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Cemetery Junction

  • 2010
  • R
  • 1h 35min
NOTE IMDb
6,8/10
25 k
MA NOTE
Cemetery Junction (2010)
A 1970s-set comedy centered on three upstart professional men working at an insurance company.
Lire trailer1:49
6 Videos
22 photos
ComedyDrama

Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.Une comédie des années 1970 centrée sur trois jeunes amis de la classe ouvrière dans une banlieue morne de Reading.

  • Réalisation
    • Ricky Gervais
    • Stephen Merchant
  • Scénario
    • Ricky Gervais
    • Stephen Merchant
  • Casting principal
    • Christian Cooke
    • Felicity Jones
    • Tom Hughes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    25 k
    MA NOTE
    • Réalisation
      • Ricky Gervais
      • Stephen Merchant
    • Scénario
      • Ricky Gervais
      • Stephen Merchant
    • Casting principal
      • Christian Cooke
      • Felicity Jones
      • Tom Hughes
    • 97avis d'utilisateurs
    • 39avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos6

    Cemetery Junction: International Trailer
    Trailer 1:49
    Cemetery Junction: International Trailer
    Cemetery Junction -- Teaser Trailer
    Trailer 1:02
    Cemetery Junction -- Teaser Trailer
    Cemetery Junction -- Teaser Trailer
    Trailer 1:02
    Cemetery Junction -- Teaser Trailer
    "Come Have a Beer" from Cemetery Junction
    Clip 1:31
    "Come Have a Beer" from Cemetery Junction
    "Door to Door" from Cemetery Junction
    Clip 1:16
    "Door to Door" from Cemetery Junction
    "Two Jobs" from Cemetery Junction
    Clip 0:46
    "Two Jobs" from Cemetery Junction
    Cemetery Junction
    Featurette 1:05
    Cemetery Junction

    Photos22

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 16
    Voir l'affiche

    Rôles principaux68

    Modifier
    Christian Cooke
    Christian Cooke
    • Freddie Taylor
    Felicity Jones
    Felicity Jones
    • Julie
    Tom Hughes
    Tom Hughes
    • Bruce Pearson
    Jack Doolan
    Jack Doolan
    • Snork
    Ricky Gervais
    Ricky Gervais
    • Mr. Taylor
    Ralph Fiennes
    Ralph Fiennes
    • Mr Kendrick
    Matthew Goode
    Matthew Goode
    • Mike Ramsay
    Steve Speirs
    Steve Speirs
    • Sgt. Wyn Davies
    Jessica Jones
    • Girl in Street
    Madeleine Dunbar
    Madeleine Dunbar
    • Wife in Bar
    Andrew Brooke
    Andrew Brooke
    • Husband in Bar
    Burn Gorman
    Burn Gorman
    • PC Renwick
    Anne Reid
    Anne Reid
    • Freddie's Gran
    Julia Davis
    Julia Davis
    • Mrs Taylor
    Albert Welling
    Albert Welling
    • Mr. Waring
    Katy Murphy
    • Mrs Waring
    Francis Magee
    Francis Magee
    • Mr Pearson
    David Earl
    David Earl
    • Brian
    • Réalisation
      • Ricky Gervais
      • Stephen Merchant
    • Scénario
      • Ricky Gervais
      • Stephen Merchant
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs97

    6,824.5K
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    10

    Avis à la une

    7jamesgill-1

    Gervais brings big screen budget to small town Britain

    Ricky Gervais and Stephen Merchant's nostalgic comedy drama of 1970s Britain has its heart in the right place. OK, there is nothing strikingly original here – think 'The Likely Lads' meets American buddy movie spliced with stock Gervais stand-up material – but the craft of this movie lies not in breaking boundaries. Instead, it offers its audience a chance to feel the warm cosiness of familiarity.

