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Freakonomics, le film

Titre original : Freakonomics
  • 2010
  • Tous publics
  • 1h 33min
NOTE IMDb
6,3/10
7,8 k
MA NOTE
Freakonomics, le film (2010)
Some of the world's most innovative documentary filmmakers explore incentives-based thinking.
Lire trailer2:32
2 Videos
12 photos
Documentaire

Ajouter une intrigue dans votre langueA collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.

  • Réalisation
    • Heidi Ewing
    • Alex Gibney
    • Seth Gordon
  • Scénario
    • Peter Bull
    • Alex Gibney
    • Jeremy Chilnick
  • Casting principal
    • James Ransone
    • Morgan Spurlock
    • Tempestt Bledsoe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    7,8 k
    MA NOTE
    • Réalisation
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Scénario
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Casting principal
      • James Ransone
      • Morgan Spurlock
      • Tempestt Bledsoe
    • 33avis d'utilisateurs
    • 45avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos2

    Freakonomics
    Trailer 2:32
    Freakonomics
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 8
    Voir l'affiche

    Rôles principaux79

    Modifier
    James Ransone
    James Ransone
    Morgan Spurlock
    Morgan Spurlock
    • Self - Narrator
    Tempestt Bledsoe
    Tempestt Bledsoe
    • Self
    • (images d'archives)
    Melvin Van Peebles
    Melvin Van Peebles
    • Self - Narrator (segment "It's Not Always A Wonderful Life")
    Bill Gates
    Bill Gates
    • Self
    John D. Rockefeller
    John D. Rockefeller
    • Self
    Ngozi Jane Anyanwu
    Ngozi Jane Anyanwu
    • Uneek
    Tarô Akebono
    Tarô Akebono
    • Self
    • (as Akebono)
    Veronica Heffron
    • Courtroom Audience
    Zoe Sloane
    Zoe Sloane
    • Blake
    Dan Chen
    Dan Chen
    • Bruce-Cubicle Worker
    Rahmel Long
    Rahmel Long
    • Courtroom Audience
    Richard Kohn
    • Judge Ignatius Lyons
    Emma Meyers
    • Angela-Cubicle Worker
    Bronson Gilmore
    • Kevin-Cubicle Worker
    • (as Tyler J. Gilmore)
    Greg Crowe
    Greg Crowe
    • Johnny the Mechanic
    Kahiry Bess
    • Deshawn
    Steven Levitt
    • Self - Author
    • Réalisation
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Scénario
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    6,37.8K
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    Avis à la une

    6Promontorium

    Entertaining but light on details

    This isn't really a documentary. A few of the chapters from the book are presented in this film. The way the issues are presented usually involve first Levitt and Dubner speaking about the issue interspersed with various imagery and animation. Some archival footage is used. Particularly when the topic addresses famous historical events. Each segment will also have actors re-enacting events or acting out original scenes to present the topic visually. There are also other experts or people who call themselves experts (like an "expert" in baby names) talking about the issue. Finally there is some footage of actual people either discussing personal experiences, or in the case of the high school students, the students themselves living their lives. Although even this seems staged at points.

    It seems they used a lot of flashy graphics and various forms of presentation to cover up the fact that this film is ultimately Levitt, Dubner and the narrator just talking generally about the issues covered in the book. I'm a fan of the podcast so if this film had just been them talking and nothing else I'd still have liked it. But there is a sense of lacking an opportunity in creating something new on film. All the colorful imagery doesn't bring anything new to the table.

    The film doesn't cover the entire book. I haven't read it in years but one of the more important topics to me was about the drug dealers which wasn't in the film.

    What I found really lacking, beyond the visual or the missing chapters, is that they didn't really go into detail with anything. They vaguely reference statistics, but hardly show any. They make off handed comments about important concepts that they don't spend any time on. Two of the most important themes of the entire work, causation vs. causality, and the power of incentive are hardly discussed beyond the immediate topic. For example while they note in the film that people often mistake correlation with causation, and that finding cause is very difficult, they don't spend a second actually explaining why cause is difficult to ascertain (except that it isn't immediately apparent). Day one of a social science course is going to identify the difficulty or impossibility of defining cause. Levitt and Dubner do not mention that while statistics and economics in the scope of numbers is natural science, their application in Freakonomics is social science, and all the stats in the world won't necessarily prove cause in social science.
    3angry127

    Poor Documentary

    I never read the book, but know that it is very popular. The movie does a bad job at selling the book.

    Though, I would still be up for reading the book after having watched the movie. This is because the fault of the movie was only partially due to the content of the book. The movie tries to move along at quick pace at the beginning. It has a very catchy poppy kind of theme to it and talks about a real practical use of the study of economics.

    After those 5 minutes, things seem to go terribly south. We get this long and fact lacking piece about sumo wrestling. There is an interesting statistic at the beginning of the segment about how sumo wrestlers will lose matches when there is no real loss to them in order to get payback in the future. The rest of it is exposition about how all the super smart economists are using these fancy numbers and statistics to give very good proof that sumo wrestlers are cheating. I would have liked to hear more about these statistics and the reasoning behind why its very likely that we're cheating. This smug movie instead insults our intelligence and passes by this thinking that we would be too stupid to understand it. The narrator goes on about assassinations of whistle blowers... blala yada yada. I started to lose interest at this point.

    There was a part that had an interesting look at why abortion may be one of the key reasons of the drop in crime in the 90's. This really peaked my interest and some convincing figures where given. I liked this segment and am eager to read more about this.

