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As "The Stranger " (2022 release from Australia; 116 min) opens, we are introduced to Paul and Henry, 2 strangers who strike up a conversation on an overnight bus drive (think Greyhound). They gain each other's trust, and at Paul's invite, Henry joins him for an unspecified job Paul must do for Mark. "No violence!. Pleads Henry, and he agrees to join us. At this point we are 10 minutes into the movie.

Couple of comments: this is the second feature from Australian actor-turned-director Thomas Wright. Almost from the get-go I found something very David Lynch-like about this movie. Yes, nominally it's about a long ago disappearance, likely murder, of a young man. But it's the journey along the way that really matters in this film. I had the hardest time figuring out what was really going on for a long time. BEWARE: it is imperative that you turn on the English subtitles to fully grasp what is happening. I made the mistake of starting without the subtitles and within 10 minutes realized I was missing half the dialogue, if not more. I restarted the movie with subtitles and that turned out to be a life saver. The movie is mysterious all the way up to the end, and I absolutely loved it. The only "star" that I recognized was Joel Edgerton (as Mark), and he was superb. I fully recognize that this movie is not for everyone, as there is not a lot of "action". Instead it's a mystery that reveals itself, layer upon psychological layer.

"The Stranger" premiered at this year's Cannes Film Festival to critical acclaim. Still it bypassed US theaters altogether, and it started streaming on Netflix not long ago. Netflix suggested it to me based on my viewing habits. Good move Netflix. If you are in the mood for a dark psychological crime drama from Down Under, I'd readily suggest you check this out and draw your own conclusion.

I was around 90 minutes into the 'The Stranger' when I finally clicked that I had listened to a podcast about this story back in 2017. It had captivated me back then and it was captivating me again now in movie form. If you are the type that doesn't usually enjoy true stories don't be put off. This one is a doozy.

I wouldn't say it's the most polished film I've seen. The dialogue can be very hard to pick up (partly because of strong Australian accents and partly because of mumbled speech). I actually ended up having to watch it with the Netflix subtitles on, but that was no big deal. I also would've liked some writing at the end of the film to explain what exactly ended up happening in the aftermath.

Weaknesses aside though, the story is strong enough to carry it. I think if I had to pick between the film and the podcast to hear this story I would go with the podcast, simply because you get every single little detail. But make no mistake, this works well as a film and is worth your time. 8/10.

Australian crime dramas have always kept me on edge despite their knack for the implication of violence rather than actually showing it on the big screen. Wright's peculiar style of narration, unraveling the story in a somewhat unconventional style, actually amplifies the impact the story leaves on the audience.

As for the score and cinematography, a better job couldn't have been possibly done as the atmospheric style totally suits the storyline.

Even though Joel Edgerton delivers an acceptable performance as a character living a dual life, one must admit that it is Sean Harris who carries the whole movie with his nuanced yet powerhouse delivery.

One tiny bit of criticism: I am sure they could have come up with a much better and more intriguing title than "The Stranger".

The most noticeable thing about this slow-burn Aussie crime drama is how it tonally wavers yet never loosens its chokehold on the viewers. There were moments where I thought The Stranger was going to take a psychological horror route, but then it's quick to revert to its drama-thriller backdrop. The first act doesn't give away a lot, with both Edgerton and Harris coming across as strangers we're trying to dissect.

I thought the film came into form in the second act, when some secrets begin to unfurl. As opposed to the sketch we get of his character (by way of the investigation scenes), Sean Harris puts up a restrained performance that is strangely satisfying and gets under your skin. Edgerton is also really good, but I'd say the film scores when the spotlight is on Harris.

It's a slow-burn thriller which discusses violence but rarely shows it. Most of the details (and reveals) are expository in nature, so it'd totally depend on whether you enjoy films that pick the non-scenic route. I'm pretty sure Kate Kyriacou's book which the film bases itself on, is incredible to read.

I've recently watched a bunch of low budget horror and thriller films due to the fact that we're in October right now, but one slugfest after another brought me to The Stranger.

I had planned to watch this as soon as it released on Netflix as I trust Joel Edgerton's film choices more than most others, but I wasn't expecting it to be this dark. It really is a dreadful ride of two depressing hours with zero light in sight. Perfectly acted, Sean Harris does a wonderful job and as more and more of his character is revealed; his acting becomes all that more intriguing.

A really good film but not one I will rewatch a lot. Great ending in particular though.

This movie demands constant attention while seemingly nothing is really happening. Two men meet and one, the friend, introduces the other, the Stranger, to an opportunity in a criminal enterprise that looks like a smuggling ring for a black market but nothing seems to come of it. Through out the film there is an intensity to the stranger the exudes menace. As they go about mundane tasks to wipe out traces of some unexplained crime, the stranger is forced to reveal more and more of his past to assure the leaders of the criminal group that he is being forthright with them.

Meanwhile, there are interludes of the friend and his 9-year-old son. Their clearly loving and supportive relationship provides a needed break in the tension and a foil to the horror revealed later.

