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Demolition

  • 2015
  • Tous publics
  • 1h 41min
NOTE IMDb
7,0/10
125 k
MA NOTE
POPULARITÉ
641
336
Jake Gyllenhaal in Demolition (2015)
Davis (Jake Gyllenhaal), a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father in law Phil (Chris Cooper) to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis' letters catch the attention of customer service rep Karen (Naomi Watts) and, amidst emotional and financial burdens of her own, the two form an unlikely connection. With the help of Karen and her son Chris (Judah Lewis), Davis starts to rebuild, beginning with the demolition of the life he once knew.
Lire trailer2:27
52 Videos
99+ photos
Dark ComedyPsychological DramaComedyDrama

Un banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il com... Tout lireUn banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il commence à reconstruire, en commençant par la destruction de la vie qu'il a connueUn banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il commence à reconstruire, en commençant par la destruction de la vie qu'il a connue

  • Réalisation
    • Jean-Marc Vallée
  • Scénario
    • Bryan Sipe
  • Casting principal
    • Jake Gyllenhaal
    • Naomi Watts
    • Chris Cooper
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    125 k
    MA NOTE
    POPULARITÉ
    641
    336
    • Réalisation
      • Jean-Marc Vallée
    • Scénario
      • Bryan Sipe
    • Casting principal
      • Jake Gyllenhaal
      • Naomi Watts
      • Chris Cooper
    • 247avis d'utilisateurs
    • 240avis des critiques
    • 49Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Vidéos52

    Official Trailer
    Trailer 2:27
    Official Trailer
    UK Trailer
    Trailer 2:02
    UK Trailer
    UK Trailer
    Trailer 2:02
    UK Trailer
    Trailer #1
    Trailer 2:14
    Trailer #1
    Nice Girl
    Clip 0:45
    Nice Girl
    Im Just Swinging Through
    Clip 1:10
    Im Just Swinging Through
    Demolition: Je ne fais que passer (French Subtitled)
    Clip 1:11
    Demolition: Je ne fais que passer (French Subtitled)

    Photos114

    Voir l'affiche
    Voir l'affiche
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    + 110
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    Rôles principaux45

    Modifier
    Jake Gyllenhaal
    Jake Gyllenhaal
    • Davis
    Naomi Watts
    Naomi Watts
    • Karen
    Chris Cooper
    Chris Cooper
    • Phil
    Judah Lewis
    Judah Lewis
    • Chris
    C.J. Wilson
    C.J. Wilson
    • Carl
    Polly Draper
    Polly Draper
    • Margot
    Malachy Cleary
    Malachy Cleary
    • Davis' Dad
    Debra Monk
    Debra Monk
    • Davis' Mom
    Heather Lind
    Heather Lind
    • Julia
    Wass Stevens
    Wass Stevens
    • Jimmy
    Blaire Brooks
    Blaire Brooks
    • Amy
    Ben Cole
    • Steven
    Brendan Dooling
    Brendan Dooling
    • Todd
    James Colby
    James Colby
    • John
    Alfredo Narciso
    Alfredo Narciso
    • Michael
    Madison Arnold
    Madison Arnold
    • Ray
    Gregory Haney
    Gregory Haney
    • Nurse
    James Young
    • Ahmed
    • Réalisation
      • Jean-Marc Vallée
    • Scénario
      • Bryan Sipe
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs247

    7,0124.6K
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    Avis à la une

    7matt-levett

    Grief manifests in many forms.

    Choppy editing issues, But superb.

    For starters the film has some incredible acting...Jake is utterly convincing in his role as a selfish and seemingly heartless individual devoid of emotion until tragedy entails. The pick up in his thought process is a slow but necessary approach as his mental health issues pick up subtle but convincing time frames and the viewer is left a 50/50 decision on whether you actually like him or not. This is no mean feat for an actor with such a tragic story line and he pulls it off brilliantly.

    I would however of liked the mental health issues that surround the process of grief further explored and a stronger message to go out to the audience that grief manifests in so many individual ways that you are never wrong with the way you feel...Its a very precious and intimate individual process.

    Naomi Watts character is a little bizarre and almost unnecessary in my view but I will not spoil anything here.

    A good just under two hours spent in my opinion with a a lot of thinking to continue for the rest of the evening. A solid 7/10 from me.
    9planktonrules

    A profoundly sad story because he isn't sad.

