Le Hobbit : La Désolation de Smaug
- 2013
- Tous publics
- 2h 41min
Les nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bagu... Tout lireLes nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bague magique.Les nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bague magique.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 19 victoires et 90 nominations au total
Avis à la une
I'm all for re-imagining a story, but if you do so at least be honest and tell us that's what you did, like Tim Burton did when he made his version of Alice. Jackson never said any such thing, if he did it was kept a secret from most of the viewers, which is plain shame as far as I'm concern. I know everyone is going to hate this review to pieces, so many "Jacksoners" are following every bit of film he creates trampling in their wake over all those who dare oppose him. But I personally think that had he kept himself closer to the original, he would've ended with a better movie. It was so with the first part, but I feel like his ego couldn't share the credit with the original author anymore, so that's what we got. It's fun to watch - it's just a different story we're watching than the one we were promised.
Besides Richard Armitage leading the way as the King under the Mountain with his great chemistry with fellow castmates, there are three actors who give specially noteworthy live-action performances. Lee Pace is one of the true highlights as Thranduil, who is an Elf King that deals with foreboding in a way that is different from Elrond. Ian McKellen's acting is comparable to him in The Lord of the Rings trilogy, as he takes advantage of Gandalf getting his own storyline and heart-pounding action scene. Martin Freeman is good once again as the brave titular character, and actually slightly better.
The confrontation with Smaug is very enjoyable. It is a long movie, but the finale is the high point. Benedict Cumberbatch does an excellent job with the arrogant beast's voice, and the dragon looks really cool in 3D. I personally think that they ended it at the perfect place. When they divide a book up, it will inevitably result in a cliffhanger feeling. But, I am satisfied with how they handled it.
The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.
One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.
Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.
Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.
And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.
At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.
On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.
The second Lord Of The Rings movie suffered from Middle Film Syndrome: Hobbit 2, despite occupying the same position in a trilogy, does not suffer to the same extent, and perhaps this is because it is exciting all the way through, yet follows on from a film which was pretty slow throughout its first half.
It also contains large chunks which do not come from the novel - I'm pretty sure Legolas wasn't in the book. He is great fun here, as a much angrier soldier in the Elf Army. And new creation Tauriel is hugely enjoyable, resembling nothing so much as Uma Thurman's character from Kill Bill, albeit attractively played with the hint of a smile by Evangeline Lilly.
Apart from being a more engaging movie than part 1, pretty much everything I thought about that movie still holds. I still have reservations about the dwarfs - their faces and hair feel obviously prosthetic and wigged, and it's still pretty difficult to tell them apart from each other except for the old one, the one wounded by the orc arrow, Thorin, and James Nesbitt's Irish one. I still have reservations about CGI orc faces - the prosthetic orc faces work noticeably better. I still have reservations about some of the action sequences, where more is not necessarily better (one sequence, in particular had the audience laughing because of the extent to which the Elvish derring-do was over-derring-done). And there are times when Bilbo looks cut out and pasted into a scene. And, once again, the 3D is indifferent.
Otherwise, this was great fun. Loads of action, some nice character work, an excellent and nasty spider fight, a well-voiced and visually realised Smaug, and not the slightest yen to look at my watch.
And a cliff-hanger. You swine, Jackson.
Le saviez-vous
- AnecdotesWhile the cast was shooting the barrel escape scenes in the specially-constructed indoor "rapids" tank, several of them stated that they had to relieve themselves in the water, since they had to stay in the tank for so long without so much as a lunch break. When Martin Freeman found out he was furious, since Bilbo spends all of his time during that scene directly in the water, and had been swallowing a great deal of it.
- GaffesThe movies previously retained the idea from the books that sunlight renders Orcs non-functional. Gandalf remarked in Le Seigneur des anneaux : La Communauté de l'anneau (2001) on how alarming it is that Saruman's breeding program has produced sun-resistant Orc soldiers. Yet in the barrel escape scene from Thranduil's caverns, the orcs are chasing the dwarfs down the River Running, and doing hard battle, in broad daylight without suffering any ill effects.
