Une mannequin parisienne doit retourner à Madrid où sa grand-mère, qui l'avait élevée, vient de faire un AVC. Cependant, le fait de passer quelques jours avec ce proche se transforme en un c... Tout lireUne mannequin parisienne doit retourner à Madrid où sa grand-mère, qui l'avait élevée, vient de faire un AVC. Cependant, le fait de passer quelques jours avec ce proche se transforme en un cauchemar inattendu.Une mannequin parisienne doit retourner à Madrid où sa grand-mère, qui l'avait élevée, vient de faire un AVC. Cependant, le fait de passer quelques jours avec ce proche se transforme en un cauchemar inattendu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 6 nominations au total
Lle Godoy
- Persona Agencia 1
- (as Mikel Godoy)
Marta Crespo
- Enfermera
- (voix)
José Gigar
- Conductor Coche Accidente
- (as José Emilio Gimeno)
Avis à la une
It is firstly set in Paris and then Madrid . A Paris model called Susana (Almudena Amor) has to go back to Madrid where her grandmother Pilar (Vera Valdez) who had brought her up, just had a stroke . Susana feels responsible her grandmother , that's why the elderly Pilar became the substitute mother caring along her childhood and adolescence . But spending just a few days with this relative becomes into an unexpected nightmare . Step by step something fantastic , strange and wild will start to infect everyone around the weird apartament . And she starts to experience strong paranormal activity on their home . I was eager to meet you. She's waiting for you . Nobody will love you like I do.
Decent terror movie with thrills , chills , tension , and creepy deeds . Scary and terrifying images when obscure supernatural events emerging from the other side , making sinister and mysterious appearances here and there . At the climax happens shocking and horrific images of diabolic appearances and violent attacks . A scary horror picture shot in fits and starts with disconcerting plot , regarding ghastly and threatening appearances , as a young model suffering from bizarre happenings . The film relies heavily on the two main actresses , the reason for the movie feels somewhat boring and really claustrophobic due to the fact that it is mainly set on a dark flat . The movie is passable, though during the first hour hardly anything happens ; however , the final half hour is frankly terrifying and with full of surprises . Displaying horrifying and creepy images about the young girl being relentlessly stalked by a malevolent and heinous appearance causing creepy , scary , awful and terrible moments . Genuinely horrible moments overcome some obvious plot devices . This is a juicy terrifying material fashioning an iconic possession , providing screams , thrills , shocks and chilling scenes . It has an extremely known premise about an eerie threat that spawns the film in ups and downs . The newcomer and unkown actresses : Almudena Amor , Vera Valdez and Karina Kolokolchykova give acceptable interpretations.
It contains an adequate and sinister cinematography by cameraman Daniel Fernández Abelló , though dark , at times . And frightening , suspenseful musical score by composer Fatima Al Qadiri , adding modern songs by Estopa band . The motion picture was well directed by Paco Plaza , though makes some tiring , slow-moving and extremely claustrophobic. Plaza is a good director with much success particularly in terror genre . He has written or directed with Jaume Balaguero the successful¨ Rec¨ saga formed by : ¨Rec 1, Rec 2 , Rec Genesis and Rec Apocalypse¨ . As well as other terror movies as ¨The second name¨ , ¨Romasanta¨, ¨Christmas tale¨ , ¨Veronica¨and he wrote the American film : ¨Quarantine¨ . He has also made some shorts and documentary : ¨OT¨ . And his only and recent thriller, ¨Quien a hierro mata¨, with Luis Tosar . Rating 6/10 . Acceptable and interesting horror movie . Well worth watching for terror lovers.
Decent terror movie with thrills , chills , tension , and creepy deeds . Scary and terrifying images when obscure supernatural events emerging from the other side , making sinister and mysterious appearances here and there . At the climax happens shocking and horrific images of diabolic appearances and violent attacks . A scary horror picture shot in fits and starts with disconcerting plot , regarding ghastly and threatening appearances , as a young model suffering from bizarre happenings . The film relies heavily on the two main actresses , the reason for the movie feels somewhat boring and really claustrophobic due to the fact that it is mainly set on a dark flat . The movie is passable, though during the first hour hardly anything happens ; however , the final half hour is frankly terrifying and with full of surprises . Displaying horrifying and creepy images about the young girl being relentlessly stalked by a malevolent and heinous appearance causing creepy , scary , awful and terrible moments . Genuinely horrible moments overcome some obvious plot devices . This is a juicy terrifying material fashioning an iconic possession , providing screams , thrills , shocks and chilling scenes . It has an extremely known premise about an eerie threat that spawns the film in ups and downs . The newcomer and unkown actresses : Almudena Amor , Vera Valdez and Karina Kolokolchykova give acceptable interpretations.
