Moon: La Face cachée

Okay, here's the basic plot (without the twist-spoiler):

Place: The moon. Time: A future not long from now (2030-ish I think). Sam Bell, astronaut, is working on a lunar base of some sort. He is the only person on the entire base, only assisted by an all-knowing robot called GERTY (voiced by Kevin Spacey). He has been stationed on the base for almost 3 years, his contract nearing an end, and with his flight back to earth scheduled only 14 days away, he can't wait to get back home to see his wife and daughter again. However, suddenly one of the automated moon-vehicles (harvesting rock-samples or whatever) goes awry, and he goes outside of the base to investigate it... but then something unexpected happens, and he has to change his perspective on everything.

• End of basic plot summary.

Bell is played by the brilliant Sam Rockwell, whom you probably know from "Charlie's Angels", "The Green Mile", "Confessions of a Dangerous Mind", "Matchstick Men" or the equally brilliant sci-fi movies "Hitchhikers Guide to the Galaxy" and "Galaxy Quest". This is probably his biggest part in a movie EVER, and I doubt if he will ever get a role as big as this again (not because he's not capable or worthy of it, but because it was a HUGE performance). If you're a fan of Rockwell (or perhaps of Kevin Spacey's voice), then you will not be disappointed, as they're both great in "Moon".

For sci-fi lovers, this movie is really a blast. It takes some inspiration from such classics like "2001: A Space Odyssey", "Outland", "Silent Running", "Alien", and others, but still manages to be unique and original, something which has become increasingly rare in the recent big-budget/massive special effects/quick fix-tradition of Hollywood nowadays. "Moon" achieved something great for a budget of approximately 5 million dollars, which is ridiculously low by regular movie-standards, where a feature film usually would cost ten times that amount.

As for the theme of the movie, the subjects of alienation, solitude, dehumanization and disbelief are risen (among others), which often leads to some of the best movies (in my opinion), as is the case here too.

All in all, this movie definitely ranks among my personal top-20 all-time sci-fi favorites, and I will presume it will be placed equally high on most sci-fi aficionado's lists. An excellent debut directorial by Duncan Jones, and clearly one of the 5 best sci-fi movies made in the last 10 years. Already looking forward to his next feature film, which allegedly is also going to be a sci-fi movie (although with a much bigger budget).

Final rating: 9.5/10 - a nearly flawless movie.

I attended a screening of "Moon" at the 2009 SXSW Film Festival in the legendary Paramount Theatre. There wasn't an empty seat in the 1300-capacity palace. Directed by Duncan Jones, "Moon" stars Sam Rockwell, one of our generation's most powerful actors. The notion of a film being unique seems unlikely in 2009. Not here. While "Moon" is a modern-day science fiction film set in the future, it pays homage to recent classics like "Blade Runner" and "Alien." Viewers will be dazzled -- fans of the genre will nod in approval. Science has developed a way to mine the rocks of the moon for clean energy here on earth. Private enterprise, in the form of a corporation, sends astronauts on a three-year work stint to carry out this ongoing mission. Sam Bell (Rockwell) is the latest to undertake this task, with the trusted robot GERTY by his side watching over the base's operations -- think HAL with a heart. Of course, things are not what they seem, and the viewer is mesmerized as puzzling and surprising events unfold. Cinematographer Gary Shaw contributes to the impression of the eerie stillness of life on the moon with the copious use of still camera and slow tracking shots, only using hand-held when necessary. Nicolas Gaster's editing is sure and steady, emphasizing the slow pace of Sam Bell's multi-year work assignment. Remember those pre-CGI days when special effects meant miniature land rovers on a bumpy table? It can still be done -- and be believable. "Moon" is evocative of the sci-fi greats whose visuals were done in-camera, i.e., on set as opposed to being created by computers in post-production. Sam Bell's unearthly home is comfortable yet aging like the patina of an old cottage. Nathan Parker's screenplay (Jones wrote the story but handed over screen writing duties to Parker) makes the most of Sam Rockwell's considerable talents. This was quite a physically demanding role, as well, and rarely has the actor been better (watch "Snow Angels," though). He doesn't just carry the film -- "Moon" is almost a one-man show and Rockwell conducts a master class. "Moon" is a classic, down and dirty (literally) science fiction film with a baffling mystery that challenges the viewer to live in the shoes of the protagonist. It's hard to imagine a better one than Sam Rockwell or a more effective, entertaining, and satisfying cinematic experience.

