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6,7/10
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Eugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens av... Tout lireEugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens avec une infirmière qui va essayer de l'aider.Eugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens avec une infirmière qui va essayer de l'aider.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Christophe Montenez
- Jules
- (as Christophe Montenez de la Comédie Française)
Avis à la une
In reading some of the other reviews, I see people looking for answers to parts of the story that are really 'subplots' of the main story. This is a story of female bonds & friendships - particularly an understanding & friendship between two women who, due to opposing 'sides' in the foundation of the plot (I won't specify, as it would contain spoilers), would not be friends had it not been for a mutual understanding & an open-mindedness of a caring person working in a facility filled w very few individuals of that nature.
It is also a story of friendship among women who were suffering the victimization of the times & the misunderstanding of what it meant to be so easily mislabeled as mentally ill.
It's a beautiful story & I don't know if reviewers who are looking for solid 'answers' are used to American cinema & don't respect or understand what MAY just be cultural film differences; or it may just be the idea that the story is really just about friendships, sacrifice & freedom, not a story ending in a nice, satisfying fashion - folding up neatly in the end simply for viewer satisfaction.
There are subplots in the movie that will be left unanswered & while that might be frustrating to some, they ARE simply subplots that leave the viewer in a position to decide for oneself what may or may not have followed in the storyline.
I highly recommend this, although it's not action packed along the way there is something very beautiful about the entire story.
It is also a story of friendship among women who were suffering the victimization of the times & the misunderstanding of what it meant to be so easily mislabeled as mentally ill.
It's a beautiful story & I don't know if reviewers who are looking for solid 'answers' are used to American cinema & don't respect or understand what MAY just be cultural film differences; or it may just be the idea that the story is really just about friendships, sacrifice & freedom, not a story ending in a nice, satisfying fashion - folding up neatly in the end simply for viewer satisfaction.
There are subplots in the movie that will be left unanswered & while that might be frustrating to some, they ARE simply subplots that leave the viewer in a position to decide for oneself what may or may not have followed in the storyline.
I highly recommend this, although it's not action packed along the way there is something very beautiful about the entire story.
Ice water soakings, solitary confinement in dark cells, tranquilizers, and random body cavity inspections are just a sampling of the standard psychiatry treatments inflicted upon captive female patients in France 130 years ago. Free spirited Eugenie suffers debilitating visions that she cannot control or understand. She is only in need of some gentle guidance, understanding, and self-confidence. Instead, Eugenie is tricked by her parents and committed against her will to a cruel and misogynistic psychiatric ward. Abandoned by her relatives, Eugenie finds a different family among her unlucky ward sisters.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
Women's history is reimagined in a scorching yet sensitive way by Melanie Laurent who directs and stars in the film. Thankfully the film is made in France, and therefore uncensored and blunt. While the film lacks cohesion and a little spark, it is enlightening and energizing to witness multidimensional, realistic, and complicated female characters, and women behind as well as on the screen who are defined not by men but by themselves.
World premiere seen at the Toronto international film festival.
10Deuz8
So I watched a French movie (with French audio and English subs to try and keep it authentic as much as possible since I do not speak the language) for the first time, ever. And I am left stunned by it. The acting is top-notch and on point always. Since I have gotten to experience kinda similar treatment in hospitals (MS patient living in a "third world" country) the emotions were relayed rather easily. I also really liked the underlying karma story at the end. All in all, a roller coaster of emotions and I do hope souls that have passed on are indeed watching over us (got a few myself). A must watch in my book and I thank the CNN article that I glanced over this morning mentioning it. Totally worth the time spent watching it. One of those unexpected and hard to find rare gems.
This is really a delightful movie. A beautiful and dramatic story . A touching tale of suffering , friendship , salvation and redemption in a time of barbaric psychiatry methods .
I was totally unaware of this film because I did not see any publicity but I was encouraged to see it without even knowing what it was about. What can I tell you, this movie was awesome from start to finish. The story is brilliant, costumes and performances impeccable, the music is beautiful and I am fascinated. I Love French cinema! In fact it is the first French film produced by Amazon.
Le saviez-vous
- AnecdotesMelanie Laurent directed this film as well as starred in it. This is Melanie Laurent's fifth time directing a film.
- ConnexionsReferenced in In Praise of Shadows: The History of Insane Asylums and Horror Movies (2022)
- Bandes originalesAllerleil, Polka Schnell, Op. 219
written by Josef Strauss
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Mad Women's Ball
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 2min(122 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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