City of Life

Everything from the first shot made me think this would be a movie of substance and it did live up-to my expectations. Being born and lived all my life in Dubai would be I would know a thing or two about the city and every All the characters did a remarkable job filling their characters with naturality, special mention to three of the holding characters,protagonists of the film namely Yassin(Khalfan), Saoud(Faisal) and Sonu(Basu). I think its absolutely great to have films made like this which bring out the essence and feel of a metropolitan city like Dubai. The fact that the city and its lights have been depicted in the tone that it is shows the director knew the shade of how it had to be, had a vision of the final product. Nice slick piece of cinematography all through.

Kudos to Ali n the nice work he has given us! Great stirring film!

Premiering on December 11th 2009 at the Dubai International Film Festival, this is the first feature film by Emarati director Ali f Mostafa. Besides co-producing the film, Mostafa also wrote the original script which paints an almost true to life portrait of life in Dubai. The screenplay shuffles between a struggling Indian taxi driver (Basu) and his ambitions of setting foot into the Bollywood film industry, a former Romanian ballet dancer working as a flight attendant (Natalia) for a prominent Dubai based airline and a wealthy young Emarati (Faisal) caught between preserving his cultural identity and maintaining his family's reputation. Unknown to each other, the lives of these three individuals are destined to collide, resulting in shattered dreams, a knock of opportunity and a tragic awakening.

I first saw this film on a flight bound for Dubai. Although my movie experience was hampered by a palm sized screen, the constant boom of the engines outside and the unpredictable flicker of the overhead seatbelt signs, I was engrossed by the drama unfolding on my seven inch screen. Not because of its well penned story, but because of the very nature of the story- A plausible day in the life of an expatriate or UAE national or almost any Tom, Dick and Harriet living in Dubai. For this, Mostafa builds his story around the lives of individuals whose cultural identities and way of life form the very cogs that drive this country- the ambitious Indian expat, the highly social European expat, and the privileged UAE national. As a whole, the film is not ground breaking in terms of production value, but it is soul stirring, especially if like me, you have been raised in this country. Recognizable are some of the locations used for filming, starting with Basu's room in Al Karama, Natalia and her Russian colleague in Jumairah, Faisal's best friend, khalfan's residence in the shanty parts of old Satwa and various other locations that are identifiable, including Dubai International Airport and the Emirates Training College. Although visible in some scenes and on the movie poster, the world's tallest building, the Burj Khalifa, was not given proper screen time as the tower was not entirely complete at the time of this film's release.

Made from a shoe string budget and lacking expertise from big named studios, an independent production like this always faces the risk of a hit or miss. For the sake of all things that are real and beautiful in Dubai, I am compelled to say that this is a well made film and an instant hit with the multi-cultural residents of Dubai and the surrounding Emirates. Mostafa's storytelling has an inner meaning, complete with a few moral messages. One of these is the strong suggestion that Dubai is not skin deep, or a fake place or a bubble about to burst, but a very real place where growth and opportunities await those determined enough to rise to the challenge. On the flip side, there also awaits a fair share of tragedies for those who are misguided victims of temptation or over indulgence. This is where Mostafa excels in portraying the real Dubai as opposed to outside perception. For the most part, he gets it right. There are, however, certain points in the plot that are too coincidental. Additionally, there is the overbearing cliché where Dubai is projected as a 'cultural melting plot' a suggestive phrase used in countless travel brochures and advertisements meant for importing tourism.