This was the best movie I have seen in a very in a very long time and immediately jumps into my favorite movies ever. MOON puts a relatable human touch on an intriguing and deep sci-fi story that, while it originally appears to be taking the path of 2001 Space Odyssey, is a unique adventure. Sam Rockwell puts on a spellbinding performance and Kevin Spacey's GERTY voice-over is eery and excellent. I have never seen a movie that had me so engrossed and intrigued from beginning to end. Some may say the film starts slowly but I found the first half hour to be an important and gripping portrayal of what it would mean to be alone in space, without which the movie would not be as effective. I don't want to ruin the plot so I wont go into further detail. As an avid movie watcher who is not a sci-fi buff I would recommend this movie to anybody who wants to see a movie that will take over their lives for 2 hours and have you leave the theater wanting to do nothing but discuss how beautifully layered it was.

Lunar Industries is mining an alternate fuel, helium-3, when a massive oil crisis exists on Earth. The station is run by a single man, Sam Bell (Sam Rockwell) with the help of Gertie, a Hal-like computer who drags itself around with a chain that has rollers on the ceilings of various compartments of the station.. He has a lilting voice (Kevin Spacey) just like Hal and is completely benevolent helping Sam in any way he can. I would prefer this thing over Hal any old day. Sam runs tests and makes reports, drives a mobile unit to the mines and packs canisters of H3 and sends them back to Earth. But he is nearly done with all this. Sam Bell is getting short, as they say, having only two weeks before going home after a three-year tour of duty. Then things begin to unravel.

This is sci-fi that sticks to our own sensibilities. It's futuristic in a most limited sense. There are no extravagant elements, time travel, parallel universes, or monsters that walk through walls. Sam Bell would probably have the same attitudes towards these things that we do. In other words, it takes place in "real" life. The interior of the station is clever but there is an admirable restraint. It's like Alien in this way.

There are other credits, but Sam Rockwell has 99% of the burden. A wonderful resume item, succeeding as he does not only carrying the film but holding it up like Hercules who has the world on his back. He imbues Sam Bell with an exuberant child-like demeanor that pulled me into the movie. He bobbles around the room to his favorite rock n' roll. But he's not irresponsible or a ne'er do well with his job. He is deadly serious, but wavering with the events of his life in these last two weeks.

Originally posted to titsandgore.com, April 2009:

Moon is an auspicious debut from Duncan Jones (née Zowie Bowie), a talented new director who happens to be the son of David Bowie (let me officially be the first person to predict that every review of this film in the mainstream press will have the tagline "SPACE ODDITY!"). Sam Rockwell gives a truly remarkable performance as Sam Bell, a lunar miner who is nearing the end of his 3-year contract at a single-man mining outpost. His only companion is the station computer, Gertie, a straight-up HAL homage that tantalizingly suggests how a culture informed by decades of watching 2001 might choose to design a companion robot.

To say too much more about the plot would be to spoil its central conceit, and while I'm sure many reviewers will talk openly about it, I want to preserve the surprise if at all possible at least until the film gets its theatrical release this coming June.

Suffice it to say that Jones admirably mixes together stock genre tropes, paying tribute to a number of classic science fiction features while retaining his own idiosyncratically dark vision. Familiar filmic concepts of the "clean future" and the "dirty future" are mixed together to create a unique atmosphere; the milieu is suitably claustrophobic, the cramped quarters of the mining station serving the film's conceptual purposes while masking the shoestring budget. In fact, it may be hard to spare a glance at the meticulously designed sets with your eyes glued to Rockwell for the duration of the picture. His performance is utterly mesmerizing, inhabiting the role so completely that it is impossible to imagine any other actor having the chutzpah to pull it off.

Which is not to say that Moon is without its problems; the pacing is hardly consistent and Jones' reliance on Rockwell tends to undersell his direction. Parts of the film veer dangerously close to identical thematic elements in Steven Soderbergh's recent adaptation of Solaris, without being as emotionally potent. But what it lacks in originality is mostly compensated for by the sheer audacity of its central performance and the careful economy of its direction.

Moon may be dressed in familiar clothing, but it is a singular experience, a clever, darkly funny and genuinely moving journey into the nature of individuality. Jones is already at work on a second science fiction feature, and it is welcome indeed to see such a promising new talent continue to develop his voice by working in genre film-making!