Le secret de Peacock

Nothing new here. Another reviewer already noted the travesty. This film circumvented theatrical release with direct to DVD. As far as I can tell, it wasn't even entered into film festivals.

And yet empty pop entertainment receives wide release and huge promo budgets. Guess "Peacock" didn't have the requisite action scene of a car driving through a fruit cart.

What a heartbreak for the actors. Particularly Mr. Murphy, who acted his guts out in this difficult role. His work was stellar. Bravo, Sir. I'll also wager you may never see another film that underscores Ellen Page' dramatic acting chops.

My question to those responsible for burying this film is, what the f@!k is wrong with you? With no title recognition, this gem will wither on Blockbuster shelves. Certainly, stranger and darker films are given a chance. Why not "Peacock?"

Make an effort to see this film. Then turn others on to it. It's not a masterpiece as some say, but it is a slow-building and amazing character study. If you can live without gunshots, high concepts and the venerable screeching car plowing fruit while pedestrians scatter and scream.

Cillian Murphy shows what great acting is in this strange, delicate, hard to label film. He plays one character with two distinct separate identities (and more than a few hints of a third) and it is almost impossible to believe either one is Cillian Murphy! From one scene to the next I'd swear his facial bone structure changes, so amazingly complete are his transformations.

For many the film will probably be too slow and carefully paced, and there are a few times when it did feel a little sluggish, but at no point did I ever feel I had a firm idea of where it was going, and I was so curious to find out. That sense of experiencing something completely unexpected is rare in motion pictures these days. Without being a traditional thriller there was considerable suspense, albeit of a more intellectual kind. And at no point were we subjected to cardboard cut-out characters or two dimensional plot-advancers, even in the smallest of roles.

It ends a little ambiguously, which is a momentary disappointment, until you realize that the notion of "mystery" is at the core of this film and leaving us to ponder what the future might hold for these people is perfectly in keeping with it. Ultimately, when it comes to human beings, nothing can be predicted, and you have to sometimes question every thing you think you know.

And can I mention again just how amazing Cillian Murphy is? This even eclipses Breakfast on Pluto (as a performance, but not the film as a whole).

This film is about a young man whose life is radically changed by the death of his mother.

"Peacock" seems very slow at first, but as the story progresses, it becomes so captivating. The story follows John and the split personality called Emma. The two personalities fight with each other to control the situation. The abrupt ending encourages viewers to think hard about what happens in the film and makes viewers postulate what would happen next. It's clever story telling. Acting by Cillian Murphy is amazing, he is so at ease as Emma and so nervous as John.

The subject matter of "Peacock" may limit its popularity, which is a pity as this intriguing drama deserves wider recognition.

The film itself probably doesn't rate more than 3.5 stars because the plot of "Peacock" strains credibility a bit, but not nearly as much as it might have without Cillian Murphy's fantastic 5-star performance. In this film, he proves himself an actor with great scope and depth.

We learn at the outset (thus no spoiler here) that Murphis playing two characters, alternatively adopting the personality of an obviously dysfunctional young man during workaday hours as a bank file clerk--with a notable performance by Bill Pullman as his supervisor--and then transforming into his mysterious female counterpart, each living separate but connected lives in the same house. I'll say no more about the plot other than that it's a very original story, with appropriate nods to a few classics.

This is no "Tootsie" or "Some Like It Hot" cross-dressing story. This film and Murphy's performance are equally compelling and memorable. See it.

I really did like this film from almost start to finish, the acting by all involved is fantastic with some great people involved. Not easy subject matter but it was co-ordinated very, very well. I will not spoil it but i felt as though the whole film was building up to something, and at the end i just felt cheated. On the whole a quite unusual film with a good narrative, i just feel it could have been left with something very different at the end.