NOTE IMDb
7,6/10
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MA NOTE
L'histoire de Tess Durbeyfield, une paysanne de basse naissance dont la famille découvre qu'elle a des liens avec la noblesse.L'histoire de Tess Durbeyfield, une paysanne de basse naissance dont la famille découvre qu'elle a des liens avec la noblesse.L'histoire de Tess Durbeyfield, une paysanne de basse naissance dont la famille découvre qu'elle a des liens avec la noblesse.
- Récompenses
- 3 nominations au total
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I am going to be frank, without giving too much away: if you're looking for a happy, light-hearted love story, look elsewhere! That said, however, this movie is very interesting. It is, for the most part, well acted, and contains some extremely thought-provoking material. Particularly the events at the beginning of the second episode... you will understand my meaning once you have watched. It is so interesting, and often heart-breaking, to see these issues handled in society in this time period - to see the reticence and misery that must be endured. I found myself constantly wondering who was right, and who was wrong, or if anyone in the film could really be considered right or wrong. And by which standards? This is not the typical BBC love story where we love the heroes, admire their virtues, and despise the villains, while secretly amused by them. I personally found myself disliking each character very much at at least one point in the film. These characters are very real people. Each one is flawed, and each one knows it too. This makes for a remarkably interesting tale, that kept me riveted from the very beginning.
With all that said, it is exceedingly dramatic... a little overly so at times. And it is harsh... very harsh. and very raw. So yes, do watch it, but do not expect it to be a sweet, witty love story. You may expect, however, to be very impressed. After all it made me cry, and I very rarely cry in movies!
With all that said, it is exceedingly dramatic... a little overly so at times. And it is harsh... very harsh. and very raw. So yes, do watch it, but do not expect it to be a sweet, witty love story. You may expect, however, to be very impressed. After all it made me cry, and I very rarely cry in movies!
I only recently watched this when it was on TV, but have been familiar with the book for years. I was entertained enough to watch all four episodes so that's a good start.
This production has many good points, the leading among them Gemma Arterton. She is fresh, intelligent and passionate and brings just the right touch of melancholy and spiritedness to Tess. She has the right type of natural beauty so that visually she complements the emotional qualities of her portrayal quite perfectly.
In fact, most of the leading characters were well played. I especially enjoyed Hans Mathieson's Alec, the villain with heart but a twisted core.
The photographic qualities of the film are fabulous, a real luxury; but not at the expense of the story. The trials and upheavals of Tess' life are faithfully and movingly shown. I think the story works very well, about 95% of the time, as a particular tale about particular people. This is what I enjoyed about it, but Hardy's novel does more than just tell a particular tale.
For the most part, the archetypal aspects of the leads (Tess, Angel & Alec) are insufficiently hinted at. For example, I don't think it's made clear enough that Angel loves Tess because she represents an ideal of feminine purity to him - in the book he calls her things like daughter of nature and Demeter, and this is unsatisfyingly absent here. Alec's more general role as the stronger force that distorts others' lives for the sake of personal convenience or transient pleasure could also have been more thoroughly explored (but his particular villainy and perverted love are artfully and powerfully portrayed). Angel, too, is more than just a man- he stands for the middle class with uncompromising values, no compassion and unjust double standards, which lead him to see Tess' misfortune as a greater crime than his voluntary "moral holiday" in London. Tess herself is perhaps better depicted as a representation of womanhood in her time - acute and sensitive, intelligent and hard-working, yet at the mercy of forces greater than her, and made to pay for 'sins' that she is not responsible for.
Despite the above, I don't think this is a huge omission; a novel and a mini-series are two different mediums, and if the makers thought they couldn't fit all of this into their production it was as well to leave it out altogether. So overall, still worth watching.
However I also have a gripe about the last episode, where I think the writer/s really dropped the ball. After a lengthy absence in which he sends no word, Angel suddenly reappears and has done a complete about-face with respect to his feelings about Tess. What changes his mind? What happened while he was gone? This seriously undermines the credibility of everything that happens from the moment of his return, because no reason is given for his radical change of heart. I feel that the story, character development and momentum hold up very well until Angel's return- and then drop off. This is a real shame - but while disappointing it doesn't ruin the rest of the production. Nevertheless, I wouldn't go out of my way to see it again.
