Castillos de cartón

This movie's a unbalanced boat which tampering itself with little rocks that keeps pushing itself to touch the beach but after got close the boat realise that it wasn't beach it was a island!

In 1980s Madrid, art student Biel Duran (as Jaime) wants beautifully scarred Adriana Ugarte (as Maria Jose) to see his etchings, but she is more smitten with tall and shy Nilo Mur (as Marcos). The two young men are buddies, and get Ms. Ugarte to come over and smoke some hash. When it becomes obvious Ugarte and Mr. Mur are mutually attracted, Mr. Duran steps out so they can be alone. He quickly returns, however, because Duran has ulterior motives. You see, Mur is impotent. So, he gets the woman turned on, then cocky Duran arrives to finish the fornication...

Duran and Ugarte copulate successfully while Mur watches. "Girls always prefer him," Duran explains, "I need handsome friends for their scraps." This leads to some questions about credulity, in my mind. The men seem to both be generally attractive guys; however, we are led to believe Duran is the homely companion to Mur the Adonis. Not buying it.

Ugarte is a great beauty, by the way, with mesmerizing nipples. Anyway... the "3Some" continue on in this manner, with Ugarte sometimes reluctant in the early encounters. Eventually, they form a non-bi sex triad. This leads to some inevitable relationship problems, especially as the three can't remain bohemian art students forever... The most interesting story thread is that Mur is more emotionally disturbed than impotent, which helps explain some things. Salvador Garcia Ruiz is a hypnotizing director, taking us along on this tricycle ride, albeit to an anticlimax.

****** Castillos de carton (10/25/09) Salvador Garcia Ruiz ~ Adriana Ugarte, Biel Duran, Nilo Mur, Pepa Pedroche

Marcos, Jaime and Jose build up a particular relationship in their lives. The story about three painters and friends is going to be the excuse the director focuses on to tell something about personal affairs, friendship and how love can be shared. As part of it, painting will be the connecting thread so that the three main characters express their fears, frustrations and ambitions. The rhythm is slow, sometimes seems slow motion, though it is offset by an intimate closeness with the characters, to whom the spectator almost knows at the end. Also the music and interior shots make the film cozier and suitable to describe in a particular way the world of art in the eighties/nineties in Spain. If you are expecting a masterpiece, won't find, but will discover three personal stories that seem to be only one.

3some isn't just about romance-it's about the messy, complicated nature of desire and self-discovery. Marcos, Álex, and Carla's dynamic is charged with tension, attraction, and the unspoken fears that come with breaking societal norms. The film's greatest strength is its honesty; it doesn't shy away from the confusion of exploring one's identity, nor does it force its characters into easy resolutions. Instead, it embraces the fluidity of emotions, making every moment feel both intimate and unpredictable. It's a raw, thought-provoking story that lingers, not because of shock value, but because it dares to be real.

Visually, the film takes a minimalist yet deeply evocative approach. The cinematography is often intimate, using close-ups and natural lighting to enhance the rawness of emotions. There's a delicate balance between warm, inviting tones and cooler, detached visuals that reflect the shifting dynamics between the trio. The soundtrack subtly underscores key moments without overpowering the narrative, allowing the performances to breathe. Every artistic choice feels intentional, creating an atmosphere that mirrors the film's themes of vulnerability, passion, and the uncertainty of youth.

I was also amazed at how little rating this film has gotten. I gather it is one of those films that either connect with your senses, or it doesn't. The story may be a classic menage-a-trois with an, some would say, unavoidable outcome. But there was nothing classic about this film. It is a very unique piece of work. It was among the best 10 films I have seen. The authenticity of the play, and the scenes where so much was said and no one spoke, is sublime. It is a film that is suppose to be felt more than seen, or heard. If you like Korean instructor Kim Ki-Duk's film, you'll love this one. A very fine portrait of the seeking nature of youth, with a logic that seems so evident at the time. Yet later on in life is discarded as rash or not prudent, or outright promiscuous. It portraits the dilemma between open mindedness and and the fear of loosing the tender moment.