Onto the production front and we have a mostly decent attempt at contemporary cinema. Cinematography is a factor that definitely appears to have been given considerable thought. Close-ups are plenty in low light, without much depth of field (blurry background). Most major landmarks out of Dubai's cityscapes appear to be in some frame or the other. Special effects are almost non-existent except for a particular scene towards the end which does bear the trademarks of mainstream cinema. However, action scenes with fight sequences seem below average or worse than some made-for-TV productions. In the confines of a character driven film, acting is not exactly Oscar material, but decent enough as Mostafa's directional debut. Bollywood actor Sonu Sood fits into the role of the Indian taxi driver with ease. Romanian actress Alexandra Maria Lara could have been better in her role as Natalia especially after her claim to fame with the Academy Award nominated film, "Downfall". Playing Emarati youths are Saoud Al Kaabi as Faisal and Yassin Alsalman (AKA the Narcisyst) as Khalfan in standout roles, and are very convincing as carefree young Emaratis living off family wealth. Canadian musician of Iraqi origin but born and raised in the UAE, The Narcisyst has one of the best roles in the film as Faisal's trusted friends. Last but not he least is some great stuff from Jason Flemyng as Natalia's love interest. Of course, no introduction is needed for a veteran actor such as Flemyng having recently appeared in the 2011 release of "X-Men: First Class".

In its sum, "City of Life" is a memorable film being that it is the first of its kind in the UAE. Its story and message is bold yet controversial. As a story, it pits together ambition, privilege, opportunity, tragedy and shame, some of which are experienced by all Dubai residents at some point or the other. The credit for depicting these trials and triumphs on screen with affluent storytelling belongs to Ali F Mostafa. By the look and feel of this film, I am sure he is the next best thing in Cinema, this side of the globe. As a young Emarati director, Mostafa has set the standard for things to come.

Arab film fest DC. To my surprise there's an Emirati movie with a not so bad blurb. Decide to go check it out, hoping it's not clichéd or derivative.

In short, movie was really really good. I was pretty much glued to the screen. Script was very smart and intertwined 3 story lines, and while it felt slightly forced in some parts it wasn't distracting. Cinematography was great, humor was intact and soundtrack for the most part was on key.

As a Kuwaiti that grew up in the US, then lived in the UAE and Kuwait, only to come back to the US I feel very drawn to this movie. I actually feel this movie was made for my generation of English-as-a-first-language Arabs. Was very impressed, and glad that I went. While I wouldn't say this movie redefines cinema, it definitely shines as a stand alone title with enough originality to inspire future attempts from the Gulf.

Highly recommended.

An excellent movie overall. There was a fluent use of English, Arabic and Urdu in this movie because in Dubai all three languages are used fluently. This movie shows the sharp contract in people and their attitude.

I really felt for the Indian Manager who had worked for 15 years only to be put under a young boy just because he was boss's son.

This movie did not touch more sensitive items like slave servants or sex slaves but it plays in such a way that you could feel the helplessness in the air.

The message in between the lies was that this life in the fast lane means that there is nothing what it seems.

I've convinced my movie-addict French neighbor to come discovering the first Emirati movie with me last night and we've both been thrilled by this experience! We've both been living in Dubai for a few years and everything in this movie was talking to us: the character, the story, the atmosphere and the sets of course. Debuting director Ali F. Mostafa has done an excellent work in depicting these different lives and their destiny in this cosmopolitan city, capturing smartly the essence of the Dubai "cultural melting pot" without falling in the stereotype. Acting was good in general for the whole cast (special mention to Yassin Alsalman aka Khalfan and Sonu Sood aka Basu), the photography was capturing Dubai atmosphere with just the right tone and the cool soundtrack was giving a arty note to the movie, reminding me a bit of what is being done in the US independent production the last years (Anderson or Reitman). City of Life is not free of defects though: the fighting scenes look a bit like cartoon (watch the local martial art in dish dash!), the social class rivalry between Emiratis would have benefited from further development and some elapse effect in the narration dilute the emotional impact of certain scenes (the scene with Natalia at the hospital), but these minor reproaches do not erode the pleasure you will feel watching City of Life and remember this is only the first movie of Ali F. Mostafa! Now would this movie talk to somebody not living in Dubai? I would say definitely yes as City of Life stands alone as a good piece of cinematography with a captivating story. I hope this movie will get the chance to have an international career and I wish foreign audience will witness the birth of a new talented Emirati director as we did yesterday. Spread the word!!!