Le Rite

The Rite looked like it would be a mixed bag right from the start. The film seemed to suffer the same fate many other films before it fell victim to and that's giving away too much of the storyline in the trailers. On top of that, it was a film that revolved around exorcism which is a subject that usually leads to disappointing results. Expectations would lead one to believe that The Rite would have enough momentum to reel you in only to drop the ball during its finale similar to last year's The Last Exorcism (except hopefully without the appearance of a neon red, glow in the dark fetus). Luckily, the film has a few surprises up its sleeve.

The cinematography in the film is probably the first thing you'll notice visually. The opening of the film makes things like dripping embalming fluid, a swing set on a playground, and an overturned shopping cart seem more interesting than they really are. Rain is an element used fairly often in the film to usually signify when something has gone wrong or is about to. Whether the camera is placed up high to make it seem like you're looking down on the cast from the heavens or down low as if you're looking up at them from the depths of the earth, the rain sequences in the film are definitely some of the most memorable due to the camera work.

This is probably a pretty obvious statement, but the film is worth seeing for Anthony Hopkins alone. It's not that Colin O'Donoghue does poorly since he certainly has a strong screen presence and does a fantastic job carrying the film, but Hopkins just manages to trump that while stealing every scene he's in and rightfully so. Father Lucas Trevant is the strongest and creepiest role Hopkins has played since Hannibal Lecter and his best role overall in years. It's just amazing seeing a man in his seventies give a performance that's this physical and this absorbing. Speaking of distinguished actors, it was nice seeing Rutger Hauer as well even if it was just for a small role.

The dream sequences and hallucinations in the film may have been my hands down favorite. I've always been a fan of the surreal, the imaginative, the creative, and the things that don't seem to make sense at first but gain meaning as the film or story progresses. I never thought I'd find myself intrigued with the actions of a mule or that frogs could have an even deeper meaning than what you're probably expecting, but The Rite accomplishes this very well.

Thankfully, The Rite delivers an exorcism film that is actually worth seeing. It'll probably be forgotten about in a year filled with so many blockbuster film releases, but considering that January and February are usually filled with such monstrous duds at the box office The Rite manages to surpass expectations. While the film does seem rather reminiscent of The Last Exorcism and borrows the atmosphere from the Heath Ledger film The Order, The Rite is actually a better experience overall. With an engrossing performance by Anthony Hopkins along with a fairly strong cast all around, its fantastic cinematography, surreal dream sequences, and a satisfying conclusion that doesn't hint at a sequel, The Rite is actually a surprisingly decent film all around. Evren Buyruk

From what I could see on sites such as Rotten Tomatoes, the critical consensus was not too favorable. Yet Roger Ebert thought it was a decent little film. After seeing it, so did I.

The scenario of this film was tailor-made for Anthony Hopkins. Could you imagine a better excuse for scenery-chewing and over-the-top carrying-on, other than demonic possession? So you can't complain about the overacting: the Devil made him do it. The demonically-possessed cannot be expected to turn in a subtle performance.

Hopkins did a perfectly fine job with the set up. And the rest of the cast was equally suitable for what they had to do.

It was good to see Rutger Hauer again, a totally remarkable and outstanding actor. He had a very limited role (maybe five minutes screen time total), enough to make me wish he worked more in current films. I miss him.

I have not read the book this film is supposedly based on. But I would assume that fidelity to it is not a major point. There was a lot of humanity and recognizable human emotions evident in this film, and I saw no indications that the film was intended to convert unbelievers. And it worked up to some very suspenseful situations. Which is just what a thriller should do.

This was another instance of Roman Catholic exorcism. There were seven "orders" or steps in becoming a priest. In that order, from minor to major: porter, lector, exorcist, acolyte, subdeacon, deacon and priest. This set of orders supposedly was instituted a millennium ago, or more. In more recent times, the "exorcist" order is virtually ceremonial. The actual current exorcists are specially appointed priests. But it makes you wonder: back in the Early Ages, the next step after reading the Bible at church services (being a "lector") was to cast out demons (being an "exorcist"). Was there a special need way back then? Such that the faithful could not wait for an ordained priest to intervene? We've also seen Protestant exorcism recently, in The Last Exorcism. I have no reason to believe that casting out demons is limited in any way to Roman Catholics. I think the next film begging to be made is a Jewish exorcism. Perhaps there is a Muslim equivalent as well.

