NOTE IMDb
6,9/10
72 k
MA NOTE
À Bodeen au Texas, une adolescente qui adore le rock indépendant trouve un moyen de faire face à la misère de sa petite ville après avoir découvert une ligue de roller derby à Austin.À Bodeen au Texas, une adolescente qui adore le rock indépendant trouve un moyen de faire face à la misère de sa petite ville après avoir découvert une ligue de roller derby à Austin.À Bodeen au Texas, une adolescente qui adore le rock indépendant trouve un moyen de faire face à la misère de sa petite ville après avoir découvert une ligue de roller derby à Austin.
- Récompenses
- 8 nominations au total
Elliot Page
- Bliss Cavendar
- (as Ellen Page)
Douglas Minckiewicz
- Colby
- (as Doug Minckewicz)
Avis à la une
Great watch, would watch again, and can recommend.
I've actually been to some of the Austin locations and seen that roller rink: it's a pretty cool place with a powerful vibe to the room.
I've really had enough of pagentry, it just feels very boring, so maybe it was the perfect way to start this movie. It's a very cliche "I don't want your life" beginning, but grounding the establishing act in that foundation really takes us on a journey of growth in this "finding of self" (possibly a "coming of age", but no really) story. When something grabs our interests, even on a weird flyer, or a pair of skates, we should pay attention, and the smaller the thing is that calls out to you, the more you should pay attention.
Roller derby is a bad ass little sport, and maybe "no one gets famous" or "successful" from it, but it looks fun and I'm sure the people that do it love it. While the roller derby aspect is great, and the romantic plot lines are good, and the best friend angle is really good (just realizing how multi-threaded this movie actually is), it is the self discovery, the character growth of Bliss (thanks to Ellen Page's powerful delivery) of being a person that we can barely hear, to being someone how is able to yell for what she wants, delivery a hit, and be a literal poster child.
The movie honestly makes me envious: while I'd like to be an attractive tough girl, sure, to find a passion while you still have time to enough to enjoy it, to find people to guide and support that passion, and then compete and find adversity from people twice your age is an amazing thing all to itself.
I'll never be a "roller derby girl", but I know I can always come live vicariously through this movie.
I've actually been to some of the Austin locations and seen that roller rink: it's a pretty cool place with a powerful vibe to the room.
I've really had enough of pagentry, it just feels very boring, so maybe it was the perfect way to start this movie. It's a very cliche "I don't want your life" beginning, but grounding the establishing act in that foundation really takes us on a journey of growth in this "finding of self" (possibly a "coming of age", but no really) story. When something grabs our interests, even on a weird flyer, or a pair of skates, we should pay attention, and the smaller the thing is that calls out to you, the more you should pay attention.
Roller derby is a bad ass little sport, and maybe "no one gets famous" or "successful" from it, but it looks fun and I'm sure the people that do it love it. While the roller derby aspect is great, and the romantic plot lines are good, and the best friend angle is really good (just realizing how multi-threaded this movie actually is), it is the self discovery, the character growth of Bliss (thanks to Ellen Page's powerful delivery) of being a person that we can barely hear, to being someone how is able to yell for what she wants, delivery a hit, and be a literal poster child.
The movie honestly makes me envious: while I'd like to be an attractive tough girl, sure, to find a passion while you still have time to enough to enjoy it, to find people to guide and support that passion, and then compete and find adversity from people twice your age is an amazing thing all to itself.
I'll never be a "roller derby girl", but I know I can always come live vicariously through this movie.
I attended the World Premiere of "Whip It" at the 2009 Toronto International Film Festival. This is quite an impressive directorial debut for Drew Barrymore (who also stars).
Barrymore works with a Shauna Cross script (based on her own novel Derby Girl) and an all-star cast featuring Ellen Page, Marcia Gay Harden, Daniel Stern, Kristen Wiig, Landon Pigg, Jimmy Fallon, Eve, and Juliette Lewis.
Page is Bliss Cavendar, whose mother (Harden) sees her daughter in gowns and crowns as she continues the family tradition of winning beauty pageant trophies. But Bliss' chance encounter with a group of roller skating girls plants other ideas in her head. Austin, Texas happens to host a roller derby league, it's not too far away, and Bliss finally sees a way out of her town (and gown). This sets up a family confrontation that is the stuff of classic coming-of-age stories.
The film starts out slow then whips into action, its brilliant ensemble cast hitting its stride and functioning like a winning roller derby team (without the bruises). Then just when you think "Whip It" is headed into sports rom-com cliché territory, surprising twists keep it original and refreshing. But despite the multitude of talented actors, Page clearly carries the film on her diminutive shoulders and is easily in control of the material.
Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail's pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to favorable tax credits) the Austin scenes are prominent, placing its landmarks in a warm, affectionate light. One benefit of a big budget is the ability to purchase music rights, and the result is a killer soundtrack that will have the audience singing along. Be sure to stay for the second of the two closing credits songs, the best ever cover of one of the greatest rock 'n roll love songs of all time, The Association's "Never My Love." Fox Searchlight scores again with Ellen Page, just like they did in 2007 with "Juno." Unlike that (at the time) dark horse, this is no little indie. This is classic Hollywood comedy. "Whip It" is another crowd pleaser to add to this year's must-see list.
