Demolition
- 2015
- Tous publics
- 1h 41min
Un banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il com... Tout lireUn banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il commence à reconstruire, en commençant par la destruction de la vie qu'il a connueUn banquier d'affaires prospère se débat après avoir perdu sa femme dans un tragique accident de voiture. Avec l'aide d'un représentant du service à la clientèle et de son jeune fils, il commence à reconstruire, en commençant par la destruction de la vie qu'il a connue
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
For starters the film has some incredible acting...Jake is utterly convincing in his role as a selfish and seemingly heartless individual devoid of emotion until tragedy entails. The pick up in his thought process is a slow but necessary approach as his mental health issues pick up subtle but convincing time frames and the viewer is left a 50/50 decision on whether you actually like him or not. This is no mean feat for an actor with such a tragic story line and he pulls it off brilliantly.
I would however of liked the mental health issues that surround the process of grief further explored and a stronger message to go out to the audience that grief manifests in so many individual ways that you are never wrong with the way you feel...Its a very precious and intimate individual process.
Naomi Watts character is a little bizarre and almost unnecessary in my view but I will not spoil anything here.
A good just under two hours spent in my opinion with a a lot of thinking to continue for the rest of the evening. A solid 7/10 from me.
How Davis responds to her death is really strange...though not completely hard to believe. Instead of focusing on his feelings, Davis is mechanical in how he looks at things....analyzing and thinking with zero emotion. A few of his quirks include taking apart machines around the home and office...just to see how they work as well as sending a string of long meandering letters to a vending machine company...because he lost $1.50 in one of their machines! He obviously is compartmentalizing....in other words, locking away his feelings and closing the door on them in his mind. This does not mean he doesn't think about his wife...but when he does, it's in a very disconnected and strangely analytical fashion.
During the course of this strange nervous breakdown, his letters have an impact on the customer service rep who has been receiving them. Out of the blue, she calls him and they form a friendship....a very tentative and strange friendship. And, you start to realize that both of them are damaged souls...as is her very odd son. What's next? See the film.
Like so much of Jake Gyllenhaal's work, this film is incredibly strange and hard to predict. This actually is why I sought out this film.... I love how this actor takes risks and plays the most unusual actors. If you don't believe this, consider SOURCE CODE, NIGHTCRAWLER and BROKEBACK MOUNTAIN. These are NOT typical Hollywood releases and almost defy description...which I appreciate. After all, with over 26,000 reviews to my credit, there does often seem to be a sameness to a lot of films.
Apart from being different, is it worth seeing? And, is it any good? Yes, though I don't see the film as the type everyone would like, that's for sure. In many ways, the movie actually reminds me of Adam Sandler's REIGN OVER ME, a highly neglected film about a man who lost his family and simply refuses to come to terms with it. Both movies really make you think...both are also a bit unpleasant to watch but well worth seeing.
I think this is a brave movie...one worth watching. However, it doesn't have a nice, clean, happy ending....and I could understand folks not enjoying the movie as a result.
As a film, Demolition is a quiet powerhouse of emotion. Jake Gyllenhaal continues to justify his standing as one of the finest actors working right now, giving a quiet and darkly comedic performance that is absolutely fundamental to the success of the film. Naomi Watts, an incredible actress in her own right, seems a bit off kilter and awkward, but so is the character she is playing so I have no issues with her work here either. Jean-Marc Vallee's direction here is great as well, weaving a sort of confused story together through effective editing and a fundamental loyalty to the subdued mentality of it's protagonist. A quick look at RottenTomatoes and I see that many are calling this a "slog", or a film that doesn't necessarily reflect the tragedy of it's narrative. But Demolition takes place within Gyllenhaal's head, attempting to cinematically represent the process of internalizing grief and strife, which I feel inherently lends itself to a subdued atmosphere.
