NOTE IMDb
6,8/10
24 k
MA NOTE
Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
So many absolutely priceless moments. You can see Gervais and Merchant's masterful moments here. The writing is so top notch, so many unexpected twists that make it an utter delight to watch. And the ending is so unpredictable and wonderful. Every actor was just at the top of their game. You have to credit so much of that to the director(s).
Cemetery Junction is one of those poor, small British towns, where the men go to work in factories and the women try to keep their kids out of jail. Freddy (Christian Cooke) wants something different; he wants to wear a suit to work, drive a Rolls Royce home to a beautiful wife and kids in a big house. He thinks this is a more noble life to live, and at least he's doing something about it.
I'm presuming this is a personal project for Ricky Gervais. The honesty and sheer accuracy of the time shine throughout the film. "Cemetery Junction" is a slice-of-life for young men growing up in poor suburbs in the 1970s. Freddy wants to get a job, his friends just want to get out. As they strive for what is supposed to be a better life, they realize the dark truths within everybody else in the town and what awaits them in their future.
"Cemetery Junction" is not the laugh-out-loud, farcical comedy that we would expect from Gervais. It's a meaningful, subtle dramedy exploring young men coming of age. And here, Gervais himself has certainly come of age as a director, we know this is 1970s England, looking poor and spectacular at the same time, and highlighting some exceptional performances by the young cast of Cooke, Tom Hughes, Matthew Goode, Jack Doolan, Emily Watson and the beautifully angelic Felicity Jones.
I'm presuming this is a personal project for Ricky Gervais. The honesty and sheer accuracy of the time shine throughout the film. "Cemetery Junction" is a slice-of-life for young men growing up in poor suburbs in the 1970s. Freddy wants to get a job, his friends just want to get out. As they strive for what is supposed to be a better life, they realize the dark truths within everybody else in the town and what awaits them in their future.
"Cemetery Junction" is not the laugh-out-loud, farcical comedy that we would expect from Gervais. It's a meaningful, subtle dramedy exploring young men coming of age. And here, Gervais himself has certainly come of age as a director, we know this is 1970s England, looking poor and spectacular at the same time, and highlighting some exceptional performances by the young cast of Cooke, Tom Hughes, Matthew Goode, Jack Doolan, Emily Watson and the beautifully angelic Felicity Jones.
"Cemetery Junction" is Ricky Gervais's second attempt at directing a major motion picture. A fan of his previous work in television but having been disappointed by "The Invention of Lying" I was not sure what to expect. The final result was a 95 minute movie that was flawed yet very fun to watch and something to lose yourself in for a short period of time.
The plot of "Cemetery Junction" evolves around three young men in 1973 who are desperately trying to avoid spending the rest of their lives in working class Reading and ending up like their parents. The film itself is mainly a drama but there is plenty of well-placed, classic Gervais comedy throughout. The majority is setting the scene and developing the characters. However, this leads to the final twenty minutes seeming quite rushed with slightly choppy editing and throwing in a few clichés which it had previously done a good job of avoiding. The acting was brilliant for the most part, but I felt Christian Cooke (who probably has the most screen time out of the trio of friends) was a little wooden.
Overall, "Cemetary Junction" is an enjoyable film that should please Gervais fans yet can be more widely appreciated as he is attempting to do something different and, in my opinion, does a pretty good job of it.
7/10
The plot of "Cemetery Junction" evolves around three young men in 1973 who are desperately trying to avoid spending the rest of their lives in working class Reading and ending up like their parents. The film itself is mainly a drama but there is plenty of well-placed, classic Gervais comedy throughout. The majority is setting the scene and developing the characters. However, this leads to the final twenty minutes seeming quite rushed with slightly choppy editing and throwing in a few clichés which it had previously done a good job of avoiding. The acting was brilliant for the most part, but I felt Christian Cooke (who probably has the most screen time out of the trio of friends) was a little wooden.
Overall, "Cemetary Junction" is an enjoyable film that should please Gervais fans yet can be more widely appreciated as he is attempting to do something different and, in my opinion, does a pretty good job of it.
7/10
I can't say I'm disappointed in this film, because with Ricky's touch few things can remain boring, or uninteresting. If you have seen Ricky interviewed about this film, he'll tell you exactly what influenced him to write and direct this film. However, unlike Invention of Lying which was pretty original, though its influences were clear, one cannot look at Cemetery junction without thinking of the many, many coming to age films he or she has seen. In other words, in his other works, Ricky's influences blend in with his originality and gave a unique product. IN cemetery junction, however, his influences take center stage and dominate the film, not allowing for a great deal of originality to shine through.
This is a solid work from Gervais, and as he says, it is a beautiful love-letter to Britain. It is truly disappointing that Gervais could not make something original out of it. Maybe, I am pursuing this point fiercely, but it is the main problem of the movie. When you look at Cemetery junction, you can not stop to think of endless other films that have pursued the same content. If you are not a big movie buff, or just like to see Gervais and Merchant you won't be disappointed, but you are not going to get a highly original work as The Office.
