Karel, já a ty

I love it. It is the first thing to say because it is a large, too large , maybe, embroidery of talks, confessions, walks, swimming, conflicts, friendships, projects. And talks . Again.And, in same measure, it is the only significant detail. It can be too abstract for many viewers and its basic virtue is to remind French films of genre, with chance to define the dilemmas as familiar. The lead virtue - the performance of Bohdan Karasek. The realism, too. And the few scenes when you real feel dilemmas of the characters looking themselves.