Livre de sang

Clive Barker released a series of short stories back in 1984 through 1986 called the Books of Blood; exploring themes of fantasy and horror. Barker was originally a writer and later turned his interests towards that of film making. His background has allowed him to release great titles like Hellraiser (based on Barker's The Hellbound Heart), Nightbreed (A tale based on H.P. Lovecraft's Cthulhu Mythos), Lord of Illusions (The Last Illusion), and Midnight Meat Train (which also happens to be another short story from the Books of Blood). This particular films draws influence from two of his short stories, The Book of Blood and On Jerusalem Street (a postscript). There are 6 volumes to the Books of Blood, but personally I've only read Volume 4.

A paranormal investigator hires an equipment expert and a so-called psychic to explore a house - one that has witnessed a brutal murder. What they discover is not your typical spiritual activity but an intersection for the dead. This isn't your run-of-the-mill haunted house story; there is plenty to think about and consider with a fair amount of violence and thrills. The final act of this film is really awesome, almost making it worth it just for that alone. Unfortunately Barker did not direct or produce this film, but John Harrison did a wonderful job representing him. Harrison did great work of his own, such as 1990's Tales from the Darkside: The Movie and several episodes of Tales from the Crypt and Tales from the Darkside.

Clive is back, in some form or another! Now, I shall recite a quote by Stephen King from 25 years ago: "I have seen the future of horror, his name is Clive Barker."

Saw this movie on 7th of march at the fantasy film fest nights in Hamburg. What a mess of a film. Unbelievable Characters with unbelievable actions without any point. Dramatic situations change into scenes like this: "OK, something supernatural just happened here what i was working and waiting for all my life, which i have never expected to happen, and which scared the hell out of me, but hey, although its dangerous and i am wounded - ah, lets just have sex..." ??? The plot jumps from one "topic" to another and everything is getting so confused that you just don't get the goal of this movie. Was it about ghosts, childhood trauma, erotic fantasies or about voyeurs? All these Topics put together in one movie make all the good, dramatic aspects look just laughable. The climax was simply ridiculous too, so to sum it all up - it was a mess of a movie with some good attempts, shocking effects and some nice visuals, but complete absence of credibility. Not worth watching it.

This film pleasantly surprised me. Recent Clive Barker adaptations haven't really been masterpieces (though thankfully there always has been enough talent involved to make them interesting, at least). "The Plague" (2006) just wasn't much to write home about. "The Midnight Meat Train" (2008) was better, but it basically just tried to blow your socks off with extreme violence & bloodshed. And now, "Book of Blood" might just be the finest recent adaptation so far. It relies more on mood & atmosphere and all this is handled well. A duo of paranormal investigators - Mary Florescu (Sophie Ward), the professor & Reg Fuller (Paul Blair), the technician - moves into a reputed haunted house. Mary invites student Simon McNeal (Jonas Armstrong) to come along, for she believes him to have psychic abilities that might tap into the house's paranormal activities. But distrust soon rises between the threesome as they try to determine what's real and what's not in this house of hauntings.

Granted, the story remains pretty thin throughout the film, but director John Harrison takes this as an opportunity to not only create an eerie mood and build tension, but also to work on the main characters. There's a disturbing sexual tension growing between mentor Mary & student Simon which escalates in some keen exposure of betrayal. Actress Sophie Ward is an awesome woman and left a great impression on me with her toned-down performance. Both the pro- & epilogue make the movie a bit oddly structured, but it helped to flesh out the story a bit (pardon the pun). The film oozes with that sort of old school British Gothic vibe, but it's much darker portrayed than usual, adding a great deal of atmosphere to the picture. It's a rather little film, don't expect to be blown away, but it's a well-made effort and a clean adaptation carrying on the spirit of Clive Barker's work splendidly. I have yet to see his other recent outing, "Dread" (2009), but I've heard decent things about it already.

I first saw this almost a decade back on a dvd which I own. Revisited it recently cos i am planning to watch the new adaptation. It is based on Clive Barker's Books of Blood n has Doug Bradley in a tiny role. After a young girl is violently raped and beaten in her bed n her skin ripped off, a paranormal expert and her cameraman investigate the house to unlock its mysteriously murderous past.

The film moves at a very slow pace, there r few characters n locations. It has a gory skin ripping scene, tight tits n gets a bit spooky at times, the water fountain scene is well shot.

I am a huge Clive Barker fan, but this is a weak adaptation. It is hard to stretch a very short story into a full-length film. Still, this script could have maintained the intelligence of the story more and the direction could have communicated Barker's distressing world view better.

I have three main gripes.

First, the story's focus: the film turns the original story's dysfunctional mentor relationship between the older female researcher and the younger male medium into a full blown, treacly love story. Ugh!

Second, the tone: many scenes feature little more than furtive glances, longing looks, or sudden, eruptive declarations of love/hatred, which makes the movie too often feel more like a telenovela or an episode of Red Shoe Diaries than a horror film.

Third, the film's vision of the supernatural: in the short story, the "ghosts" gleefully wreak havoc on the living. In the film, they just want to be heard. As if this diminished characterization of the avenging spirits weren't cloying enough, the film features a very long parade of see-through CGI phantoms, all of whom look like they just marched over from Disney's Haunted Mansion.

Despite my complaints, the film has flashes of true Barker-- the young girl being flayed as her parents helplessly watch, the creepy séance scenes (hey- wasn't that Pinhead?), and the film's framing story (where Jonas Armstrong gets the chance to show that he can indeed act). Also, the film makes great use of Edinburgh locations to create an unrelentingly bleak Barkeresque atmosphere. It also makes great use of Jonas Armstrong's lacerated, naked body to generate the kind of exquisitely wrong homoeroticism that is pure Barker.