NOTE IMDb
5,9/10
52 k
MA NOTE
Leena dirige une évasion d'un asile estonien et se rend en Amérique pour voler l'identité de la fille d'une famille. Cependant, la vie de Leena en tant que « Esther » la met contre une mère ... Tout lireLeena dirige une évasion d'un asile estonien et se rend en Amérique pour voler l'identité de la fille d'une famille. Cependant, la vie de Leena en tant que « Esther » la met contre une mère qui fera tout pour protéger sa famille.Leena dirige une évasion d'un asile estonien et se rend en Amérique pour voler l'identité de la fille d'une famille. Cependant, la vie de Leena en tant que « Esther » la met contre une mère qui fera tout pour protéger sa famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 nominations au total
David Lawrence Brown
- Dr. Novotny
- (as Dave Brown)
Avis à la une
The original (Orphan 2009) without any doubt was amazing ! The potential was here with a lot of twists and extraordinary rotation and atmosphere.
Considering this movie consists with the original part it's embarrasing and losing the potential in this way with this low- box thriller, the script doesn't make any sense !!
Hope this degradation ends here even the ending was a message for another part !!
Considering this movie consists with the original part it's embarrasing and losing the potential in this way with this low- box thriller, the script doesn't make any sense !!
Hope this degradation ends here even the ending was a message for another part !!
I went in not expecting much and wasn't disappointed. Here we have a prequel that may of worked better had it been made much closer to the original movie.
There are aspects of the story that are just ridiculous. Lines that have been written that don't sound like they should. Characters doing things that seem not at all like something they would do. Plot holes scattered throughout. It doesn't completely suck but honestly it's not very good either.
Watch it or don't.
There are aspects of the story that are just ridiculous. Lines that have been written that don't sound like they should. Characters doing things that seem not at all like something they would do. Plot holes scattered throughout. It doesn't completely suck but honestly it's not very good either.
Watch it or don't.
I'm a massive fan of Orphan (2009) It was very well done with great actors so I was excited for this one ever since I knew it was being made.
Oh what a wasted opportunity and what comes across as a rushed script with no quality control. And did the camera get so cold in Russia that the cameraman forgot to wipe the fog off the camera? No, it was some weird filter or lense that made me feel like I'd just opened my eyes after 10 hours of sleep. It made for one blurry 100 minutes.
Yes it's a prequel but the story could of been so much better. From far fetched to a few wooden performances and it comes across as a B movie at times. As for the twist, well it was the final nail in the coffin so to speak. The twist was one of those type of laughable soap opera twists.
Absolutely gutted. Orphan (2009) deserved a prequel with equally high standards, I don't understand why they went with this script. Isabelle Fuhrman did a good job though with what she was given.
Oh what a wasted opportunity and what comes across as a rushed script with no quality control. And did the camera get so cold in Russia that the cameraman forgot to wipe the fog off the camera? No, it was some weird filter or lense that made me feel like I'd just opened my eyes after 10 hours of sleep. It made for one blurry 100 minutes.
Yes it's a prequel but the story could of been so much better. From far fetched to a few wooden performances and it comes across as a B movie at times. As for the twist, well it was the final nail in the coffin so to speak. The twist was one of those type of laughable soap opera twists.
Absolutely gutted. Orphan (2009) deserved a prequel with equally high standards, I don't understand why they went with this script. Isabelle Fuhrman did a good job though with what she was given.
After the first movie " The Orphan " I was quite eager to know about the beginning of Esther, how she came up to be who she is- you know the stuffs you have in a origin film. But this doesn't seem to be like that at all.
First of all, the movie doesnt even begin from the beginning in Esther's perspective. She was shown to be in a mental hospital and doctors mention her to be the most dangerous patient ever (we dont know why and how she was called that). Why should we not know why she was a dangerous patient? It was the "first kill" after all.
I often had the feeling of her not being a mental patient but just a killer who likes to kill, at least at the first. I am also ignoring all the small inconsistencies that were spread throughout the film.
First of all, the movie doesnt even begin from the beginning in Esther's perspective. She was shown to be in a mental hospital and doctors mention her to be the most dangerous patient ever (we dont know why and how she was called that). Why should we not know why she was a dangerous patient? It was the "first kill" after all.