    As the film begins, Davis (Jake Gyllenhaal) and his wife are in the car and she's driving. Their conversation seems mundane...when suddenly there's an accident and she's killed.

    How Davis responds to her death is really strange...though not completely hard to believe. Instead of focusing on his feelings, Davis is mechanical in how he looks at things....analyzing and thinking with zero emotion. A few of his quirks include taking apart machines around the home and office...just to see how they work as well as sending a string of long meandering letters to a vending machine company...because he lost $1.50 in one of their machines! He obviously is compartmentalizing....in other words, locking away his feelings and closing the door on them in his mind. This does not mean he doesn't think about his wife...but when he does, it's in a very disconnected and strangely analytical fashion.

    During the course of this strange nervous breakdown, his letters have an impact on the customer service rep who has been receiving them. Out of the blue, she calls him and they form a friendship....a very tentative and strange friendship. And, you start to realize that both of them are damaged souls...as is her very odd son. What's next? See the film.

    Like so much of Jake Gyllenhaal's work, this film is incredibly strange and hard to predict. This actually is why I sought out this film.... I love how this actor takes risks and plays the most unusual actors. If you don't believe this, consider SOURCE CODE, NIGHTCRAWLER and BROKEBACK MOUNTAIN. These are NOT typical Hollywood releases and almost defy description...which I appreciate. After all, with over 26,000 reviews to my credit, there does often seem to be a sameness to a lot of films.

    Apart from being different, is it worth seeing? And, is it any good? Yes, though I don't see the film as the type everyone would like, that's for sure. In many ways, the movie actually reminds me of Adam Sandler's REIGN OVER ME, a highly neglected film about a man who lost his family and simply refuses to come to terms with it. Both movies really make you think...both are also a bit unpleasant to watch but well worth seeing.

    I think this is a brave movie...one worth watching. However, it doesn't have a nice, clean, happy ending....and I could understand folks not enjoying the movie as a result.
    8yusufpiskin

    Judah Lewis

    I'm the kind of guy who buries everything deep down. If someone close to me died, you wouldn't know it unless I told you. If I got fired or failed a class, my general demeanor wouldn't change enough to be noticeable. I internalize everything, burying it deep down inside and doing my best to ignore until eventually, it just goes away or the world solves the problem for me. It's a quietly destructive system of dealing with hardships, but from my experience I think I would prefer it to the alternate, more vocal and public approach. People often deem this method unhealthy, something I vehemently disagree with. I'm a put together individual, relatively mature and pretty steadfast in my fundamental beliefs and morality, especially considering I'm 19. Demolition is one of the first films I've seen that seemed to reflect my methods for dealing with stress (on some level anyways) that didn't ultimately indict them. I loved it.

    As a film, Demolition is a quiet powerhouse of emotion. Jake Gyllenhaal continues to justify his standing as one of the finest actors working right now, giving a quiet and darkly comedic performance that is absolutely fundamental to the success of the film. Naomi Watts, an incredible actress in her own right, seems a bit off kilter and awkward, but so is the character she is playing so I have no issues with her work here either. Jean-Marc Vallee's direction here is great as well, weaving a sort of confused story together through effective editing and a fundamental loyalty to the subdued mentality of it's protagonist. A quick look at RottenTomatoes and I see that many are calling this a "slog", or a film that doesn't necessarily reflect the tragedy of it's narrative. But Demolition takes place within Gyllenhaal's head, attempting to cinematically represent the process of internalizing grief and strife, which I feel inherently lends itself to a subdued atmosphere.

    But the moments that need to land do, mostly consisting of another character desperately trying to salvage any sort of emotional response from Gyllenhaal. I found the film to be profoundly relatable, perhaps the most I've ever seen in it's interpretation of grief and loss. Now let me make a few things clear. I'm 19, so I've never lost a wife, a child or a parent. I've never torn down my house or taken apart my fridge, and I've never really dealt with any stress outside of relationships (romantic and platonic), grandparents passing or dogs dying, school related stress or financial concerns. But stress is relative, and I saw myself in Gyllenhaal's journey. There was no scene with him crying himself to sleep, or breaking down at the deceased's gravestone. No constant screaming, anguish or turmoil. Life went on, and only those around him aroused any emotion following his wife's death.