The acting is also decent at best. The problem with the acting is not the actors themselves, but is their over-dominance on the role. They are not comfortable in playing the characters; they over-react in ways that are truly unnecessary for this film. They all want to take center stage (the main male, central characters), and this need for dominating the role really undermines the true talent that they posses.
I walked out of the theater not disappointed, but not charmed either. I can best describe my immediate reaction as indifference; it was kind of like, "oh, I just watched a Gervais' film that was okay;" unlike the admiration that I had for his TV work or earlier films.
In addition, the music in the film and the soundtrack is very typical of seventies and eighties music. I wish Gervais had chosen varied songs, similar to Tarantino, in his film. He chooses instead a large variety of popular songs by Roxy Music, Springsteen etc. They are too familiar to truly leave an impression on the audience.
This is a solid work from Gervais, and as he says, it is a beautiful love-letter to Britain. It is truly disappointing that Gervais could not make something original out of it. Maybe, I am pursuing this point fiercely, but it is the main problem of the movie. When you look at Cemetery junction, you can not stop to think of endless other films that have pursued the same content. If you are not a big movie buff, or just like to see Gervais and Merchant you won't be disappointed, but you are not going to get a highly original work as The Office.
The acting is also decent at best. The problem with the acting is not the actors themselves, but is their over-dominance on the role. They are not comfortable in playing the characters; they over-react in ways that are truly unnecessary for this film. They all want to take center stage (the main male, central characters), and this need for dominating the role really undermines the true talent that they posses.
I walked out of the theater not disappointed, but not charmed either. I can best describe my immediate reaction as indifference; it was kind of like, "oh, I just watched a Gervais' film that was okay;" unlike the admiration that I had for his TV work or earlier films.
In addition, the music in the film and the soundtrack is very typical of seventies and eighties music. I wish Gervais had chosen varied songs, similar to Tarantino, in his film. He chooses instead a large variety of popular songs by Roxy Music, Springsteen etc. They are too familiar to truly leave an impression on the audience.
I'm always surprised when a film I'd heard had mixed reviews at best, turns out to be so much better than I was expecting and Cemetery Junction is a great example of this.
It's an old fashioned feel good movie. Sure it's maybe a little twee in places and ties things up nicely at the end but what's wrong with that sometimes? Great casting with superb performances from the central few characters and again a stunning turn from Ralph Fiennes. How good an actor is that guy? Poignant, touching, both gently and laugh out loud funny in places, a great character driven plot and just very very good film making IMO. Great use of music too, which like Tarantino movies always adds massively to the overall appeal.
Can't recommend it enough. Gervais and Merchant should be very proud of themselves and I hope they're aware that this is a much better film than the box office takings would suggest.
Similar film styles would be East is East, Sideways and maybe, Letter to Brezhnev. If you liked those, watch this. You'll love it.
It's an old fashioned feel good movie. Sure it's maybe a little twee in places and ties things up nicely at the end but what's wrong with that sometimes? Great casting with superb performances from the central few characters and again a stunning turn from Ralph Fiennes. How good an actor is that guy? Poignant, touching, both gently and laugh out loud funny in places, a great character driven plot and just very very good film making IMO. Great use of music too, which like Tarantino movies always adds massively to the overall appeal.
Can't recommend it enough. Gervais and Merchant should be very proud of themselves and I hope they're aware that this is a much better film than the box office takings would suggest.
Similar film styles would be East is East, Sideways and maybe, Letter to Brezhnev. If you liked those, watch this. You'll love it.
Le saviez-vous
- AnecdotesA lot of the banter between Ricky Gervais and Anne Reid (playing Gervais's character's mother) was improvised.
- GaffesThe film is set in 1973, yet all of the trains seem are in liveries from the 1960's. (While it is true that the last of the crimson coaches weren't repainted until 1974, by 1973 almost all locomotives were blue and coaches blue or blue and grey.)
- Citations
Bruce Pearson: Freddie, stop listening to music made by poofs. Stick on some Elton John.
- Crédits fousKarl Pilkington should be mentioned or credited on the film as characters based on his memories.
- ConnexionsFeatured in The Graham Norton Show: Épisode #7.1 (2010)
- Bandes originalesFive Variants Of Dives And Lazarus
Written by Ralph Vaughan Williams
Performed by the Bournemouth Sinfonietta
Conducted by Richard Studt
Meilleurs choix
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- How long is Cemetery Junction?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Adieu à Cemetery Junction
- Lieux de tournage
- Loughborough Great Central Station, Loughborough, Leicestershire, Angleterre, Royaume-Uni(Cemetery Junction station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 328 877 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Cemetery Junction (2010) officially released in India in English?
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