Les enquêtes de l'inspecteur Wallander

I usually enjoy British-made mystery series, and "Wallander," starring Kenneth Brannaugh, is one of the recent series that particularly stands out.

Based on the mystery novels by Henning Mankell, "Wallander" maintains the Swedish setting of the novels, and the slightly moody tone of the books. Wallander is a complex character with many foibles, but he remains sympathetic, and Brannaugh's portrayal is spot-on. The relationship of the title character with his daughter and his colleagues rings true both to life and to the original novels.

As to another reviewer thinking it's odd that they're speaking English when it's set in Sweden, unless it's being dubbed from English into another language (particularly Swedish), I would find nothing odd about it. I wouldn't expect a British series to be written in Swedish, regardless of the setting or the original source. No more did I expect "The Last Emperor" to be filmed in Chinese or the characters in "I, Claudius" to be speaking Latin. The Swedish setting is highly evocative, and the series is true to the spirit of the books.

I highly recommend "Wallander" for anyone who likes character-driven detective mysteries. (ETA: BTW, anyone who has a chance to see the original Swedish "Wallander" series, it is somewhat different, the drama more implied through the circumstances of the particular crimes, and is more subdued; there's also more of a "police procedural" feel to it. They're sometimes shown on U.S. television w/ English subtitles. I don't know if it's available dubbed or not -- but as I prefer not to watch things that are dubbed even when I don't speak the language, I'm very glad to say that I'm only acquainted with the subtitled version. I'd say that the Swedish version picks up more the plot and action of the books, whereas the British version is more interested in the characters, particularly Wallander, but also the characters and motivation of the perpetrators.)

Watching two episodes of "Wallander" makes me think of Isabelle Huppert's line in Hal Hartley's great "Amateur": "everything I write comes out sad. Why do you think that is?" Kenneth Brannagh's shambling, weary detective Kurt Wallander is as far from TV's 'Columbo' as it's possible to get, despite certain physical similarities.

In a way that I seem to recognise as uniquely Nordic, Wallander goes about his daily business – solving murders – with a residual sadness on him and his world, and everything in the show – from the art-house photography and pared-down sets, to the score, to his life and to each episode's stories themselves – helps create a consistent portrait, so that by the time I settled down for episode two, Wallander's appearance was an automatic trigger to a certain state of mind.

Each classy episode takes its time, draws visual comparisons, sets Wallander up in his world, makes you know him better. I'm loving it : it's on a par with the excellent French TV thriller "Engrenages" that previously appeared on BBC4, and anything ever so slightly formulaic about the story lines in each episode is offset by the serious and committed acting, the well-drawn characterisation, the consistent visual tone. I'm so glad they avoided the Meryl Streep world of accents and wholesale removal of the drama to the UK (or USA). These are Swedish characters in a Swedish town who write in Swedish – it's just that we're hearing them in English. And this technique allows them to cast truly excellent English supporting actors without any fear of uneven accents or geographic transitions that don't work so well. (No English forest ever looks quite like a Scandinavian one. And the British don't so much do sadness and mournful humour, as bleakness and black humour – they're quite different.)

I saw Kenneth Brannagh as an electrifying 'Hamlet' on stage in the late 80s, and this feels something like being reacquainted with an old ghost. He's no longer young, and he's not beautiful, but he makes masterful use of his eyes, his voice, the very weariness life has given him – to create a memorable man, not just a cartoon portrait. Highly recommended.

Detective Kurt Wallander, a man in perpetual need of a shave and a healthy meal is a noir-by-day modern gumshoe fighting for justice. His dedication has cost him. His wife left him after finding out he's already married to his work. His daughter is an earnest and dutiful supporter of the detective, but oblivious to the evil his eyes see daily. Not sure how he's doing it, but Kenneth Branagh OWNS this role and he's *really* appealing as this frayed-at-the-edges public servant. Shot like a mini-series, or a movie for TV, I admit I am impressed with his ability to flex into this role that is so utterly unlike his Shakespeare work. Frankly, he acts circles around the other cast members. A must-see for the mildest Branagh fan and good enough for any mystery/detective story lover. FYI: Disc 1 has two episodes. Disc 2 has one episode and special features that has spoilers if you don't see the other shows first. I was disappointed that I saw the 3rd episode before the first two. I understand there are 3 more episodes ordered for 2010. 07/09

...Anything really! It has been a while since I bombed into a serie without any fantasy. Its situated in Sweden but they all speak english. Why make a remake in the first place...? I just dont get it. Cop is struggling with his private life. Thats about it...

This new addition to the TV detective genre grabbed my attention and I was rewarded by an enjoyable drama. I was impressed by the scenery, Nordic interiors and ambiance of this piece, and it had an atmosphere of Northern light that reminded me of other detective stories set in the north, such as Insomnia (Al Pacino, in Alaska) or Smilla's Feeling for Snow. That atmosphere was compelling and Ken Branagh's performance kept my attention, although the plot seemed to be heading in a certain direction and the answer was not a big surprise. The fact that everyone spoke English but all were clearly Swedish was amusing as well. That aspect reminded me of Gorky Park, in which all the Russians spoke with English accents. It allows the suspension of disbelief and the English-speaking viewer feels drawn into another culture. I don't usually watch detective/murder mysteries these days because I don't enjoy murder as a spectator sport, but this was worth seeing because of the performances and the unusual setting, sets, high production values and stunning photography. Looking forward to the next 2 episodes.