Ajouter une intrigue dans votre langue"BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leadi... Tout lire"BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leading to a tragic, irreversible transformation."BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leading to a tragic, irreversible transformation.
- Réalisation
- Scénario
- Casting principal
Forrest Kiyoshi
- Garrett Yune
- (as Forrest Kiyoshi Hoffman)
Danúbe Hermosillo
- Ariela Morales
- (as Danube Hermosillo)
Jona Dominguez
- Lucas Hernadez
- (as Stephano Jonas)
Avis à la une
Man, BREATHE hit me differently. It's not just a movie-it's proof that Black creatives, like Frederick Tabiyus Nah IV, can push past the norms and create art that touches people everywhere, no matter who they are or where they come from. This film gave me everything I didn't know I needed: action, drama, and heart, all wrapped up in a story that makes you feel something real.
Tabiyus Nah IV, as both the director, producer and actor, put his heart into this film, and it shows. What's truly fresh about BREATHE is how it reflects the idea that our choices are like ripples-affecting not just ourselves but everyone around us. The film doesn't shy away from the fact that even good people can find themselves in bad situations, and it asks hard questions about what it really means to survive and thrive. It hits you deep, making you reflect on your own life choices and their far-reaching consequences.
Honestly, this film is more than just a movie-it's a moment for Black creatives breaking past expectations and showing the world what's possible. BREATHE is a solid indie film by an even greater talent. Congrats to Tabiyus on creating something special-can't wait to see what's next!
Tabiyus Nah IV, as both the director, producer and actor, put his heart into this film, and it shows. What's truly fresh about BREATHE is how it reflects the idea that our choices are like ripples-affecting not just ourselves but everyone around us. The film doesn't shy away from the fact that even good people can find themselves in bad situations, and it asks hard questions about what it really means to survive and thrive. It hits you deep, making you reflect on your own life choices and their far-reaching consequences.
Honestly, this film is more than just a movie-it's a moment for Black creatives breaking past expectations and showing the world what's possible. BREATHE is a solid indie film by an even greater talent. Congrats to Tabiyus on creating something special-can't wait to see what's next!
One of the most jaw-dropping aspects of BREATHE is how many incredible actors were brought together for this project. It's rare to see this level of talent all in one place, especially in an indie film. From Brandon Butler, who you might recognize from 13 Reasons Why, to Blue Kimble (P-Valley), Allison McAtee, and the Hoffman brothers, each actor brings something unique to the table, and it's clear that Director Tabiyus knew exactly how to get the best out of them.
What's impressive is how well this ensemble fits together, despite coming from such diverse acting backgrounds. You have actors from soap operas, network TV, streaming platforms, and even stage-all blending seamlessly into this gritty crime drama. I couldn't help but marvel at how cohesive the film felt, even with all these big personalities on screen. And it's not just about star power; these performances are grounded, raw, and emotional. Each actor seems perfectly suited to their role, and the result is nothing short of astonishing.
For me, what really stood out was how every actor, regardless of screen time, had their moment to shine. Whether it's Jesse Howland bringing depth to Alex Brady or Remington Hoffman as Brian Yune, no character feels wasted. You can tell that each actor took the time to truly inhabit their character, making even the smallest moments resonate. The way these performances intersect and bounce off each other is a testament to both the cast's chemistry and Tabiyus's direction.
It's not often that a film can juggle so many talented actors without one overshadowing the other, but BREATHE pulls it off effortlessly. This isn't just a collection of performances it's a masterclass in ensemble acting. Every character adds a new layer to the story, and by the end of the film, you're left in awe of the sheer talent that was packed into this one movie.
What's impressive is how well this ensemble fits together, despite coming from such diverse acting backgrounds. You have actors from soap operas, network TV, streaming platforms, and even stage-all blending seamlessly into this gritty crime drama. I couldn't help but marvel at how cohesive the film felt, even with all these big personalities on screen. And it's not just about star power; these performances are grounded, raw, and emotional. Each actor seems perfectly suited to their role, and the result is nothing short of astonishing.
For me, what really stood out was how every actor, regardless of screen time, had their moment to shine. Whether it's Jesse Howland bringing depth to Alex Brady or Remington Hoffman as Brian Yune, no character feels wasted. You can tell that each actor took the time to truly inhabit their character, making even the smallest moments resonate. The way these performances intersect and bounce off each other is a testament to both the cast's chemistry and Tabiyus's direction.
It's not often that a film can juggle so many talented actors without one overshadowing the other, but BREATHE pulls it off effortlessly. This isn't just a collection of performances it's a masterclass in ensemble acting. Every character adds a new layer to the story, and by the end of the film, you're left in awe of the sheer talent that was packed into this one movie.