Barrymore works with a Shauna Cross script (based on her own novel Derby Girl) and an all-star cast featuring Ellen Page, Marcia Gay Harden, Daniel Stern, Kristen Wiig, Landon Pigg, Jimmy Fallon, Eve, and Juliette Lewis.
Page is Bliss Cavendar, whose mother (Harden) sees her daughter in gowns and crowns as she continues the family tradition of winning beauty pageant trophies. But Bliss' chance encounter with a group of roller skating girls plants other ideas in her head. Austin, Texas happens to host a roller derby league, it's not too far away, and Bliss finally sees a way out of her town (and gown). This sets up a family confrontation that is the stuff of classic coming-of-age stories.
The film starts out slow then whips into action, its brilliant ensemble cast hitting its stride and functioning like a winning roller derby team (without the bruises). Then just when you think "Whip It" is headed into sports rom-com cliché territory, surprising twists keep it original and refreshing. But despite the multitude of talented actors, Page clearly carries the film on her diminutive shoulders and is easily in control of the material.
Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail's pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to favorable tax credits) the Austin scenes are prominent, placing its landmarks in a warm, affectionate light. One benefit of a big budget is the ability to purchase music rights, and the result is a killer soundtrack that will have the audience singing along. Be sure to stay for the second of the two closing credits songs, the best ever cover of one of the greatest rock 'n roll love songs of all time, The Association's "Never My Love." Fox Searchlight scores again with Ellen Page, just like they did in 2007 with "Juno." Unlike that (at the time) dark horse, this is no little indie. This is classic Hollywood comedy. "Whip It" is another crowd pleaser to add to this year's must-see list.
A film about those confusing and painful growing-up years. Similar to "Juno" in some ways but I liked this more. Portrays a girls search for meaning and acceptance with honesty and heart. While she does go against her parents wishes, rebellion is not glorified like I thought it would be. A thoughtful comedy
I really enjoyed this movie and it's one of those movies that you can only explain as that; an enjoyable movie. It's blissful in a way of how it doesn't have a lot of astonishing aspects of it visually but when you start watching you can't stop. Me and my family watched this in a hotel for the first time as we scrolled through the channels and when we stopped on this one we kind of all just left it there without saying much. Everyone was easily engaged and thankfully we started it from the relative beginning. It just has a natural feel to that draws me in, my family, and hopefully others as well. It isn't trying to be anything; it's not arthouse neither is it a cliche comedy, it's just a good movie and a very enjoyable one to watch with really funny jokes and dialogue and characters who give off the correct tones that the director was going for.
Likable" could be seen as a lukewarm compliment for a film. "Cute" could even be a backhanded pit-down. But this film is likable and cute in a very good way.
The story of an off-beat 17 year old, well played by Ellen Page, finding herself by secretly joining the roller derby in Austin, Texas may be clichéd on the surface, but the lovely character detail and successfully offbeat casting make the film a quirky, likable winner.
Not a great film, nor an "important" one, but one I enjoyed and was never bored by. And at a time where most Hollywood "entertainment" centers around blowing stuff up, its nice to see a mainstream film with rich characters and a big heart.
The story of an off-beat 17 year old, well played by Ellen Page, finding herself by secretly joining the roller derby in Austin, Texas may be clichéd on the surface, but the lovely character detail and successfully offbeat casting make the film a quirky, likable winner.
Not a great film, nor an "important" one, but one I enjoyed and was never bored by. And at a time where most Hollywood "entertainment" centers around blowing stuff up, its nice to see a mainstream film with rich characters and a big heart.
Le saviez-vous
- AnecdotesThe Manson Sisters were played by Rachel Piplica and Kristen Adolfi--better known as Iron Maven and Krissy Krash of the Los Angeles Derby Dolls. The pair skated for the Hurl Scouts in the film and, in real life, skate for the Tough Cookies, the team on which the Scouts were based.
- GaffesIn the final bout scenes, a row of "dummies" watch the bout instead of actual people. The "dummies" are mixed in with the actual crowd but due to editing the row of "dummies" was not edited out.
- Citations
Bliss Cavendar: We deserve better villains.
- Crédits fousBloopers run during closing credits.
- Bandes originalesKnocked Up
Written by Caleb Followill, Nathan Followill, Jared Followill and Matthew Followill
Performed by Kings of Leon
Courtesy of The RCA Records Label and The RCA/Jive Label Group
A unit of Sony Music Entertainment
By Arrangement with Sony Music Licensing
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- How long is Whip It?Alimenté par Alexa
- Is "Whip It" based on a book?
- What does the title "Whip It" mean?
- Who was "Stryper"?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Chicas Sin Freno
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 043 363 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 650 812 $US
- 4 oct. 2009
- Montant brut mondial
- 16 691 303 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
- 2.39 : 1
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