    After that is a boring long Good Morning America-esque expose on paying kids to get better grades in school. The kids are annoying, the concept is annoying, the results are paltry, and it all seems pretty meaningless by the time you get to the end of it. This was the segment that really killed the movie. It felt like it went on for an hour, although I'm sure it didn't. This reality show garbage really shouldn't be in any kind of movie that calls itself a documentary.
    7DICK STEEL

    A Nutshell Review: Freakonomics

    Based upon the bestselling book written by steven Levitt and Stephen Dubner, Freakonomics the film is an omnibus of shorts, where different filmmakers adapt a segment of the book for their respective sections, and then putting them all together into a feature length documentary. In some ways, it could have been directed by an invisible hand rather than the "big name" documentarians of today and probably still come up on tops, since the subject matter is rather contentious at best, and in my opinion, a little bit too stretched.

    For my limited understanding of basic economic principles from school, there's hardly any straightforward demand and supply theories that can be applied by anyone not too well versed with various theorems and hypotheses that Economics deal with, though you need not have intimate knowledge of the subject in order to view the film. I thought it was more of a sociology experiment, since there are many of topics here that deal with the basic human condition on social principles rather than an economic standpoint, and in many ways, through its touted in depth analysis, it's more akin to hammering a square peg into a round hole.

    It adapts from chapters in the book such as discovering cheating as applied to teachers and delving deep into the closed community of sumo wrestlers, the patterns that emerge with the naming, or misnaming of children, and how bribery can be used as an incentive to succeed. You can imagine how economics can be applied to these, so perhaps it's quite apt that the concepts discussed are freakish to begin with. Economics theories and principles are filled with plenty of assumptions and "ceteris paribus"es, so in twisting some of these assumptions, what you get is the content as explained in Levitt and Dubner's book, which are adapted by the likes of Alex Gibney (Enron: The Smartest Guys in the Room), Morgan Spurlock (Super Size Me and Where in the World is Osama Bin Laden), Eugene Jarecki (Why We Fight), Rachel Grady and Heldi Ewing (Jesus Camp), and put all together with various transitional, brief topics by Seth Gordon (The King of Kong).

    Perhaps the only economics related idea here is how the lack of information and irrational choices by consumers have led to skewed markets, which goes to show the sneaky arsenal of tactics that real estate agents have up their sleeves to manipulate markets to their advantage. But while you shouldn't expect economics to fit into most of the subject matter discussed here, the concept that gets explained are incredibly sexy, and brought out through eye- catching methods, sometimes with the use of effective animation like a lubricant to force ideas down and eventually nailing that square peg into the round hole.

    What's more important is the fact that we cannot deny the little things everyone does to get ahead, where the objective is to use whatever means possible to get a desired outcome. The teacher and results segment remind one about how school ranking pressures here become an obsession, with results to the detriment of those who somehow fall by the sidelines, and how an elite community help each other to stay afloat for various benefits and back-rubbing. It's human nature to seek out competitive advantage, and one constant in sitting through the various topics and scenarios presented, is how data mining (a term I got introduced to when in varsity) has that ability to present a wealth of information that can be used to analyze for gaining that upper hand. Businesses use it, and so does the many researchers of topics in Freakonomics.

    You won't become an expert or a whiz after viewing this, but what it'll open your eyes and mind to, are the plenty of behind the scenes shenanigans that even the seemingly innocent industry or individual get up to, that indeed like the tagline of the film says everything has a hidden side to them. It's really more than meets the eye, and presented here in a very alluring manner.
    bettycjung

    Pop Economics 101

    1/27/18. An entertaining documentary that looks at the various ways economics play a role in our lives. So educational without feeling like you are being lectured to about ethical behaviors, cheating, etc. Worth catching. You'll learn some about how society functions!
    6SnakesOnAnAfricanPlain

    Freakonomics (2010)

    Freakonomics is one of those films that tries to make a complex subject accessible to a mainstream audience. Here, there subject in question is economics, and how it is everywhere. Although trying to reach a wider audience in a fun way we can relate to is admirable, it can't avoid a patronizing tone. Still, there are lots of interesting parts to this documentary. It's split into a number of sections, with each section helmed by a familiar documentary filmmaker. This allows for a number of fun and interesting style to be put on display. As we delve into the world of economics, this all feels like a few great bits in an overambitious whole. Each segment has a fascinating topic, and one that could be explored at full length. Corruption and murder in sumo wrestling, how our names affect our lives, and how abortion may have helped to reduce the crime rate. All great subjects that are handled with kid gloves. It has inspired me to look into further detail about some things, but I wonder if the ideas and thoughts provoked will last a long time.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Lian Amado's debut.
    • Citations

      Steven Levitt - Author: The closest thing to a worldview, I would say, in "Freakonomics," is that incentives matter. Not just financial incentives, but social incentives and moral incentives.

    • Connexions
      Features La vie est belle (1946)
    • Bandes originales
      Ave Maria
      Written by Johann Sebastian Bach

      Performed by Amy Butler and Mary Jane Newman

      Courtesy of X5 Music Group

    Meilleurs choix

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    FAQ

    • How long is Freakonomics?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 janvier 2012 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official site
      • Official site (Japan)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Freakonomics
    • Sociétés de production
      • Chad Troutwine Films
      • Cold Fusion Media Group
      • Green Film Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 900 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 101 270 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 31 893 $US
      • 3 oct. 2010
    • Montant brut mondial
      • 122 216 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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