It contains an adequate and sinister cinematography by cameraman Daniel Fernández Abelló , though dark , at times . And frightening , suspenseful musical score by composer Fatima Al Qadiri , adding modern songs by Estopa band . The motion picture was well directed by Paco Plaza , though makes some tiring , slow-moving and extremely claustrophobic. Plaza is a good director with much success particularly in terror genre . He has written or directed with Jaume Balaguero the successful¨ Rec¨ saga formed by : ¨Rec 1, Rec 2 , Rec Genesis and Rec Apocalypse¨ . As well as other terror movies as ¨The second name¨ , ¨Romasanta¨, ¨Christmas tale¨ , ¨Veronica¨and he wrote the American film : ¨Quarantine¨ . He has also made some shorts and documentary : ¨OT¨ . And his only and recent thriller, ¨Quien a hierro mata¨, with Luis Tosar . Rating 6/10 . Acceptable and interesting horror movie . Well worth watching for terror lovers.
The Grandmother can be a nice addition to the terrifying old people sub-genre. Being a Paco Plaza's film, of course it has some nice scares and dread. But, with a predictable plot, it offers nothing much more other than that.
It's like an old movie on late night TV that isn't worth changing channels for.
A Parisian model is called back to Madrid after her grandmother has a stroke. But as she starts taking care of her elderly abuela, mysterious things begin happening.
This feels like a remake of The Omen, but at the opposite end of life. It has the same slow beginning, the same weird events, and the same predictable climax.
I expected more from the director of Rec.
The scariest thing about this movie is thinking about how people are going to have to change your diapers one day.
A Parisian model is called back to Madrid after her grandmother has a stroke. But as she starts taking care of her elderly abuela, mysterious things begin happening.
This feels like a remake of The Omen, but at the opposite end of life. It has the same slow beginning, the same weird events, and the same predictable climax.
I expected more from the director of Rec.
The scariest thing about this movie is thinking about how people are going to have to change your diapers one day.
Paco plaza guives one of the best direction classes of the last years with this movie. Pure cinematic joy. Almudena amor is amazing too, she vas a nice carreer to follow now.
Written by Indie Provocateur Carlos Vermut (Magic Girl) and directed by Horror Veteran Paco Plaza (Rec), expectations are pretty high going in.
And La Abuela delivers the goods. For the most part.
The cinematography is exceptional and really helps create a sense of mystery and foreboding.
Almudena Amor and Vera Valdez are perfectly cast as granddaughter and grandmother, bound together in a Madrid apartment after the latter suffers a stroke.
Essentially a chamber piece, the story plays like a dark, modern day fairy tale - a satanic retelling of Little Red Riding Hood perhaps.
While La Abuela might not surprise the audience (the twist being fairly predictable), that does not take away from the overall experience.
It is genuinely creepy and unsettling, in a way that most horror films are not.
And La Abuela delivers the goods. For the most part.
The cinematography is exceptional and really helps create a sense of mystery and foreboding.
Almudena Amor and Vera Valdez are perfectly cast as granddaughter and grandmother, bound together in a Madrid apartment after the latter suffers a stroke.
Essentially a chamber piece, the story plays like a dark, modern day fairy tale - a satanic retelling of Little Red Riding Hood perhaps.
While La Abuela might not surprise the audience (the twist being fairly predictable), that does not take away from the overall experience.
It is genuinely creepy and unsettling, in a way that most horror films are not.
Le saviez-vous
- AnecdotesIt was scheduled to be released on October 22 2021. Later, was postponed for October 29 2021. On October 16 was announced that the release was postponed to January 5 2022. On December 23, after the increase in COVID-19 cases, was postponed for an undetermined date. On January 11 was announced that the release finally would be on January 28.
- Gaffes(at around 11 mins) When the pilot announces the arrival to the airport of Madrid he says, "Welcome to the airport Adolfo Suárez Madrid" but this is incorrect as the airport's name, which they will always say is: "Adolfo Suárez Madrid Barajas".
Then they say they are going to land on the T4S. This terminal is only used for out of Europe or Non-Schengen planes, such as to Tokyo, America, etc. Paris is in Europe and part of the Schengen, the used terminal would have been T4 instead.
- ConnexionsFeatures La ruleta de la suerte (2006)
- Bandes originalesElegía al jardín de mi abuela
by Vainica Doble
Written by Carmen Santonja / Gloria Van Aerssen / A.J. Nieto
Courtesy of Sony Music Entertainment España, S.L.
SGAE
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- How long is The Grandmother?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 343 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 585 $US
- 24 juil. 2022
- Montant brut mondial
- 3 033 653 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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