NOTE IMDb
4,6/10
9,3 k
MA NOTE
Ajouter une intrigue dans votre languePrithvi seeks revenge on Gyanendra Singh and the British. He sends his son Veer to Britain to study their plans. Veer kills Gyanendra's son but ends up falling in love with his daughter.Prithvi seeks revenge on Gyanendra Singh and the British. He sends his son Veer to Britain to study their plans. Veer kills Gyanendra's son but ends up falling in love with his daughter.Prithvi seeks revenge on Gyanendra Singh and the British. He sends his son Veer to Britain to study their plans. Veer kills Gyanendra's son but ends up falling in love with his daughter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Zareen Khan
- Yuvraji Yashodhara
- (as Zarine Khan)
Avis à la une
Veer's production budget was rumored to be around Rs 50 crore. Obviously that raised my expectations to a new height. Had my fingers crossed and hoped that Salman Khan might have finally delivered something laudable. But within 10 minutes into the movie, I knew that I was going to be greatly disappointed, once again.
The story was simply absurd. Any story on the struggle for independence against British Raj should not be narrated with so much surrealism. The viewers must be somehow influenced to be sympathetic and respectful to the characters who fought long and hard to win our freedom. Instead, the movie felt like a stupid joke at times and many people inside the theater started laughing. In the process of writing a period movie, the writer seemed to have been lost in time a few times. Certain parts of the story (in London) felt too modern to be early twentieth century. If Mangal Pandey ought to be criticized for lacking sense of proportion then I am not even sure what to say about Veer.
Salman Khan should consider some training in serious acting. His expressionless face became a burden to watch at times. He should realize that it is time for him to come on the screen as the character, not as Salman Khan. The lead actress was equally inept in her role. Mithun Chakravarty was melodramatic as usual, but he was bearable. The quality of the English actors was mostly poor.
I must admire the technical aspects of the movie though. The sets, costumes, artifacts, decorations, computer graphics, cinematography, etc were one of the best I have seen in Indian movies. Editing could have been better. Some of the fight scenes and stunts seemed old school and felt flimsy in comparison to standard Hollywood action movies.
Anyway, I believe such astronomical production cost and efforts could have been much better utilized on a story from Ramayan or Mahabharat.
The story was simply absurd. Any story on the struggle for independence against British Raj should not be narrated with so much surrealism. The viewers must be somehow influenced to be sympathetic and respectful to the characters who fought long and hard to win our freedom. Instead, the movie felt like a stupid joke at times and many people inside the theater started laughing. In the process of writing a period movie, the writer seemed to have been lost in time a few times. Certain parts of the story (in London) felt too modern to be early twentieth century. If Mangal Pandey ought to be criticized for lacking sense of proportion then I am not even sure what to say about Veer.
Salman Khan should consider some training in serious acting. His expressionless face became a burden to watch at times. He should realize that it is time for him to come on the screen as the character, not as Salman Khan. The lead actress was equally inept in her role. Mithun Chakravarty was melodramatic as usual, but he was bearable. The quality of the English actors was mostly poor.
I must admire the technical aspects of the movie though. The sets, costumes, artifacts, decorations, computer graphics, cinematography, etc were one of the best I have seen in Indian movies. Editing could have been better. Some of the fight scenes and stunts seemed old school and felt flimsy in comparison to standard Hollywood action movies.
Anyway, I believe such astronomical production cost and efforts could have been much better utilized on a story from Ramayan or Mahabharat.
There were mixed reactions about "Veer" before its release, since it was a period drama dealing with the same old Rajput Kings, Britishers and their revolts. The subject had its own limitations, holding a restricted appeal for the viewers. But there was Salman Khan, on Veer's side, with a gigantic fan following, who were all eager to see their favourite star in a new avatar of a revolutionary fighter.
So, the stage was all set for Salman to once again win over the box office with his majestic project which also had few melodious songs to its credit. But after watching more than 160 minutes of this fictional period epic, sadly Salman Khan himself, Mithun Da and the few well composed songs, remain the only worth mentioning features of this costly affair called "Veer".