I am not saying that you have to go out and see "The Rite" rite now in the cinema. I don't regret seeing it there. But when it becomes available in a form that you can enjoy at home, it would definitely be something worth while to watch.

The Rite is a good and very atmospheric exorcism film. Although released clearly not in a good time for this sub-genre, it still holds up well even 10 years later.

The setting is nice, the cinematography is great. It's not a demon-slasher like the more recent pieces of this sub-genre (like The Nun) and it plays more into the psychological aspect (just as the director did with 1408), this is how I like my exorcism films.

But what really makes this work for me, it's the performances. This film is carried by acting, and although most of the cast did a great job, O'Donoghue, Hauer...Hopkins stole the show. You get completely immersed in his performance, every detail, every emotion is projected through it. It is clearly one of his best if not the best roles since The Silence of the Lambs.

The story itself of course isn't perfect, and it has some elements reminiscent of the time, but when Hopkins is on screen, you just completely forget about everything else.

Personally, I think the film is way underrated on IMDB, especially if you compare the rating to more recent entries in this sub-genre.

A strong recommendation.

This is a movie that deals with the "delicate" theme of exorcism (i.e. the practice of evicting a demon from a person they are believed to be possessed). I describe it as delicate because it seems very difficult to distinguish a person with a mental illness from someone who is possessed, IF such thing exists at all in real life.

In past times, demonic possession was a common belief to explain the abnormal behavior of a person. Even nowadays, when everything else has failed, and the science can't provide a solution, people in some parts of the world still believe in that and seek help to practices of mysticism like exorcisms.

In this movie exorcism is presented in conjunction with lost faith. It is inevitable that the non-believer has to see with his own eyes for his faith to be restored.

The atmosphere of the movie is eerie from the start. Even before the demons...present themselves! The reluctant hero and the universe that conspires so he can find his way to God, is presented in a solid way.

The cast is good. Anthony Hopkins is as excellent as ever. The music helps to establish the theme of the movie and Rome and the Vatican look majestic as ever, maybe the best set to place such a movie.

There are some grisly images but you want be scared because of them. The director bets on the atmosphere if not anything else.

Overall: Not a great movie, but not bad either. It won't help your faith to become stronger. For that look elsewhere.

"The Rite" is an American supernatural horror film about an American seminary student who travels to Italy to take an exorcism course. The turn of events at Rome make him question his self beliefs and embark him on a journey of self fruition and worldly truth.

Cast wise, No complain. Anthony Hopkins seems very natural for his role of Father Lucas, an unorthodox Exorcist who questions his faith after a failed exorcism. His performance,specially the devil possessed climax performance brings in mind the chilling menace he showcased in "Silence Of The Lambs" or "Fracture" etc. Newcomer Colin O'Donoghue plays his role of an upcoming reluctant Priest cum Exorcist with diligence and audacity. His appearance,something of a mixture of dark and white makes him an ideal candidate for Batman's Bruce Wayne role. His performance was not over-the-top nor was it beginner's mess. Rest chips in well in their roles.

"The Rite" strength and weakness both lies in its Storyline. Fact is the storyline deals with the sensitive issues of demonic possession, faith contradictions, exorcism, good versus bad issues in a very delicate ways. Neither the Director injects heroic acts to make it entertaining nor incorporate gore and violence to make an impact. Everything is dealt in a very instinctual manner, rendering the movie being liked by a section of viewers for its authenticity and veracious dealing with its subject material; on the other hand, being distasteful to the other section of viewers for being non entertaining and devoid of gore and violence.

Overall, "The Rite" has something missing and something present. Even though the subject material might be difficult to digest for most viewers, "The Rite" succeeds in capturing the viewer's attention and appreciation.

My Verdict: 7/10