The Vicious Kind

The Vicious Kind may not be what it seems like from the title or the premise, but that turns out to be a good thing, in this little gem of a straight to video film that does pay off if you stick with it to the end. Disillusioned Caleb (Adam Scott), who chain smokes as he tells his newly smitten brother Peter (Alex Frost) that 'They're all whore's-' he's talking about women of course. But no matter how off putting and anti social he might seem at first, Caleb, well guided by Scott's first rate performance, is one of those character's you couldn't ignore if you tried. Peter's new girlfriend Emma Gainsborough (Brittany Snow) might have an upper class name, but we can tell she's not from wealth even if she didn't keep sneaking outside to smoke. But as much as she may be turned off by Caleb's many acts where he well acts out, (including leaving X rated pics of himself with a prostitute for her to find), we know that the bad brother has something to offer that the good one can't possibly provide, and while the third act of the film does not play out too predictably, it would be no surprise to most viewers what happens. But the performances above all make this film watchable, not the least of which comes from J.K. Simmons as Frank, the father who is estranged from Caleb, while inviting of Peter and Emma's budding relationship. Simmons turns in yet another dependable and likable character here, even with the least screen time of the four. Happy endings may not necessarily abound at the end, but at the very least the film leaves it's character's with the promise for a different path.

Ever been hurt by a member of the opposite sex so badly you went through the growing a beard and wearing a stained t-shirt while being rude to everyone you came in contact with but really just wanting a hug phase? Whew. Me too. That's why this movie is so enjoyable. The film mostly follows Adam Scott's character Caleb. The film doesn't divulge all the details right away and I won't either, but let's just say a girl hurt him. Badly. Enough to make him the rudest bearded person around. His family life is not that great either, if you add the fact he's not even allowed to step foot on his Father's (JK Simmons) Property. Basically his wide eyed and innocent Brother Peter (Alex Frost) is all the family Caleb has. So naturally when he meets Peters gorgeous new girlfriend (Brittany Snow), who looks like the adorable punk rock girl that would rip out your heart from your chest and look cute doing it.....Caleb tries to stop his brother from falling for her, and of-course... ends up falling for her himself.

This film is written perfectly and played perfectly by everyone involved. What could have easily been a love triangle movie we have seen a thousand times before was anything but. Scott's performance as a guy teetering on the edge of madness and looking for answers is top notch. Snow never lets on exactly what she's thinking which makes for a really interesting movie throughout. JK Simmons is great as you would expect him to be and the writing leaves you wanting even more. The film had a great look to it and a decent soundtrack. It didn't feel like a false big budget romance, yet it didn't feel like a hipster indie film either. Yes, some indie films are starting to become as cliché as the big budget films. Not here though, this film has entertaining anger and a dark heart. But it's a genuine dark heart and an enjoyable, believable watch.

Mike Holtz WeWatchedAMovie http://www.youtube.com/wewatchedamovie

The Vicious Kind is the kind of film that will play great to rabid audiences on the festival circuit, the problem being that now it has been released to the general paying public. There are a lot of problems with this film, namely; the humor isn't very funny, and the drama can't be taken too seriously. This will leave any film dead on arrival. What The Vicious Kind attempts to do is mix comedy and drama, and what's left is blandness and confusion amongst the aud per what is supposed to be funny and what is serious. Adam Scott is decent, but he could be real good if the script gave him some real emotion to play off of. Which brings me to the films next major problem - motivations. What drives these characters to do what they do? There is some back story, but it felt very exposition-y. There's a lot of crying being done here seemingly without reason as well, explicitly as means to "deepen" the characters and solemn the mood.

If you want to see a truly great American Indie this year, rent "Two Lovers".

This felt like a breeze of fresh air, and it ambushes the viewer in a very good way. Taking place in a cold small town, I tended to put it on a strange "cold-far-away-god forgotten postmodern scenery" shelf, strange because this shelf contains Lost in translation, The girl in the café, Gigantic, Twilight and other seemingly unrelated movies. But The Vicious Kind is by far the most alive and vigorous movie out of these, in which the characters seem to be living very sincerely and intense, even against their own will. The humor is also genial, and the tenderness/passion that the love (or simply sex) story inspires is also an unexpected surprise. Loved this movie. The way one would appreciate a hot and tasty meal in a cold winter's day, after a mouthful of cold cucumber soup that the more pretend to be classy movies often serve. and i imagine the main character ended up to be Sully Sullivan from Nobody's Fool, the 1994 movie, played by Paul Newman.

During a star-free night at an already emptied drive-in theatre, this film made my heart burn. This very last screening of a winter's night did not attract an audience but one sole viewer. And if you have an understanding of passion and pain you might not even be comforted by a crowd. You might prefer solitude while watching cinematic characters fight and love.

There are no exceptional techniques, there is no dazzling style. Visually the film holds back. As a result one character can step forward. Only this person seems to inhabit the film's universe and this could be considered a drop of bitterness.

However, this one person is able to entertain without the necessity of applause. He embodies the passionate being who bites back after being wounded. It is easy to fall for the broken one as long as you believe that there is a chance to heal. He is explosive. His hatred is an exceptional passion in disguise. In a universe of flat personalities he stands out. He cares too much, he loves too much and he cannot stop being passionate about every single soul. As a result, his viciousness is not inspiring hate but love from us and from them. We and everyone else are attracted because he is so full of what everyone else seems to lack.

The film presents us a world where people are not grown-up emotionally. Passions are rare and feared. In this universe people do not easily possess passionate love. Only the protagonist seems to own it but he also seems unable to handle it. Still, he is able to inspire another person, maybe even the audience to love him back. We learn that pain and love do not end, but jump like a virus from person to person. Love stories repeat themselves.

Passion is portrayed as a very dangerous form of love, one which easily feeds into a vicious cycle of being hurt and of hurting in return. But whether or not you can handle the pain and the guilt, for the passionate ones it seems inevitable to fall for it at least once in their lives.