In few words, the movie which successfully manages to impress the viewers with its powerful content in the first half, fails miserably post intermission and becomes a great let down after its initial one hour. Revolving around a revolutionary tribe named "Pandari's" which existed in the period of 19th century, it talks about the same old father-son vengeance story, which also involves the angle of The Ruling Britishers and their relationships with the Rajput Kings.
Truly speaking, "Veer" starts off quite well, with an explosive & impactful opening sequence which right away forces every person in the theater to take it seriously. Justifying all the historical events happening on the screen with a voice over, the movie makes a successful start and the powerful scenes of Mithun Da & Salman Khan together raise the bar further. "Taali" the first song of the movie, also makes an impression. The song even reminded me of one similar dance sequence in the famous cult movie "Fiddler on the Roof".
In fact, the first half of "Veer" has some excellent scenes, both acted and directed brilliantly. Like the one against animal sacrifice in the name of Religion, the shot with the graphical representation of London in the 19th century, the University scene where Salman answers back to his racist professor and the punishment scene right after. But the real problem starts just before the intermission where Salman performs a lethal bloodshed killing several British soldiers along with the two Rajput brothers of the leading lady.
Actually all the liberties taken by the script writers, which have no logical explanations, start right after the intermission when suddenly you see both Salman & Sohail returning to India (just like that), after mercilessly killing so many people right in the University Grounds in front of all the students. From here on the film takes a negative 'U-turn' and with every new scene progressing on the screen, you start forgetting the excellent scenes witnessed in the first half. After the interval, the narration slows down majorly, as the love story takes the front seat. Moreover, the final moments of the movie are also not capable of awakening the patriotic emotions in the viewers as usually seen in the movies made around the subject of India and its Freedom.
Visually, "Veer" is grand, royal and well worked upon. Cinematography, Visual Effects and Art Direction have a stunning impact and play as another character in the story on the screen. Musically it's undoubtedly among the top 3 musical scores of the duo Sajid-Wajid and they have delivered some real soulful numbers such as "Sureeli Akhiyon Waley" & "Salaam Aaya". Gulzar once again comes up with some logically unexplainable but great deep meaningful words. Only the person who had written "Humne Dekhi Hai Un Ankhon Ki Mehakati Khushboo", could have written "Sureeli Akhiyon Waley". As expected, "Veer" completely belongs to Salman Khan and his dominant screen presence. He realistically lives the character of Veer and delivers a fine performance, but the period feel of the movie may disappoint lot of his young fans who love to see him dressed in cool denims and open shirts. After Salman its Mithun Da to watch out for, with his piercing eyes and strong dialogue delivery. Zarine Khan, no doubts resembles Katrina, but she still looks pretty, though a little overweight. She may be taken in for a specific purpose but manages to give an OK performance in the movie. Jackie Shroff has slightly done it over the top. Sohail Khan does the usual act similar to his previous flicks. Both Puru Raaj Kumar & Aryan Vaid don't get enough scope to make an impact but Neena Gupta shines in her few scenes. Interestingly there are no familiar faces in the actors playing the British Officers and they all do the usual stuff without making any great efforts. "Veer" also has its resemblances with "Taras Bulba" (1962) and "Kranti" (1981). Apart from a similar climax, it even has a half arm person in the form of Jackie Shroff just as there was Prem Chopra in "Kranti".
Anil Sharma, tries to revive the magic of "Gadar" with many similar kind of heroic sequences using the current He-man Salman, following the legacy of Dharmendra & Sunny Deol. But in absence of a logical script and a tight edit, he fails to connect with the audiences after few initial engrossing moments and thus could only deliver a half hearted project.
In the end, I would sincerely like to add, that "Veer" could have been a much better movie with a more realistically directed and written second half. It is clearly the fault of the script writer and the director that the movie which reasonably impresses you in the first half, works so negatively post intermission. As Salman has reportedly written the main story of the movie, I doubt whether this was exactly the tale he wanted to bring on the wide screen. Anyway, if you are a Salman Khan fan, then you are surely going to like it, especially before intermission. Otherwise the magnum epic satisfies the viewer only partially.
