Ajouter une intrigue dans votre langueIn a world in the near future, everyone's good reputation is measurable and visible. This "carma count" decides whether you belong or not.In a world in the near future, everyone's good reputation is measurable and visible. This "carma count" decides whether you belong or not.In a world in the near future, everyone's good reputation is measurable and visible. This "carma count" decides whether you belong or not.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Juri Senft
- Alf
- (as Juri Raphael Senft)
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Watching Hyperland was absolutely thrilling. I'm a sucker for well considered special effects. I liked the way a new really was created. Specifically the scene in the "disco" it's hard to describe, but I try: Passing through a hall, the protagonists passed diffrend music sections in which grafic and and reality differs completely. Just one step from wavy goa to scratcy expressive dance. I liked the ideas of two diffrend world which the cast brought to life. I absolutely recommend to watch it if you're in to Si-Fi.
What I love about Hyperland is not only the impressive images that are seen in the film and that create a world that seems very unreal and very real at the same time. It is also the variety of issues that we deal with in our own time - hate speech, sexism, misinformation and inequality amongst others - that are dealt with in the film in a way that makes us rethink what we might have thought about these issues before. The movie stands out in many ways and is definitely worth the time.
At the start, Hyperland does not really tell you where you are, or what kind of a world your characters are inhabiting. But as a viewer, you realise very quickly that a single central element shapes its world: A social networking system on which everyone is watching everyone, all the time, in a non-stop social currency & surveillance scheme, controlling all aspects of life. At first glance, the system - which directly projects into the brains of those connected to it - looks a lot like the things we know from social media: It's all about likes and approval from the people that virtually surround us. But very soon, the film shows how misguided such a system can become once it turns on you: When grave injustice is done to the central character Cee, Hyperland does not pursue the evildoer - instead it goes after her, the innocent victim. The remainder of the film is the pursuit of a remedy: What can Cee do, now that she's been ostracised by a collective of everyday spies. The film asks uncomfortable questions that everyone who has a profile on Facebook, Instagram or Twitter should be able to relate to: What does it mean when we rate and vote and like and dislike, once these systems become as embedded in our world as their makers want them to be? Let's not forget, Mark Zuckerberg just called his corporation Meta. Hyperland is here to show us what might happen, once Facebook really does "go meta".
They probably didn't have much budget to produce this, which they try to cleverly hide. But in the end this is a pretentious, rather boring sci-fi vision that adds nothing new. It is long, lacks a professional direction and a good script (one would think that both of those are crucial for a good movie). Hence skip this one, there is better alternatives out there.
10lormey
Hyperland is more than a normal feature film, it is a dystopian television play of social relevance captured on celluloid. It is about nothing less than the power of algorithms over the assessment of human life. Realized with an incredible amount of artistic dedication it is worth watching several times. Tip for teachers: Also suitable as a basis for discussion in school lessons.
Le saviez-vous
- AnecdotesFilming, which began in March 2020, was interrupted shortly thereafter due to the COVID-19 pandemic and resumed a few months later.
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Détails
- Durée1 heure 47 minutes
- Couleur
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By what name was Hyperland (2021) officially released in Canada in English?
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