I don't understand the reviews they complain about the acting. This isn't one of those lightweight comedies or action flicks with two-dimensional characters and catch phrases written expressly for the trailers. It's funny how people swoon over a Marvel movie then complain about movies performed by true character actors following the dramatic vision of inspired writers, a talented cinematographer and director, and fashioned by professional editors.

If you love cinema and appreciate the effort to bring complicated and multi-dimensional characters to life, then this film is a must.

I didn't give ten stars because the sound editing drowned out too many conversations. This is a common problem today; emphasizing the music, which is more often just low base rumbling, to build atmosphere at the expense of delivering audible voice.

You can run, and you can hide, when you live on the outside, mislead, deceive, dupe and beguile to avoid going to trial, in a world of crooks and cons, there's no rights and many wrongs, present your hooks in an array, and you'll surely catch your prey.

It's a murky world of devious endeavours, as new acquaintances are made and fresh opportunities explored, to open up locked and barred doors, and reveal newly discovered flaws, in arguments previously presented but not thoroughly exempted.

A curious tale, well performed, imaginative in its presentation, but leaves you aghast at the lengths you have to go to, and at what cost.

As an Australian I'm familiar with this awful abduction case in Queensland where a young boy was waiting for a bus, one failed to stop for him and he was never seen again. The bus driver who failed to stop must be feeling terrible. The film starts well and ends well but there is at least 30 minutes of filler in the middle that was nonsense that could've been discarded to make a tighter film. I almost turned off as it was so annoying. Great acting by the two lead characters let down by a poor script that meandered all over the place. A lot of the under cover stuff seemed to go nowhere and became very peripheral to the case.

I knew I'd like this film the moment I saw it on the 'coming soon' tab on Netflix.

Sean Harris is superb. This guy plays creepy characters better than anyone.

Joel Edgerton also brilliant.

The atmosphere throughout was perfect.

Gorgeous cinematography and a great soundtrack, the end credits auto skipped and I had to restart and fast forward to hear the end soundtrack so I could take it all in.

This is my type of film and I'll definitely be on the lookout for films from this director in the future.

I understand this film isn't for everyone, but its current rating of 6.6 is a joke to be honest.

A solid 8.

This is a very well made movie. The acting is brilliant, obviously, but the paste and the small twists in the story which makes you confused and also kind of makes you think "wait, are they trying to trick me here, do that have the wrong guy?", "What if it's THAT guy!" and so on are fantastic. This is a truly impressive performance and almost immediately you are HOOKED. When the movie was over, I almost wanted it to go on! I wanted to see more, but the ending was still really well way to end the movie so you're bound to start googling to find out more.

The acting is, as said before, simply brilliant.

(For those who want tro know more, this movie is loosely based on the murder of Daniel Morcombe committed by Brett Peter Cowan.)

This film is slow, really slow which is not a problem if there is character building or slowing increasing tension with a payoff. That does not happen here. It is just slow in the ending as the beginning. The problem is the movie/director is splicing in about four separate stories with flashbacks without any context. I was almost an hour in the film and not sure who was who or why. By the time I did understand what was happening you are expecting a big reveal based upon the four convoluted stories that is forced upon you to decipher. When there was no 'big reveal' you start questioning why the director forced those flashbacks that did not go anywhere.

Other problem...mumbling. And this happens often from different characters. This is okay to establish the scene, but different characters are mumbling and you have to re-watch with subtitles to see what they were saying. The director is so intent to setting a 'glooming, brooding atmosphere' that they forgot this a a movie that people are watching who needs to see the screen and hear what is going on.

There is no climax because the director showed his hand earlier which makes the pacing more infuriating.

I am not saying do not watch it, only saying to manage your expectations.

Here we have a film that stands out for containing in its script a story that progresses slowly, but with great forcefulness, about a brutal incident investigated by the Australian police. The suspense builds slowly, based on the ingenuity of a monster who becomes a cornered and desperate prey. There are good natural shots, knowing how to take advantage of photography in its colors and lighting. The performances are good and convincing, with no one standing out hugely.

Another very good factor to highlight is the edition. There are some abrupt cuts that contribute to an unpredictable and uncomfortable environment that suits the story very well.

It's definitely a good movie that stands out above average without being a masterpiece.

A lot of contemporary movies with artistic ambition have a slow pace to add to their atmosphere. And this usually creates the opposite effect with me: I either reach for the fast-forward button on my remote or simply stop watching them.

The Stranger, however, is one of the rare movies where the slow pacing is the right choice. The whole operation surrounding the case described here was a long process, almost a game of chess which should force the antagonist to make the wrong move.

And when I understood this is based on a true story, everything clicked into place. This indeed is a tough story.

I feel most won't understand Australian film making, therefore the story won't grip them very well. This is not a Hollywood approach in any sense. Rather a deep and at time brutally honest way of telling a story. Names have been changed and is told from the point of the exhaustive operation to capture the offender. Edgerton is incredible as always. The supporting cast does a great job. I think going forward we can expect great things from the director. Slow burn at times but don't blink. This is pure story telling, not fluff and sparkles. Check out the square if you enjoyed this.