So, the stage was all set for Salman to once again win over the box office with his majestic project which also had few melodious songs to its credit. But after watching more than 160 minutes of this fictional period epic, sadly Salman Khan himself, Mithun Da and the few well composed songs, remain the only worth mentioning features of this costly affair called "Veer".
In few words, the movie which successfully manages to impress the viewers with its powerful content in the first half, fails miserably post intermission and becomes a great let down after its initial one hour. Revolving around a revolutionary tribe named "Pandari's" which existed in the period of 19th century, it talks about the same old father-son vengeance story, which also involves the angle of The Ruling Britishers and their relationships with the Rajput Kings.
Truly speaking, "Veer" starts off quite well, with an explosive & impactful opening sequence which right away forces every person in the theater to take it seriously. Justifying all the historical events happening on the screen with a voice over, the movie makes a successful start and the powerful scenes of Mithun Da & Salman Khan together raise the bar further. "Taali" the first song of the movie, also makes an impression. The song even reminded me of one similar dance sequence in the famous cult movie "Fiddler on the Roof".
In fact, the first half of "Veer" has some excellent scenes, both acted and directed brilliantly. Like the one against animal sacrifice in the name of Religion, the shot with the graphical representation of London in the 19th century, the University scene where Salman answers back to his racist professor and the punishment scene right after. But the real problem starts just before the intermission where Salman performs a lethal bloodshed killing several British soldiers along with the two Rajput brothers of the leading lady.
Actually all the liberties taken by the script writers, which have no logical explanations, start right after the intermission when suddenly you see both Salman & Sohail returning to India (just like that), after mercilessly killing so many people right in the University Grounds in front of all the students. From here on the film takes a negative 'U-turn' and with every new scene progressing on the screen, you start forgetting the excellent scenes witnessed in the first half. After the interval, the narration slows down majorly, as the love story takes the front seat. Moreover, the final moments of the movie are also not capable of awakening the patriotic emotions in the viewers as usually seen in the movies made around the subject of India and its Freedom.
Visually, "Veer" is grand, royal and well worked upon. Cinematography, Visual Effects and Art Direction have a stunning impact and play as another character in the story on the screen. Musically it's undoubtedly among the top 3 musical scores of the duo Sajid-Wajid and they have delivered some real soulful numbers such as "Sureeli Akhiyon Waley" & "Salaam Aaya". Gulzar once again comes up with some logically unexplainable but great deep meaningful words. Only the person who had written "Humne Dekhi Hai Un Ankhon Ki Mehakati Khushboo", could have written "Sureeli Akhiyon Waley". As expected, "Veer" completely belongs to Salman Khan and his dominant screen presence. He realistically lives the character of Veer and delivers a fine performance, but the period feel of the movie may disappoint lot of his young fans who love to see him dressed in cool denims and open shirts. After Salman its Mithun Da to watch out for, with his piercing eyes and strong dialogue delivery. Zarine Khan, no doubts resembles Katrina, but she still looks pretty, though a little overweight. She may be taken in for a specific purpose but manages to give an OK performance in the movie. Jackie Shroff has slightly done it over the top. Sohail Khan does the usual act similar to his previous flicks. Both Puru Raaj Kumar & Aryan Vaid don't get enough scope to make an impact but Neena Gupta shines in her few scenes. Interestingly there are no familiar faces in the actors playing the British Officers and they all do the usual stuff without making any great efforts. "Veer" also has its resemblances with "Taras Bulba" (1962) and "Kranti" (1981). Apart from a similar climax, it even has a half arm person in the form of Jackie Shroff just as there was Prem Chopra in "Kranti".
Anil Sharma, tries to revive the magic of "Gadar" with many similar kind of heroic sequences using the current He-man Salman, following the legacy of Dharmendra & Sunny Deol. But in absence of a logical script and a tight edit, he fails to connect with the audiences after few initial engrossing moments and thus could only deliver a half hearted project.
