced for Mexicans and South Americans in some states in the U.S. A part of the North American society believes drugs, mobs and social violence is directly related to Mexicans. Again, the turmoil in Mexico is in no small part caused by the necessities North Americans have to "sustain" their honest, well intentioned way of life.

This necessity is what moves a prosecutor (played convincingly by Dermot Mulroney) to go deep into cruel and dangerous Mexican territory (mainly Juarez) in search of an illegal lung donor and an illegal transplant in order to save his daughter's life. During the journey, he'll encounter a dark life of crime and violence unknown to many Americans except when they have to resort to Mexicans for the dirty jobs they won't do themselves or for their convenience. The movie builds tension quite appropriately as we see a desperate father willing to risk his life in search of a mysterious doctor who is in charge of such operations. In his way, he'll see children gangs, prostitution, corrupt policemen and all the colors of human misery when poverty reigns. But he will also discover kindness, decency and the innocence of children (even those carrying automatic guns). In the eyes of the character everyone is corrupt and dishonest and this concept (although it may offend Mexicans or Latin Americans) is exactly what the script aims to do. It tries to show us how ignorant rich societies are of the way poor ones live and that not everyone who lives humbly is a criminal as the main character will find out. He'll also find out that the most despicable characters in the movie are not even Mexicans. (Surprise, surprise they are fellow North Americans). This is a journey of awakening for someone who has to go down to hell because he needs to.

In any case, the characters are believable. The wife (played by Diane Kruger) is a strong and determining character. Chief of police Aguilar (played by an impeccable Jordi Moya) is everything you'd expect from a degenerated police officer and Sam Shepard is also convincing. The music also deserves special mentioning although Newton Howard is basically copying Santaolalla's concept as heard in Brokeback Mountain or Babel. The in crescendo and the very emotional ending add to a movie which is decent and leaves a very important message mostly Mexicans and South Americans as I understand. Rich societies play an important part in the state of poverty (and its consequences) which is undermining poor societies and they have the moral power to revert this situation. That is, if they really wanted to.

The movie is generally good. I don't know why some reviewers have focused on the incredulity of the story. I think this movie makes a good rental. It is a bit of a hard viewing, not just because of some violence or sex but because of the overall subject matter itself. I thought that the director kept the focus on the story.

When I checked for the reviews I was surprised that it did not have very many reviews. I think the producers and director should be given some positive feedback because this movie did appear to deliver as a movie.

There are some intensely annoying loose ends. So ignore the first ten minutes. If it was not for this I would have given this movie 7 or even 8. Since the story was not cleaned up in the beginning it gets only 6 out of 10.