This production has many good points, the leading among them Gemma Arterton. She is fresh, intelligent and passionate and brings just the right touch of melancholy and spiritedness to Tess. She has the right type of natural beauty so that visually she complements the emotional qualities of her portrayal quite perfectly.
In fact, most of the leading characters were well played. I especially enjoyed Hans Mathieson's Alec, the villain with heart but a twisted core.
The photographic qualities of the film are fabulous, a real luxury; but not at the expense of the story. The trials and upheavals of Tess' life are faithfully and movingly shown. I think the story works very well, about 95% of the time, as a particular tale about particular people. This is what I enjoyed about it, but Hardy's novel does more than just tell a particular tale.
For the most part, the archetypal aspects of the leads (Tess, Angel & Alec) are insufficiently hinted at. For example, I don't think it's made clear enough that Angel loves Tess because she represents an ideal of feminine purity to him - in the book he calls her things like daughter of nature and Demeter, and this is unsatisfyingly absent here. Alec's more general role as the stronger force that distorts others' lives for the sake of personal convenience or transient pleasure could also have been more thoroughly explored (but his particular villainy and perverted love are artfully and powerfully portrayed). Angel, too, is more than just a man- he stands for the middle class with uncompromising values, no compassion and unjust double standards, which lead him to see Tess' misfortune as a greater crime than his voluntary "moral holiday" in London. Tess herself is perhaps better depicted as a representation of womanhood in her time - acute and sensitive, intelligent and hard-working, yet at the mercy of forces greater than her, and made to pay for 'sins' that she is not responsible for.
Despite the above, I don't think this is a huge omission; a novel and a mini-series are two different mediums, and if the makers thought they couldn't fit all of this into their production it was as well to leave it out altogether. So overall, still worth watching.
However I also have a gripe about the last episode, where I think the writer/s really dropped the ball. After a lengthy absence in which he sends no word, Angel suddenly reappears and has done a complete about-face with respect to his feelings about Tess. What changes his mind? What happened while he was gone? This seriously undermines the credibility of everything that happens from the moment of his return, because no reason is given for his radical change of heart. I feel that the story, character development and momentum hold up very well until Angel's return- and then drop off. This is a real shame - but while disappointing it doesn't ruin the rest of the production. Nevertheless, I wouldn't go out of my way to see it again.
What a really good production this is. Technically perfect and an excellent cast. Gemma Arterton is a super actress and for me this is the best performance of her career so far. If he could, I'm certain that Hardy would agree! Her newest release "Tamara Drewe" is taken from the Simmons comic strip which in turn was inspired by Hardy's "Far From The Madding Crowd". I read that a new version of "Crowd" is in the works - if they don't have Arterton as Bathsheba Everdene they are making a serious error in my opinion. She was born to play that role. I see that one of the reviews here is personally insulting to the actress. For shame!
If you--like me--saw a review for this film/miniseries calling it "terrible" and giving it one star, IGNORE IT. This film was absolutely stunning (there's a reason it was nominated for Best Lighting, Photography & Camera) and filled with much emotion and intensity by excellent actors. Gemma Arterton is superb as the lead role and all major and minor characters play their part with dedication and are a joy to watch.
Based on the Thomas Hardy Novel, Tess of the d'Urbervilles follows the life of young, beautiful, innocent Tess and the misfortune she faces. With unforgettable characters such as the young heroine, Alec and Angel, visually appealing landscapes and emotional intensity to soften even the toughest of critics, this film is a must-see and something you are unlikely to ever forget!
Based on the Thomas Hardy Novel, Tess of the d'Urbervilles follows the life of young, beautiful, innocent Tess and the misfortune she faces. With unforgettable characters such as the young heroine, Alec and Angel, visually appealing landscapes and emotional intensity to soften even the toughest of critics, this film is a must-see and something you are unlikely to ever forget!
As much as I fell in love with this 'mini TV series' after the first few minutes, and as much as I love writing reviews on here I was determined I wouldn't write anything until I'd seen all of it, I was right to do so.