- Citations
Balin: [sees a chamber full of dead dwarves, with their only means of escape blocked] The last of our kin. They must have come here hoping beyond hope. We could make for the mines. Might last a few days.
Thorin Oakenshield: No. I will not die like this, cowering, clawing for breath. We make for the forges.
Dwalin: He'll see us! Sure as death.
Thorin Oakenshield: Not if we split up.
Balin: Thorin, we'll never make it.
Thorin Oakenshield: Some of us might. Lead him to the forges. We kill the dragon. If this is to end in fire, then we will all burn together!
- Versions alternativesThe Extended Edition that was made for the home theater market adds 25 minutes of additional footage. These include the following new or extended scenes:
- At the Prancing Pony, Gandalf asks Thorin about his business in Bree. Thorin tells him that he is searching for Thrain, his father who was presumed dead after the Battle of Moria; Thrain has supposedly been seen again. Thorin also mentions that Thrain was wearing one of the seven Dwarf Lord rings when he disappeared.
- After having spent the night in Beorn's house, the Dwarves are discussing how they can get past Beorn unseen; however, Gandalf assures them they will need Beorn's help. Gandalf goes with Bilbo to carefully introduce the group to Beorn, and instructs the Dwarves come out of the house two at a time (except for Bombur who is instructed to come out alone) much to Beorn's unpleasant surprise.
- Upon leaving with Beorn's ponies, Beorn makes the group swear to free the horses before entering the forest. He then has a talk with Gandalf about Azog, the Necromancer at Dol Guldur, the tombs in the mountains (featuring a flashback with a voiceover by Galadriel) and a possible return of Sauron.
- Gandalf warns the Dwarves not to disturb the water in Mirkwood, use only bridges and be wary of illusions.
- The Dwarves find the bridge in Mirkwood destroyed, so they cross the river with the use of vines hanging above the water. Bombur falls in the water and is asleep, so the other Dwarves need to carry him. They see a white stag, which Thorin tries to shoot unsuccessfully. Bilbo states this will bring bad luck.
- The Master of Laketown and his aid Alfrid talk about Bard and their desire to get rid of his influence on the people of the town. As Alfrid serves the Master a plate of goat and ram's testicles to eat, they discuss a possibility to silence Bard.
- While being smuggled into Laketown, the Dwarves are discovered. They fight off the guards with the help of the townsfolk. Braga, the captain of the guards, enters, and Bard bribes him into leaving by offering him a fancy piece of underwear for his wife.
- The Master of Laketown and Alfrid are discussing an old prophecy that when the king of the mountain returns, the streets will run with gold.
- Alfrid asks whether Thorin can be trusted to keep his word, prompting Bilbo to vouch for him.
- The remaining Dwarves ask Alfrid to help the wounded Kili, but he coldly dismisses them.
- Balin describes how the desolation of Smaug was once a lush woodland.
- While at Dol Guldur, Gandalf is suddenly attacked by a Dwarf. After a brief scuffle, Gandalf recognizes his assailant as Thrain, and uses an enchantment to give him his memory back. Thrain mentions how he lost his finger and the Dwarf Lord ring during the Battle of Moria. He also warns Gandalf that no one should enter Erebor.
- Gandalf and Thrain are attacked by Azog at Dol Guldur. Azog's subtitle, "Run him down!" is changed to "Run them down!" in the Extended Edition. Gandalf fights him off and they run away, only to be caught by the Necromancer, who uses black smoke tendrils to grab and kill Thrain.
- ConnexionsEdited into The Hobbit: The Desolation of Smaug - Extended Edition Scenes (2014)
- Bandes originalesTrumpet Fanfare
Composed by David Donaldson, David Long, Steve Roche & Janet Roddick
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Hobbit 2: La desolación de Smaug
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 225 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 258 387 334 $US
- Week-end de sortie aux États-Unis et au Canada
- 73 645 197 $US
- 15 déc. 2013
- Montant brut mondial
- 959 079 095 $US
- Durée2 heures 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1