But the moments that need to land do, mostly consisting of another character desperately trying to salvage any sort of emotional response from Gyllenhaal. I found the film to be profoundly relatable, perhaps the most I've ever seen in it's interpretation of grief and loss. Now let me make a few things clear. I'm 19, so I've never lost a wife, a child or a parent. I've never torn down my house or taken apart my fridge, and I've never really dealt with any stress outside of relationships (romantic and platonic), grandparents passing or dogs dying, school related stress or financial concerns. But stress is relative, and I saw myself in Gyllenhaal's journey. There was no scene with him crying himself to sleep, or breaking down at the deceased's gravestone. No constant screaming, anguish or turmoil. Life went on, and only those around him aroused any emotion following his wife's death.
It's a fundamentally human film, masquerading as an absurdist comedy while dealing with some of life's most confounding scenarios. It's a film that tracks Gyllenhaal's breakdown, bravely painted with humor and melancholy alone. And amidst that insincerity the film finds some beauty in the breakdown, as Gyllenhaal eventually finds his answers within the rubble of his old life. I can sympathize with Demolition's detractors, but personally I found something really beautiful that I hope to cling to and appreciate further as I mature. I found a film that doesn't malign my mentality towards adversity, but rather explores it and tries to understand it. It's a film with sympathy for it's conflicted protagonist, and subsequently I found sympathy for myself in there as well.
A personal favorite.
What you do see is a man dealing with the death of his wife and understanding his relationship and life. Not the way most of us do, but by destroying everything.
I love jake Gyllenhaal more with every new film of his, no one could have played the better than him.
What he has given to his fans and film viewers is the promise and fulfilled it all the way. So even an average film can automatically become a better one. This film was based on the one of the blacklisted script, but Gyllenhaal's presence made all the difference along with the wonderful director.
It was the story of a man who lost his wife in a car accident. His way of grieving is what the film narrates. He realises that he's not able feel a thing when everyone around does, so he decides to make search for the answers and so the bizarre journey begins. The casting was good, but it was all about the Gyllenhaal's role. I like Naomi Watts, but for the first time she looked old to me. And the others did not have much screenspace, except that new face boy who was decent.
I think not everyone would enjoy it, it is a weird story of almost a weird person, so you would easily get it. You must need to be a patience, besides it is a dark comedy. You might wonder why the title was named 'Demolition', the films gives a strange demonstration for that in a good way. It is not like a must see, but totally worth for Gyllenhaal alone. I can't say it should have been better, because there's nothing to get better, everything was at its best.
7/10
Le saviez-vous
- AnecdotesDavis (Jake Gyllenhaal) is writing a complaint letter to Champion Vending regarding peanut MMs that got stuck. Champion Vending is in fact a real provider of Vending and Pantry services to the New York market. A portion of the movie was shot at Champions Corporate offices and Champion is featured 78 different times in the movie. Jean Marc liked the operation so much he asked to use the actual facility and logo.
- GaffesWhen Davis is in the diner and speaks to Karen while she's in the parking lot smoking pot, he says she's in a Corolla when she is clearly driving a Camry.
- Citations
Davis: You must be Chris.
Chris: You fucking my mom?
Davis: No, I'm not. We were just sleeping...
Chris: [interrupts] She's fucking crazy. If you haven't noticed, she's a fucking pothead. She calls it cannabis 'cause it makes her feel like less of a fucking pothead.
Davis: You say fuck a lot.
Chris: So?
Davis: So you're just not using it properly.
Chris: The fuck does that mean?
Davis: That's what I mean. Fuck is a great word, but if you use it too much then it just loses its value and you sound stupid.
Chris: Fuck you.
Davis: Exactly. I feel nothing and you sound like an idiot. Have a good one.
[Davis leaves]
Chris: Who the f...
[thinks about it]
- Crédits fousAt the end of the credits, Davis says: "Warmest regards, Davis C. Mitchell".
- Bandes originalesNocturnes, Op. 9: No. 2 in E-Flat Major
Written by Frédéric Chopin
Performed by Arthur B. Rubinstein
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing Line.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Demolición
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 978 592 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 100 042 $US
- 10 avr. 2016
- Montant brut mondial
- 4 366 460 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1