    The film charts the hopes and dreams of three friends as they seek to break out of a small, stagnating community before they end up trapped in the same dead-end lives of their parents. Their loyalty to each other forms the heart of the story, even as they come to realise that their aspirations will inevitably lead them in different directions. The motivation for their friendship relies on a genuine apprehension that there may be no escape from the stifling 50s attitude that pervades their community. This is, as they so wryly remark, a town that the Swinging Sixties passed by.

    The characters work well together – there's an engaging chemistry between the three relatively unknown actors. Christian Cooke plays Freddie Taylor, the boy with a job with an insurance company, hoping to leave behind the factory work of his father. Tom Hughes is excellent as the angry, rebellious Bruce, appalled by his dad's lack of spirit yet all too aware of his own grim prospects. The trio is completed by Jack Doolan as 'Snork', the hapless station announcer looking up to the flair of his closest friends. The three leads are ably supported by a cast that includes Ralph Fiennes and Emily Watson, as well as some familiar faces from the Gervais and Merchant back catalogue. A prize for anyone who spots Karl Pilkington's fetching moustache…

    Whilst there are moments where the dialogue appears more than a little stilted, for the most part the action fizzes nicely between the three characters. He may only have a small role within the actual film, but Gervais' voice is clearly audible whenever there is an intelligent put-down or a comic observation. At times this intrudes on the authenticity of the characters, but generally the dialogue allows for a neat separation between Gervais' inclination towards biting comic scrutiny, and his more tempered capacity for gentle human interaction.

    Including a jukebox medley of a soundtrack that includes 70s classics from, among others, David Bowie and T-Rex, the film has that reflective rose-tinted-spectacle feel that has become so familiar to us in American films, but is far less common with the British cinema industry. Perhaps it's the weighty budget behind this film that sets it apart from other recent British period pieces. Perhaps it's the ability of the directors to throw off their typical British scepticism and capture that sense of breezy reminiscence.

    Whatever the answer, this is, for me, far more of an "American" film than movies such as 'Trainspotting', 'The Full Monty', or 'This Is England'. However, there is enough self-conscious humour and knowing sideways glances to make us realise that this is still a British film by a pair of British writers who, in 'The Office', gave us the best portrayal of British society for the new millennium. Gervais and Merchant have confirmed in this film that they are just about capable of making that dangerous leap from television to cinema. There is hopefully more to come, but 'Cemetery Junction' shows that their tongue-in-cheek blend of laughter and tears isn't likely to end with 'The Office' and 'Extras'.

    James Gill Twitter @jg8608 Find more reviews at http://web.me.com/gilljames/Single_Admission
    7Jakksid

    Enjoyable

    "Cemetery Junction" is Ricky Gervais's second attempt at directing a major motion picture. A fan of his previous work in television but having been disappointed by "The Invention of Lying" I was not sure what to expect. The final result was a 95 minute movie that was flawed yet very fun to watch and something to lose yourself in for a short period of time.

    The plot of "Cemetery Junction" evolves around three young men in 1973 who are desperately trying to avoid spending the rest of their lives in working class Reading and ending up like their parents. The film itself is mainly a drama but there is plenty of well-placed, classic Gervais comedy throughout. The majority is setting the scene and developing the characters. However, this leads to the final twenty minutes seeming quite rushed with slightly choppy editing and throwing in a few clichés which it had previously done a good job of avoiding. The acting was brilliant for the most part, but I felt Christian Cooke (who probably has the most screen time out of the trio of friends) was a little wooden.

    Overall, "Cemetary Junction" is an enjoyable film that should please Gervais fans yet can be more widely appreciated as he is attempting to do something different and, in my opinion, does a pretty good job of it.

