Nefes

The Breath begins almost as a Turkish version of Kubrick's Full Metal Jacket. A drill instructor berates a group of young soldiers; telling them that they will all die; especially if they sleep. He says that their mothers will cry when their bodies are sent home for burial. He asks one of the boys if he has a girlfriend. When he answers yes, the commander says, not anymore, and while you are fighting for your country, she will find a new boyfriend.

The platoon is sent to a dangerous mountain region at the Iraqi border to stop the radical Kurdistan Workers Party. The Turkish soldiers learn quickly that they are canon fodder for their government; a fairly universal theme everywhere. The battle scenes are well made and as military films go, The Breath is one of the better ones that I've seen. Director Levent Semerci make you really care what happens to the brave young men.

One of the most realistic war movies ever. It's all about humans and no politics or nationalistic messages are artificially included as seen even in the best American war movies. An objective look to a real drama. The characters and their relationships that are put into the story background are carefully created and fit into the story telling perfectly. You can feel they are not bulletproof, perfect fictional heroes but fragile people from real life like anybody else. The thrilling flow through calm atmosphere and gradually increasing tension makes this movie exceptional. Fight scenes are also very impressive. A must see! Excellent direction.

This movie is not about the war. don't think about the terrorism in Turkey that about the movie. Nor militarist neither anti-militarist. Not just about the terrorism. This movie is about the life. Lifes, which lives in 40 different souls. This is about the love. to love someone, poems, dreams, and to love mainland. Just to protect their land for to go their sweet home.This is not a fake bravery story. you will see the fear in their eyes. You'll see the tears. And you will consider what is the meaning of innocent soldier. Watch it, you will not lose anything. You 'll gain a life. And you will do anything to protect your life. This movie will tell you what is the meaning of love, under the threats of bullets.

Nefes is first of its kind in Turkey. Through the eyes of a small brigade of soldiers stationed at the border, the film examines the armed conflict that has been going on for more than 30 years in south-eastern Turkey.

Filmed on the high mountains of southern Turkey, the landscape provides a stunning and poetic backdrop. The seclusion, hardship and the tragedy these people had to endure is central to the story.

The film has its minor flaws but nevertheless it is effective in putting the audience in the shoes of these soldiers. And it is specifically significant to the Turkish citizens; for they will have a chance to truly empathize with those who rendered services in the region.

This is a must-see movie if you are somehow interested in PKK terror throughout the 90s. It is of further interest for those interested in how a successful movie can be produced with professional directing despite an almost-all amateur cast.

It is apparent that a good part of the scenario is based on real events: From personal experience, I recall reading about of the occasions and situations in the movie from the local media. The battle scenes are quite graphic and accurate. The characters feel quite real. They are not necessarily deep, but depth of character is not really necessary for the storyline, as this movie is about the lives of soldiers in an obscure, remote military post.

The camera use in the movie is excellent. In the opening scenes, the audience experiences the vastness of the landscape. The feeling of loneliness and being deserted is strongly conveyed. Further into the movie, the camera is used professionally to convey a feeling of urgency in the battle scenes, of which there are only a few. It is equally professional in conveying tranquility, and if you watch the movie, you will see one climax where this contrast is made very apparent.

In various connecting scenes, the passage of time and the feeling of timelessness is communicated through fast moving clouds, reminiscent of Donnie Darko.

On a further note, most of the actors are either amateurs or had very short acting careers. However, the director manages to offset this setback by using different camera angles where the audience does not have to see the faces of the actors to understand their feelings or mood. This movie is an excellent example of low budget casting can be more successful than many professional actors when good directorship is used.

Those being said, there are some unnecessarily long scenes in the second part of the movie, where the captain explains in head-aching detail his philosophy and thoughts as he becomes more and more suicidal. However, I do not take any points off my score for this setback, because long live the Turkish warriors. 10/10