In the end, I would sincerely like to add, that "Veer" could have been a much better movie with a more realistically directed and written second half. It is clearly the fault of the script writer and the director that the movie which reasonably impresses you in the first half, works so negatively post intermission. As Salman has reportedly written the main story of the movie, I doubt whether this was exactly the tale he wanted to bring on the wide screen. Anyway, if you are a Salman Khan fan, then you are surely going to like it, especially before intermission. Otherwise the magnum epic satisfies the viewer only partially.
Veer written by Salman Khan is plain average. There are so many loopholes in the film's screenplay. Anil Sharma who directed the super hit Gadar delivers a flop this time. The music of this film is below average. The cinematography is good. The story of the film is nothing great. The promos made me excited.But unfortunately the movie turns to be a plunder. Performance wise-Salman Khan is excellent,amazing,dynamic as Veer.Watch out for his entry sequence or at the end during the swayamvar scene.He rocks.Mithun Da is very good.Sohail Khan irritates.Jackie Shroff is bland.Zarine Khan is no Katrina Kaif.She is okay.Neena Gupta is wasted.
On the whole Veer is sheer disappointment.
On the whole Veer is sheer disappointment.
Where to start? I was going to watch a Salman Khan starrer, so naturally all my expectations were low. VERY low.
I've learned not to expect anything great from him. And, not to forget, I was going to watch a photocopy of my favourite actress, Katrina Kaif (favourite, mind you, for all reasons other than her acting!), which is really frustrating. This is the second time Salman is doing something like getting a carbon copy.
So, anyways, in one word, this movie is average. Very average. For more than one reason. It's a good entertainer, but all the super-bollywoody factors make me hate it, like flying (means a LOOOOOOONG jump), like breaking a sword with a bloody fist, etc, etc. Thank god for what happens in the end, though.
The direction is OK, doesn't feel stretched, but isn't that smooth either. The editing is flawed, but I'd give the cinematography a solid 8/10. Scenes are beautifully captured, no doubt. The 300-type CGI makes one want to puke, at times. The soundtrack... except the one song that I know people will like, it sucks.
And for the performances... Salman Khan's acting was... let's say... what it was supposed to be. Satisfying, nothing great. For others, it was fine. The newcomer Katrina Kaif-ish girl, though didn't have too many dialogues, was pretty OK.
And for the movie... I just LIKED one thing, which is the small twist in the end. As for the rest, it was OK. It is, after all, a love story, and nothing more. And when it comes to love, India has invented so many stories and I've seen so many that honestly, I'm bored. I mean, come on, what are they gonna do next, make films on capturing a terrorist, or a common cold? 6/10. Don't really go on my rating, I'm too critical. But go for it - it's a one-time-watch, and a sure-to-be-hit.
I've learned not to expect anything great from him. And, not to forget, I was going to watch a photocopy of my favourite actress, Katrina Kaif (favourite, mind you, for all reasons other than her acting!), which is really frustrating. This is the second time Salman is doing something like getting a carbon copy.
So, anyways, in one word, this movie is average. Very average. For more than one reason. It's a good entertainer, but all the super-bollywoody factors make me hate it, like flying (means a LOOOOOOONG jump), like breaking a sword with a bloody fist, etc, etc. Thank god for what happens in the end, though.
The direction is OK, doesn't feel stretched, but isn't that smooth either. The editing is flawed, but I'd give the cinematography a solid 8/10. Scenes are beautifully captured, no doubt. The 300-type CGI makes one want to puke, at times. The soundtrack... except the one song that I know people will like, it sucks.
And for the performances... Salman Khan's acting was... let's say... what it was supposed to be. Satisfying, nothing great. For others, it was fine. The newcomer Katrina Kaif-ish girl, though didn't have too many dialogues, was pretty OK.
And for the movie... I just LIKED one thing, which is the small twist in the end. As for the rest, it was OK. It is, after all, a love story, and nothing more. And when it comes to love, India has invented so many stories and I've seen so many that honestly, I'm bored. I mean, come on, what are they gonna do next, make films on capturing a terrorist, or a common cold? 6/10. Don't really go on my rating, I'm too critical. But go for it - it's a one-time-watch, and a sure-to-be-hit.