I admit, I haven't read the book, I probably will now though, so maybe it isn't fair for me to say ti's a good adaption, maybe the book is better I honestly don't know but it feels like it's been well adapted.
Certainly in terms of acting performances, editing, mise-en-scene and the like it's excellent. I was completely taken with the look of it the moment the opening credits started, maybe it's just because I love period films and series' in general but there was something about the look of it that was just pleasing to the eye. The costumes arn't particularly realistic, in one scene Tess wears an in-probably rich shade of red but i don't care, it's all artistic license as far as I'm concerned. And lets face it, the BBC don't exactly have a reputation for realism what with the cast of Robin Hood all looking like they'd all previously been part of a boy-band, but this was better.
Going back to acting performance's I say perfectly honestly they are some of the finest I've ever seen. Say what you like but i think the girl who plays Tess is excellent, maybe the accent is a little exaggerated but her conveyal of the emotions makes the character compelling and it can't be an easy part to play. Both Angel (I hate his name too) and Alec are excellently portrayed as well, particularly Angel in the last few scenes (you almost like him, despite how annoyingly nice he is) but also the supporting characters Rettie is moving in her patheticness and their Groby is too creepy for words, he literally sends a shiver down your spine.
As for conveying the story, I don't see how it could have been done better. I don't want to spoil the ending for anyone but I will say, have a box of tissues next to you, it was sadder than Steven Speilbergs 'A.I.: Atificial Intelligence' it was like the second act of Les Miserables, the same amount of tears (and thats a lot, an hour and a half of tears streaming down your face) compacted into two minutes. The stupidest thing was I watched it on BBC i-player so it ended with a message popping up saying 'I hope you enjoyed this programme' well not enjoyed as such, but I'm glad i watched it.
It'd going on my Christmas wish list right now.
I admit, I haven't read the book, I probably will now though, so maybe it isn't fair for me to say ti's a good adaption, maybe the book is better I honestly don't know but it feels like it's been well adapted.
Certainly in terms of acting performances, editing, mise-en-scene and the like it's excellent. I was completely taken with the look of it the moment the opening credits started, maybe it's just because I love period films and series' in general but there was something about the look of it that was just pleasing to the eye. The costumes arn't particularly realistic, in one scene Tess wears an in-probably rich shade of red but i don't care, it's all artistic license as far as I'm concerned. And lets face it, the BBC don't exactly have a reputation for realism what with the cast of Robin Hood all looking like they'd all previously been part of a boy-band, but this was better.
Going back to acting performance's I say perfectly honestly they are some of the finest I've ever seen. Say what you like but i think the girl who plays Tess is excellent, maybe the accent is a little exaggerated but her conveyal of the emotions makes the character compelling and it can't be an easy part to play. Both Angel (I hate his name too) and Alec are excellently portrayed as well, particularly Angel in the last few scenes (you almost like him, despite how annoyingly nice he is) but also the supporting characters Rettie is moving in her patheticness and their Groby is too creepy for words, he literally sends a shiver down your spine.
As for conveying the story, I don't see how it could have been done better. I don't want to spoil the ending for anyone but I will say, have a box of tissues next to you, it was sadder than Steven Speilbergs 'A.I.: Atificial Intelligence' it was like the second act of Les Miserables, the same amount of tears (and thats a lot, an hour and a half of tears streaming down your face) compacted into two minutes. The stupidest thing was I watched it on BBC i-player so it ended with a message popping up saying 'I hope you enjoyed this programme' well not enjoyed as such, but I'm glad i watched it.
It'd going on my Christmas wish list right now.
Le saviez-vous
- AnecdotesBBC Television's first-ever adaptation of Hardy's novel.
- GaffesThere are two musical anachronisms. First, Angel plays an autoharp which was not invented until the 1880s in Germany, and would not have been an English folk instrument at the time of TESS. Secondly, the congregation is heard singing "How Great Thou Art," which was written in Swedish in 1885, but was not commonly known in English until Stuart Hine's translation (circa 1950).
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- 黛絲姑娘
- Lieux de tournage
- Corfe Castle, Dorset, Angleterre, Royaume-Uni(Durbeyfield cottage exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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By what name was Tess of the D'Urbervilles (2008) officially released in India in English?
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