10justeni
I had the pleasure of attending the premier of this film and it was beautiful! The way the lives of these LA citizens were woven while also displaying the director's own artistic choices was amazing. The film takes you through a journey from beginning to end, questioning who these people are and why we should care about them, to ultimately leaving us in silence and letting us think about our own lives. This film especially resonated with me having been raised in LA and seeing firsthand many of the same streets, people, situations. To be heard and seen is to be known, to be known is to be loved. 10 stars for this film I hope everyone takes the time to sit down and watch!
I had the pleasure of attending the Los Angeles premiere of BREATHE, and the event itself was a party-no after-party needed! As an indie film, BREATHE far exceeded expectations, showing what can be accomplished with limited resources when a passionate team comes together. Frederick Tabiyus Nah IV and his team created a film that feels polished, deeply emotional, and gripping from start to finish.
Jeff Rose, typically seen in faith-based roles, gives an award-worthy performance as Victor Brady. His emotionally charged scenes with Jesse Howland, who plays his son Alex, are some of the film's most compelling moments. Brandon Butler, known from Netflix's Trinkets and 13 Reasons Why, also delivers a raw portrayal of addiction as Craig London, keeping the audience deeply invested in his character's journey.
BREATHE also excels in its portrayal of diversity, particularly with its strong Asian representation. Remington Hoffman plays Brian Yune, the leader of the Asian International sector of a drug empire, in a role that is strikingly different from his previous work on Days of Our Lives. Hoffman brings depth and gravitas to Brian, and the scenes between him and Blue Kimble's Xzavion crackle with intensity. Forrest Hoffman, Remington's real-life brother, plays Garrett Yune, adding an extra layer of authenticity to their sibling dynamic on screen. Gilbert Galon's portrayal of Ryan Lee further strengthens the film's impactful representation. The Yune brothers, along with other Asian characters, are pivotal to the story's cultural and power dynamics, making this representation feel essential to the narrative rather than an afterthought.
Aaron Dominguez, best known for his role on HULU's Only Murders in the Building, delivers a standout performance as Javier Roberto, especially in his intense scene with Lucas Hernandez, played by his real-life brother Jona Dominguez. Their scene is one of the film's highlights, filled with palpable tension and raw emotion, showcasing the dynamic between the brothers in an unforgettable way.
Frederick Tabiyus Nah IV, who not only wrote and directed the film but also stars as James Reed, gives a heartfelt and sincere performance. His on-screen chemistry with Danube Hermosillo, as seen on SHOWTIME's Shameless, feels natural and adds a tender emotional layer to the story. The theme song, performed by Tabiyus alongside Anja Nissen, is beautifully executed and left a lasting emotional impact, perfectly capturing the film's core sentiment.
BREATHE is a prime example of what indie films can achieve with passion and talent. The story, diversity, and performances make it a must-watch, and I'm excited to see what the next chapter of The RUN Saga holds.
Jeff Rose, typically seen in faith-based roles, gives an award-worthy performance as Victor Brady. His emotionally charged scenes with Jesse Howland, who plays his son Alex, are some of the film's most compelling moments. Brandon Butler, known from Netflix's Trinkets and 13 Reasons Why, also delivers a raw portrayal of addiction as Craig London, keeping the audience deeply invested in his character's journey.
BREATHE also excels in its portrayal of diversity, particularly with its strong Asian representation. Remington Hoffman plays Brian Yune, the leader of the Asian International sector of a drug empire, in a role that is strikingly different from his previous work on Days of Our Lives. Hoffman brings depth and gravitas to Brian, and the scenes between him and Blue Kimble's Xzavion crackle with intensity. Forrest Hoffman, Remington's real-life brother, plays Garrett Yune, adding an extra layer of authenticity to their sibling dynamic on screen. Gilbert Galon's portrayal of Ryan Lee further strengthens the film's impactful representation. The Yune brothers, along with other Asian characters, are pivotal to the story's cultural and power dynamics, making this representation feel essential to the narrative rather than an afterthought.
Aaron Dominguez, best known for his role on HULU's Only Murders in the Building, delivers a standout performance as Javier Roberto, especially in his intense scene with Lucas Hernandez, played by his real-life brother Jona Dominguez. Their scene is one of the film's highlights, filled with palpable tension and raw emotion, showcasing the dynamic between the brothers in an unforgettable way.
Frederick Tabiyus Nah IV, who not only wrote and directed the film but also stars as James Reed, gives a heartfelt and sincere performance. His on-screen chemistry with Danube Hermosillo, as seen on SHOWTIME's Shameless, feels natural and adds a tender emotional layer to the story. The theme song, performed by Tabiyus alongside Anja Nissen, is beautifully executed and left a lasting emotional impact, perfectly capturing the film's core sentiment.
BREATHE is a prime example of what indie films can achieve with passion and talent. The story, diversity, and performances make it a must-watch, and I'm excited to see what the next chapter of The RUN Saga holds.