I often had the feeling of her not being a mental patient but just a killer who likes to kill, at least at the first. I am also ignoring all the small inconsistencies that were spread throughout the film.
One of the film's strongest aspects is the outstanding performance by Isabelle Fuhrman as Esther. Fuhrman effortlessly embodies the complex and chilling nature of the character, showcasing her acting range and making Esther both captivating and unsettling to watch. Her portrayal adds depth and intensity to the film, making it worth seeing for her performance alone.
The prequel attempts to delve deeper into Esther's past, providing a backstory that sheds light on her twisted psyche. This exploration adds layers to the character, giving viewers a better understanding of her motivations. The psychological elements add intrigue and elevate the film beyond a simple slasher flick.
Orphan First Kill manages to create moments of genuine suspense and tension. Some scenes are expertly crafted, building up the anticipation and delivering chilling payoffs. These moments keep viewers on the edge of their seats, adding an undeniable thrill to the viewing experience.
On the other hand, the film suffers from pacing issues that hinder its overall impact. The narrative feels uneven, with certain scenes dragging on and others feeling rushed. This inconsistency disrupts the flow of the story, preventing full immersion in the plot and dampening the impact of key moments.
Despite Isabelle Fuhrman's compelling performance, the script fails to fully develop Esther's character. While the prequel attempts to provide depth, it falls short of delivering a truly nuanced exploration of her motivations. This missed opportunity leaves a sense of unfulfilled potential and prevents the film from reaching its full emotional and psychological impact.
The cinematography and production design are serviceable but fail to stand out. While they effectively contribute to the eerie atmosphere, they lack the visual flair and creativity that could have elevated the film to new heights.
The prequel attempts to delve deeper into Esther's past, providing a backstory that sheds light on her twisted psyche. This exploration adds layers to the character, giving viewers a better understanding of her motivations. The psychological elements add intrigue and elevate the film beyond a simple slasher flick.
Orphan First Kill manages to create moments of genuine suspense and tension. Some scenes are expertly crafted, building up the anticipation and delivering chilling payoffs. These moments keep viewers on the edge of their seats, adding an undeniable thrill to the viewing experience.
On the other hand, the film suffers from pacing issues that hinder its overall impact. The narrative feels uneven, with certain scenes dragging on and others feeling rushed. This inconsistency disrupts the flow of the story, preventing full immersion in the plot and dampening the impact of key moments.
Despite Isabelle Fuhrman's compelling performance, the script fails to fully develop Esther's character. While the prequel attempts to provide depth, it falls short of delivering a truly nuanced exploration of her motivations. This missed opportunity leaves a sense of unfulfilled potential and prevents the film from reaching its full emotional and psychological impact.
The cinematography and production design are serviceable but fail to stand out. While they effectively contribute to the eerie atmosphere, they lack the visual flair and creativity that could have elevated the film to new heights.
Le saviez-vous
- AnecdotesSome of the cast who were of the same height as Isabelle Fuhrman while in frame had to wear tall platform shoes while standing next to her to make her appear shorter, acting as forced perspective.
- GaffesIn Orphan (2009), when they speak of the fire that Esther survives that is seen at the end of this movie, they refer to the family as the Sullivans. In this film, the family's last name is Albright.
- Citations
Tricia Albright: I'm gonna go upstairs and fuck my husband.
- ConnexionsFeatured in The Kill Count: Orphan (2009) Kill Count (2022)
- Bandes originalesLes Saisons (The Seasons), Op. 37
Written by Pyotr Ilyich Tchaikovsky (as P.I. Tchaikovsky)
Performed by Andrej Hoteev
Courtesy of Profil/Hanssler Edition and Naxos
By arrangement with Source/Q
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- How long is Orphan: First Kill?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La Huérfana: El Origen
- Lieux de tournage
- 375 York Ave, Winnipeg, Manitoba, Canada(Gunnar's fencing tournament scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 413 227 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 739 557 $US
- 21 août 2022
- Montant brut mondial
- 37 083 743 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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