Anil Sharma's Magnum Opus, 'Veer' is finally out. Is it good, it worth the hype? The answer is a big YES! 'Veer' is a great entertainer, it's escapist cinema at its best!
'Veer' takes inspiration from the cult classic 'Taras Bulba' & writer Salman Khan excepts the fact. But taking inspiration is no sin, it's no law-breaker. 'Veer' starts off the bang & ends the very same. Sure it slips in the middle {post-interval in the love story becomes boring} but a terrific finale takes away all the blemishes.
'Veer' is a film targeted at the front-bencher's, with Clap-worthy dialogs, Massy stars like Mithun & Salman, terrific locales. 'Veer' is meant for those who enjoy Cinema some times, because of it's escapism.
Pluses: Sharma's direction is good, wish he could've edited those boring portions in the second hr. Cinematography by Gopal Shah is so good, that he deserves a National-Award for his work in here. Music by Sajid-Wajid is beautiful. All the songs have a haunting tune. Background score is gripping. Performances are up-the-mark: Salman as Veer is very good; the Good-Looking Superstar delivers one of his careers best performances. Mithun is terrific. The Legendary actor plays the role of a lead Pindari with rare ease & understanding. Jackie is killer as the conniving villain. New-find Zarine Khan is not only a pretty face, but also a good performer. Puru Raaj Kumar is excellent, while Aryan Vaid doesn't get much scope. Neena Gupta is good.
Minuses: As mentioned, The second hr loses pace. In fact the Love Story seems boring. Sohail Khan's comedy track is absolutely bland.
On the whole 'Veer' is entertainment at its best. Go in with Popcorn, Nachos, Samosas & a large Pepsi. Thumbs Up!
'Veer' takes inspiration from the cult classic 'Taras Bulba' & writer Salman Khan excepts the fact. But taking inspiration is no sin, it's no law-breaker. 'Veer' starts off the bang & ends the very same. Sure it slips in the middle {post-interval in the love story becomes boring} but a terrific finale takes away all the blemishes.
'Veer' is a film targeted at the front-bencher's, with Clap-worthy dialogs, Massy stars like Mithun & Salman, terrific locales. 'Veer' is meant for those who enjoy Cinema some times, because of it's escapism.
Pluses: Sharma's direction is good, wish he could've edited those boring portions in the second hr. Cinematography by Gopal Shah is so good, that he deserves a National-Award for his work in here. Music by Sajid-Wajid is beautiful. All the songs have a haunting tune. Background score is gripping. Performances are up-the-mark: Salman as Veer is very good; the Good-Looking Superstar delivers one of his careers best performances. Mithun is terrific. The Legendary actor plays the role of a lead Pindari with rare ease & understanding. Jackie is killer as the conniving villain. New-find Zarine Khan is not only a pretty face, but also a good performer. Puru Raaj Kumar is excellent, while Aryan Vaid doesn't get much scope. Neena Gupta is good.
Minuses: As mentioned, The second hr loses pace. In fact the Love Story seems boring. Sohail Khan's comedy track is absolutely bland.
On the whole 'Veer' is entertainment at its best. Go in with Popcorn, Nachos, Samosas & a large Pepsi. Thumbs Up!
Le saviez-vous
- AnecdotesThe story was written by Salman khan 20 years ago and described as his ambitious project at that time he planned to cast the Sanjay Dutt as the lead role and direct the film himself.
- GaffesIn the classroom scene, Veer quotes "Clothes don't make man, man makes clothes!" by George Bernard Shaw. However the Pindari movement was of Rajasthan in 1825. George Bernard Shaw existed from 1856 to 1950.
- ConnexionsReferenced in Comedy Circus Ke Ajoobe: Superstar Special (2013)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Veer?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 527 193 $US
- Week-end de sortie aux États-Unis et au Canada
- 334 562 $US
- 24 janv. 2010
- Montant brut mondial
- 6 178 606 $US
- Durée2 heures 49 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant