NOTE IMDb
4,1/10
1,3 k
MA NOTE
Une couturière défavorisée, hantée par son passé, cherche l'amour et l'acceptation dans la haute société, mais doit faire face à la malédiction de ses racines maléfiques.Une couturière défavorisée, hantée par son passé, cherche l'amour et l'acceptation dans la haute société, mais doit faire face à la malédiction de ses racines maléfiques.Une couturière défavorisée, hantée par son passé, cherche l'amour et l'acceptation dans la haute société, mais doit faire face à la malédiction de ses racines maléfiques.
- Réalisation
- Scénario
- Casting principal
Lacey Katena
- Violet
- (as Lacey Caroline)
Avis à la une
Left a bit to be desired. Many transitions in the film were misplaced. The story structure of the movie is not apparent to the audience. The film lacks any direction. The movie is more about a mistress that lacks mental stability than it is a horror film. The performances come off as over exaggerated in a film that is not nearly serious or coherent enough as a film to be treated as such. As somebody who was at the first screaming I was remised to find audience members laughing at various beats of the movie. The film makers deserve credit for their hard work but the final product was below par.
What a roller coaster ride of twists and turns. What a great story, that leaves you with a queezy feeling of wanting more. Color and SPFX were on point for an independent film, it looks great. Special effects were well placed and not over done which helped with delivery and get their point across. The movie was well cast with an awesome performance by Victoria U. Bell. I really enjoyed the kill scenes as they were original and SCARY... Its a film where it may be a little hard to follow at first, but it all comes together in the end. There were breadcrumbs throughout the film, most of what you pick up on the 2nd time you watch it. I highly recommend this movie!
There is a reason the director is the lead actor. It's hard to find anyone who wants to star in someone's ego driven movie that's ultimately a flop and hard to watch. We didn't even finish the movie. Can we get a refund please? Some people need to understand just because you have money for a movie, doesn't mean you know what you are doing. Save yourself your time and money and watch something with meaning. This movie is a typical low budget indie film that based on folk lore that's slow, drawn out and never really comes together. Read the professional movie critics reviews as well, and don't bother with the paid for friend reviews because they feel bad for the director.
Few experiences rival the profound satisfaction of witnessing one's expectations surpassed by a considerable margin. Periodically, amidst the landscape of independent and low-budget productions, a rare find emerges-a shining beacon of originality and innovation. "Heir of the Witch" stands as a testament to such rarity.
From its inception, the craftsmanship evident in the writing of this haunting tale, partly inspired by real-life events, resonates deeply. It delves unflinchingly into themes of inheritance, curses, and the inescapable shackles of ancestral legacy, establishing the script as the pulsating heart of the narrative.
The performances exhibited within this production stand unparalleled within the realm of low-budget endeavors. Each character exudes a profound depth, while the dialogue, imbued with layers of meaning, creates a rich tapestry of interaction. Astute viewers will delight in the plethora of Easter eggs and subtle foreshadowing woven seamlessly throughout, ensuring that the narrative remains unpredictable, with each plot twist delivering a jolt of surprise.
Victoria U. Bell's portrayal is nothing short of unforgettable.
Furthermore, the cinematography transcends expectations, displaying a level of artistry and attention to detail that commands admiration. The visual effects, executed with astonishing precision, add an extra layer of immersion, elevating the viewing experience to new heights.
In summation, "Heir of the Witch" stands as a testament to the boundless potential of independent filmmaking, where creativity and passion converge to produce a work that leaves an indelible mark on its audience.
From its inception, the craftsmanship evident in the writing of this haunting tale, partly inspired by real-life events, resonates deeply. It delves unflinchingly into themes of inheritance, curses, and the inescapable shackles of ancestral legacy, establishing the script as the pulsating heart of the narrative.
The performances exhibited within this production stand unparalleled within the realm of low-budget endeavors. Each character exudes a profound depth, while the dialogue, imbued with layers of meaning, creates a rich tapestry of interaction. Astute viewers will delight in the plethora of Easter eggs and subtle foreshadowing woven seamlessly throughout, ensuring that the narrative remains unpredictable, with each plot twist delivering a jolt of surprise.
Victoria U. Bell's portrayal is nothing short of unforgettable.
Furthermore, the cinematography transcends expectations, displaying a level of artistry and attention to detail that commands admiration. The visual effects, executed with astonishing precision, add an extra layer of immersion, elevating the viewing experience to new heights.
In summation, "Heir of the Witch" stands as a testament to the boundless potential of independent filmmaking, where creativity and passion converge to produce a work that leaves an indelible mark on its audience.
I watched the vast majority of this movie just hating it. It seemed like the plot was was just barely going through the standard horror tropes. All the main characters are bland or unlikable. The main actress is playing a plain and overlooked woman, but she's the most radiant one there.
So far, those are pretty typical problems for a horror movie. But the absolute worst problem is the pacing. Everything plods along with very little rhyme or reason. We get largely useless flashbacks. There are several abrupt time jumps that, instead of being effective, feel like scenes were just missing. One gap is probably eight months long, with no forewarning. With one of the victims there's a scene where we think logically that she surely must have been killed, but shortly after we get another scene where she's still alive and not even addressing having gone through anything earlier, followed quickly by a suggestion that she just got killed for real that time, but no actual scene explaining any of it. I think you're supposed to guess, but at that point it doesn't seem to fit what we know.
Closer to the end than it had any reason to, the movie took a wild turn. There was a quick succession of deaths, and a major mystery was revealed that I never saw coming. A couple of scenes were revisited, with a quick suggestion that there were other important things going on. But it's already over, credits are rolling. This was the making of a great movie. But it doesn't really work to just stuff it at the end like that.
This script badly needed a rewrite to take care of the pacing. The first two thirds of the movie should have been the first third, maybe. We got some hints, but there could have been a few more, maybe some red herrings. Parts that do not contribute to the overall plot (and a few characters even) should have just been ripped out. We needed more time at the end, and we could have seen some of the repercussions of what happened. It doesn't even have to all be denouement, if it were parceled out better we could process each step and build suspense about what that one was going to mean before the next one hit. And the loose threads could have been addressed in a satisfying way. For example, at this point I don't know if an important character lived or died, based upon what we know at the end.
I hope I danced around the spoilers successfully. Even knowing that there is a spoiler can in itself be a kind of spoiler, but I mention it so you don't give up on this movie before it's over. At least one of the reviews said they bailed before it finished, which is a shame. Fast forward a little if you have to, but don't just turn it off.
So far, those are pretty typical problems for a horror movie. But the absolute worst problem is the pacing. Everything plods along with very little rhyme or reason. We get largely useless flashbacks. There are several abrupt time jumps that, instead of being effective, feel like scenes were just missing. One gap is probably eight months long, with no forewarning. With one of the victims there's a scene where we think logically that she surely must have been killed, but shortly after we get another scene where she's still alive and not even addressing having gone through anything earlier, followed quickly by a suggestion that she just got killed for real that time, but no actual scene explaining any of it. I think you're supposed to guess, but at that point it doesn't seem to fit what we know.
Closer to the end than it had any reason to, the movie took a wild turn. There was a quick succession of deaths, and a major mystery was revealed that I never saw coming. A couple of scenes were revisited, with a quick suggestion that there were other important things going on. But it's already over, credits are rolling. This was the making of a great movie. But it doesn't really work to just stuff it at the end like that.
This script badly needed a rewrite to take care of the pacing. The first two thirds of the movie should have been the first third, maybe. We got some hints, but there could have been a few more, maybe some red herrings. Parts that do not contribute to the overall plot (and a few characters even) should have just been ripped out. We needed more time at the end, and we could have seen some of the repercussions of what happened. It doesn't even have to all be denouement, if it were parceled out better we could process each step and build suspense about what that one was going to mean before the next one hit. And the loose threads could have been addressed in a satisfying way. For example, at this point I don't know if an important character lived or died, based upon what we know at the end.
I hope I danced around the spoilers successfully. Even knowing that there is a spoiler can in itself be a kind of spoiler, but I mention it so you don't give up on this movie before it's over. At least one of the reviews said they bailed before it finished, which is a shame. Fast forward a little if you have to, but don't just turn it off.
Le saviez-vous
- Bandes originalesFrom Hell
Written by Mafia
Performed by Mafia
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- How long is Heir of the Witch?Alimenté par Alexa
Détails
- Durée
- 1h 34min(94 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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