10steadlj
Allison McAtee's portrayal of Kendal Macario in *Breathe* is nothing short of a revelation... a masterclass in emotional restraint and nuanced performance. As Kendal, a woman who is quietly holding her family together while battling her own personal demons, McAtee brings a depth and complexity to the role that's often missing in contemporary film. There's a quiet intensity to her work here, one that speaks volumes without the need for excessive dialogue. It's the kind of performance that lingers with you, not because it demands attention, but because it subtly demands your empathy.
In the quieter moments, McAtee shines brightest. A particularly memorable scene takes place over a seemingly innocuous dinner with her husband, Leone (Ottavio Lobefaro). There's no grand confrontation, no cathartic outburst, yet McAtee conveys so much in her stillness-the weight of years of unresolved pain, the fragility of a marriage teetering on the brink, and the quiet strength of a woman unwilling to let go. It's one of those rare cinematic moments where a single look or a fleeting gesture speaks louder than pages of dialogue.
The dynamic between McAtee and Lobefaro is electric in its subtlety. Their chemistry, fraught with unspoken tension, underscores the emotional crux of Kendal's journey. The failure of her marriage is not painted in broad strokes, but in delicate shades-McAtee's portrayal of a woman slowly unraveling, but never fully giving in to despair, is a testament to her skill. She never allows Kendal to become a victim, even when the emotional weight of her situation would justify it. Instead, McAtee gives us a character who is simultaneously fragile and resilient, trapped in the tension between vulnerability and strength.
What makes McAtee's performance so compelling is its quiet power. There's a fierce determination beneath Kendal's composed exterior, a resolve to keep her family together even as the walls begin to close in. The way McAtee balances these competing elements-vulnerability and determination, fragility and strength-makes Kendal's journey feel deeply personal and utterly relatable.
Frederick Tabiyus Nah IV's direction complements McAtee's work beautifully, allowing the character the space to breathe. His pacing is deliberate, ensuring that the emotional beats are earned, not rushed, which allows Kendal's story to unfold organically. The film's attention to the quiet moments-those reflective pauses where a character's inner turmoil is revealed through their actions rather than words-mirrors McAtee's understated performance. Together, they create a portrait of a woman who feels both timeless and profoundly real.
In *Breathe*, Allison McAtee delivers one of the most compelling performances of the year. She's able to do so much with so little, and in doing so, she creates a character whose emotional depth resonates long after the final frame. If there's one takeaway from this film, it's that sometimes the most powerful stories are the ones told in silence.
In the quieter moments, McAtee shines brightest. A particularly memorable scene takes place over a seemingly innocuous dinner with her husband, Leone (Ottavio Lobefaro). There's no grand confrontation, no cathartic outburst, yet McAtee conveys so much in her stillness-the weight of years of unresolved pain, the fragility of a marriage teetering on the brink, and the quiet strength of a woman unwilling to let go. It's one of those rare cinematic moments where a single look or a fleeting gesture speaks louder than pages of dialogue.
The dynamic between McAtee and Lobefaro is electric in its subtlety. Their chemistry, fraught with unspoken tension, underscores the emotional crux of Kendal's journey. The failure of her marriage is not painted in broad strokes, but in delicate shades-McAtee's portrayal of a woman slowly unraveling, but never fully giving in to despair, is a testament to her skill. She never allows Kendal to become a victim, even when the emotional weight of her situation would justify it. Instead, McAtee gives us a character who is simultaneously fragile and resilient, trapped in the tension between vulnerability and strength.
What makes McAtee's performance so compelling is its quiet power. There's a fierce determination beneath Kendal's composed exterior, a resolve to keep her family together even as the walls begin to close in. The way McAtee balances these competing elements-vulnerability and determination, fragility and strength-makes Kendal's journey feel deeply personal and utterly relatable.
Frederick Tabiyus Nah IV's direction complements McAtee's work beautifully, allowing the character the space to breathe. His pacing is deliberate, ensuring that the emotional beats are earned, not rushed, which allows Kendal's story to unfold organically. The film's attention to the quiet moments-those reflective pauses where a character's inner turmoil is revealed through their actions rather than words-mirrors McAtee's understated performance. Together, they create a portrait of a woman who feels both timeless and profoundly real.
In *Breathe*, Allison McAtee delivers one of the most compelling performances of the year. She's able to do so much with so little, and in doing so, she creates a character whose emotional depth resonates long after the final frame. If there's one takeaway from this film, it's that sometimes the most powerful stories are the ones told in silence.
Le saviez-vous
- Bandes originalesRevolution
Written by Frederick Tabiyus Nah IV & Everett Gabriel
Performed by Frederick Tabiyus Nah IV
Courtesy of Swerve Entertainment
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By what name was Breathe: A Tabiyus Film (2024) officially released in India in English?
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