    7/10
    Kirpianuscus

    like a song

    A seductive film. A drama , like a comedy. About ages, choices, appearences, mariage, friendship, teens, love, about small things defining each of us and about freedom. A film like an old song. Not for "70's atmosphere, but for accuracy of a near reality to you feel. A film about life, in its basic characteristics and about fundamental option defining it. The best scene, reminding the portraits of Vermeer-Emily Watson preparing the tea for her Mr. Kendrick , in blue dress, viewed from open door .
    10pathos2005-1

    Pleasant Surprise

    Though I knew Ricky Gervais and Steve merchant directed it, I had no prior expectations about this movie. I did not know what it was about nor did i read any reviews before watching. Trust me, that is the best way to watch Cemetery Junction. Don't listen to the reviews of jaded film critics who over-analyze and complain about other movies being similar. This is a movie that make you feel good without explicitly being a feel-good movie. I came out feeling nostalgic for 70s Britain though I grew up in 90s USA. The dialog is witty, smart, often funny and sometimes touching. It deftly touches on themes of loss, regret, friendship, love, and following one's dreams. This is my favorite British film in quite some time. You will not regret watching this movie.
    6babakhamidi2000

    Good...Reminiscent of other films, but its not something that has not been told before

    I can't say I'm disappointed in this film, because with Ricky's touch few things can remain boring, or uninteresting. If you have seen Ricky interviewed about this film, he'll tell you exactly what influenced him to write and direct this film. However, unlike Invention of Lying which was pretty original, though its influences were clear, one cannot look at Cemetery junction without thinking of the many, many coming to age films he or she has seen. In other words, in his other works, Ricky's influences blend in with his originality and gave a unique product. IN cemetery junction, however, his influences take center stage and dominate the film, not allowing for a great deal of originality to shine through.

    This is a solid work from Gervais, and as he says, it is a beautiful love-letter to Britain. It is truly disappointing that Gervais could not make something original out of it. Maybe, I am pursuing this point fiercely, but it is the main problem of the movie. When you look at Cemetery junction, you can not stop to think of endless other films that have pursued the same content. If you are not a big movie buff, or just like to see Gervais and Merchant you won't be disappointed, but you are not going to get a highly original work as The Office.

    The acting is also decent at best. The problem with the acting is not the actors themselves, but is their over-dominance on the role. They are not comfortable in playing the characters; they over-react in ways that are truly unnecessary for this film. They all want to take center stage (the main male, central characters), and this need for dominating the role really undermines the true talent that they posses.

    I walked out of the theater not disappointed, but not charmed either. I can best describe my immediate reaction as indifference; it was kind of like, "oh, I just watched a Gervais' film that was okay;" unlike the admiration that I had for his TV work or earlier films.

    In addition, the music in the film and the soundtrack is very typical of seventies and eighties music. I wish Gervais had chosen varied songs, similar to Tarantino, in his film. He chooses instead a large variety of popular songs by Roxy Music, Springsteen etc. They are too familiar to truly leave an impression on the audience.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      A lot of the banter between Ricky Gervais and Anne Reid (playing Gervais's character's mother) was improvised.
    • Gaffes
      The film is set in 1973, yet all of the trains seem are in liveries from the 1960's. (While it is true that the last of the crimson coaches weren't repainted until 1974, by 1973 almost all locomotives were blue and coaches blue or blue and grey.)
    • Citations

      Bruce Pearson: Freddie, stop listening to music made by poofs. Stick on some Elton John.

    • Crédits fous
      Karl Pilkington should be mentioned or credited on the film as characters based on his memories.
    • Connexions
      Featured in The Graham Norton Show: Épisode #7.1 (2010)
    • Bandes originales
      Five Variants Of Dives And Lazarus
      Written by Ralph Vaughan Williams

      Performed by the Bournemouth Sinfonietta

      Conducted by Richard Studt

    Meilleurs choix

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    FAQ17

    • How long is Cemetery Junction?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 avril 2010 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Adieu à Cemetery Junction
    • Lieux de tournage
      • Loughborough Great Central Station, Loughborough, Leicestershire, Angleterre, Royaume-Uni(Cemetery Junction station)
    • Sociétés de production
      • Columbia Pictures
      • Sony International Motion Picture Production Group
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 2 328 877 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • SDDS
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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