Worth the watch.

Very dark and gritty. Slow paced, psychological tension built up to a point where I was rly unnerved and uncomfortable, in an awesome way.

Glad I saw and listened to that one review, which advised not to look much further into more reviews that might give away too much. So going into it knowing almost nothing is what I recommend as well.

The shots, the minimalistic dark OST, the pace it all fit very well together.

At moments it felt way too real and I could empathize a lot with some of the characters.

Being intentionally very vague, and won't get into the story for the aforementioned reason. I will recommend this movie to some of my friends, especially those who I know share my passion for slow, dark and gritty non-flashy movies, that make you feel you need a goddamn beer to deal with the induced anxiety, after viewing it. Have fun!

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

Mark (Joel Edgerton) and Henry (Sean Harris) are two seemingly similar ne'er do wells who strike up a friendship on a journey home. Before long, they're doing jobs for feared crime bosses, and making names for themselves in the criminal underworld. But Mark hides a secret identity, and motive behind his relationship with Henry, and dogged Detective Rylett (Jada Alberts) has grander plans for his involvement with him, in the shape of a blood chilling crime involving a child in the woods many years ago.

Even in the age of the internet, with information spreading faster and very little able to stay under wraps, it's incredible the amount of stuff that still sort of slips out under the radar, with a minimum of publicity. The cinemas still rely on the dependable, crowd pleasing stuff to draw in audiences. One such example would be this moody, lingering effort, the second feature length piece from writer/director Thomas M. Wright, after 2018's Acute Misfortune. Luckily, it's the sort of stuff that's more likely to leave an impression, and even with its shortcomings, The Stranger definitely does that.

This is one intensely dark, brooding piece, offering very little in the way of light relief (and even when it does, with the darkest of humour), instead losing itself in a series of trance like voiceovers, sucking the viewer in to the burning, disturbed headspace of its lead protagonist. As said protagonist, Edgerton has a commanding, effective presence, to counter Harris in the supporting role, who's always been good in these unsettling psycho roles, and is true to form here. The problem is maybe that it is too drawn in to its own sense of darkness and psychosis, and loses the viewer in its own hazy stupor. In trying to compress a tale with such a shifting story arc together as one, it ultimately feels a little over indulgent and leaves you a little exhausted at the end.

If you're looking for intense, moody drama, unflinching and deep, then it definitely ticks all the right boxes, it just sometimes feels a bit unrelenting and overpacked, affecting its overall impact. ***

Just finished watching this movie and while I am a fan of both of the main actors and yes it was nice to see them in a film together but this was a waste of their combined talents.

The film is on for almost two hours and it seems like three.

Then there is the secret that both main characters hold, honestly by the time we learn Sean Harris secret, I honestly didn't care and it didn't come across as a shock either.

Now that is not to say that this is an awful film, it's not, it's just that the pacing was a little to slow and the way the film plays out on screen can come across as confusing at times.

Overall an okay movie, watch it once and then forget about it because I will be.

Sean Harris is phenomenal.

Weird, creepy, haunted, obsessed, he is the center of this compelling film based on the manhunt for the person who kidnapped a 13-year old Australian boy.

Intense, the film is obsessively watchable.

The two lead actors are incredible. One of the best thrillers that I've seen in a long time.

I've heard it said that the Australian scene is is one of the most hardworking intense scenes in the business. Truth.

The acting, cinematography, editing and direction are all top notch. The sound engineering lends the entire film a riveting and ominous sense of dread.

Highly recommend.

The film is available on Netflix.

The Stranger is slow in parts and a little confusing too. It's not the kind of film you can dip in and out of. Settle down and immerse yourself.

It's dark, bruising and uncomfortable. Sean Harris is as menacing as ever. The film is beautifully constructed. Cinematography is great and the soundtrack is incredibly unsettling.

While there isn't too much plot going on, the edit is clever in that it provides some narration at certain points to help further the story. It unfolds quite a simple story really well. The criticism is that it is slow.

It's well acted to the point that you really aren't sure who is who. And are people really who they say they are.

This is a good film but is no Sunday evening watch.

Well, sometimes comes the time to watch a good movie in Netflix. Agood movie deserve to be seen in the theaters, don't understand why the directors of photography do this kind of work, when it is gonna show in a tv. THAT'S AN OPINION FOR THOSE PLATFORMS, THERE SHOULD BE THE WAY TO WATCH THEM IN BIG SCREEN!!

Plot is really engaging, Eggerton is magnificent as always, but Sean Harris is outstanding.

Go and watch it! Is has passed throug Cannes and have good critics and sensation, this festival for me is more authentic an cinematic or independent than the Oscars.

A well made movie of an author, Thomas M. Wright. The New Zealand and Australian films are gettin very good quality today. Worth watching it. Two thumbs up!

7 stars out of 10.