    It's a fundamentally human film, masquerading as an absurdist comedy while dealing with some of life's most confounding scenarios. It's a film that tracks Gyllenhaal's breakdown, bravely painted with humor and melancholy alone. And amidst that insincerity the film finds some beauty in the breakdown, as Gyllenhaal eventually finds his answers within the rubble of his old life. I can sympathize with Demolition's detractors, but personally I found something really beautiful that I hope to cling to and appreciate further as I mature. I found a film that doesn't malign my mentality towards adversity, but rather explores it and tries to understand it. It's a film with sympathy for it's conflicted protagonist, and subsequently I found sympathy for myself in there as well.

    A personal favorite.
    9fahimakhter

    It makes you feel everything a film should make you feel!

    It is heavy, it is depressing in bits and clever the other times and it flows. There isn't a dull moment it doesn't pace up or pace doesn't. It only has dialogues where necessary.

    What you do see is a man dealing with the death of his wife and understanding his relationship and life. Not the way most of us do, but by destroying everything.

    I love jake Gyllenhaal more with every new film of his, no one could have played the better than him.
    7Reno-Rangan

    When we won't feel a thing for a great loss...

    I am observing closely Jake Gyllenhaal's acting career and he's giving the best performances in all his films. He's one of top 5 best actor of our generation. So technically I love all his films, especially in the recent years and tell me who won't if they love good stories and performance. I expected this to be another excellent film and yes it was, but not that great.

    What he has given to his fans and film viewers is the promise and fulfilled it all the way. So even an average film can automatically become a better one. This film was based on the one of the blacklisted script, but Gyllenhaal's presence made all the difference along with the wonderful director.

    It was the story of a man who lost his wife in a car accident. His way of grieving is what the film narrates. He realises that he's not able feel a thing when everyone around does, so he decides to make search for the answers and so the bizarre journey begins. The casting was good, but it was all about the Gyllenhaal's role. I like Naomi Watts, but for the first time she looked old to me. And the others did not have much screenspace, except that new face boy who was decent.

    I think not everyone would enjoy it, it is a weird story of almost a weird person, so you would easily get it. You must need to be a patience, besides it is a dark comedy. You might wonder why the title was named 'Demolition', the films gives a strange demonstration for that in a good way. It is not like a must see, but totally worth for Gyllenhaal alone. I can't say it should have been better, because there's nothing to get better, everything was at its best.

    7/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Davis (Jake Gyllenhaal) is writing a complaint letter to Champion Vending regarding peanut MMs that got stuck. Champion Vending is in fact a real provider of Vending and Pantry services to the New York market. A portion of the movie was shot at Champions Corporate offices and Champion is featured 78 different times in the movie. Jean Marc liked the operation so much he asked to use the actual facility and logo.
    • Gaffes
      When Davis is in the diner and speaks to Karen while she's in the parking lot smoking pot, he says she's in a Corolla when she is clearly driving a Camry.
    • Citations

      Davis: You must be Chris.

      Chris: You fucking my mom?

      Davis: No, I'm not. We were just sleeping...

      Chris: [interrupts] She's fucking crazy. If you haven't noticed, she's a fucking pothead. She calls it cannabis 'cause it makes her feel like less of a fucking pothead.

      Davis: You say fuck a lot.

      Chris: So?

      Davis: So you're just not using it properly.

      Chris: The fuck does that mean?

      Davis: That's what I mean. Fuck is a great word, but if you use it too much then it just loses its value and you sound stupid.

      Chris: Fuck you.

      Davis: Exactly. I feel nothing and you sound like an idiot. Have a good one.

      [Davis leaves]

      Chris: Who the f...

      [thinks about it]

    • Crédits fous
      At the end of the credits, Davis says: "Warmest regards, Davis C. Mitchell".
    • Connexions
      Featured in The Tonight Show Starring Jimmy Fallon: Jake Gyllenhaal/Paul Reubens/Rita Wilson (2016)
    • Bandes originales
      Nocturnes, Op. 9: No. 2 in E-Flat Major
      Written by Frédéric Chopin

      Performed by Arthur B. Rubinstein

      Courtesy of Sony Classical

      By Arrangement with Sony Music Licensing Line.

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    Production art
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    FAQ

    • How long is Demolition?
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    Détails

    Modifier
    • Date de sortie
      • 6 avril 2016 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Demolición
    • Lieux de tournage
      • Coney Island, Brooklyn, Ville de New York, New York, États-Unis
    • Sociétés de production
      • Black Label Media
      • Mr. Mudd
      • Right of Way Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 978 592 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 100 042 $US
      • 10 avr. 2016
    • Montant brut mondial
      • 4 366 460 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 41 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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