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2,0/10
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Ajouter une intrigue dans votre langueAfter a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.After a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.After a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.
- Réalisation
- Scénario
- Casting principal
Shin Shimizu
- Japanese Reporter
- (as Shinichiro Shimizu)
Avis à la une
Giving "Monster" a one star "awful" rating is wayyyyy too high. Without question this is the worst film I have ever seen. The tone was set with the first 5 minutes when the office of the Japanese Minister was smaller than my closet and the exact same sound effect was used 4 times outside the Ministry of the Interior Building.
The camera work was MUCH worse than Cloverfield and Blair Witch, mostly because even when stationery the objects on the screen were a conglomeration of the floor, the speakers legs, her breasts and mindless panning of the walls.
The plot was utter aimless with dialog to match - the inane banter was devoid of emotion and at the "scariest" moments the two wooden actresses sounded like Ben Stein lecturing on the economy! There wandering around the destroyed city was pointless to the story and lines like "it looks like it's going to be a beautiful morning" while overlooking the fake destruction made one want to throw a shoe at the TV screen.
The best way to describe this "movie" is Pointless waste of film! Another "Cloverfield" did not need to be made and this was a poor attempt at it anyway!
SOMEONE PLEASE!!!! TAKE THEIR CAMERA AWAY!
The camera work was MUCH worse than Cloverfield and Blair Witch, mostly because even when stationery the objects on the screen were a conglomeration of the floor, the speakers legs, her breasts and mindless panning of the walls.
The plot was utter aimless with dialog to match - the inane banter was devoid of emotion and at the "scariest" moments the two wooden actresses sounded like Ben Stein lecturing on the economy! There wandering around the destroyed city was pointless to the story and lines like "it looks like it's going to be a beautiful morning" while overlooking the fake destruction made one want to throw a shoe at the TV screen.
The best way to describe this "movie" is Pointless waste of film! Another "Cloverfield" did not need to be made and this was a poor attempt at it anyway!
SOMEONE PLEASE!!!! TAKE THEIR CAMERA AWAY!
I saw this movie, while looking for something to watch. I saw "monster" and Japan. Having been a fan of Japanese monster movies way before the average American had even been born. I thought what can possibly go wrong, after all they were so bad that there were good fun: 1) the two "actresses"; 2) a great example of the term "the Ugly American". An "ancient" book by the title, about how rude, impolite, and self absorbed, Americans could be while abroad. Add to that how ridiculous those two women were: "we have permission to film", really? Regular people who didn't want to be filmed. Didn't wait to see the monster.
If I had seen this before Cloverfield, I would have had a better impression. But it is just a knockoff. If Cloverfield is "Blair Witch Godzilla" this is "Blair Witch Calamari".. And I don't like Calamari. Frankly I thought I was going to be sick from the camera work. "Camera Effects/Artifacts" were poorly placed. When the camera was still the "effects" were at the highest. When they were running they were at their lowest. I guess all that knocking around kept the camera working..LOL I liked the actors, kept the screaming to minimum. Only one part where the acting look forced. But my overall impression is still low.
You've probably all figured out by now that this is the straight-to-video knock-off of the much anticipated "Cloverfield". I was pretty curious about this, partly because it comes from The Asylum (their stuff is just addictively bad!) and because the trailer for it looked nearly competent. So naturally I rented it as soon as I had the chance.
The plot (ha!) concerns two women, a documentary crew, who fly to Tokyo to interview an official about global warming. Everything in the movie is filmed vacation-video style from the girls' hand-held camera (just like "Cloverfield"). During the interview the monster attacks and the city becomes a disaster area. Our heroes are forced to run for cover and try to find people who speak English while still documenting the monster's rampage.
I expected weak CGI effects and bad dialogue, but I was also disappointed to find that the hand-held camera wasn't hand-held looking at all (the making-of feature on the DVD betrayed their real techniques) and the down-time that fills out most of the movie happens in spots that look more like L.A. than Tokyo. Transitions are accomplished with unconvincing video distortion, an attempt to sell us on the gimmick that we are watching found footage. There's an attempt at explanation for the monster too, which was perhaps the worst aspect of this mess.
"Monster" may be The Asylum's worst. In spite of a good trailer, this will be forgotten especially because they chose a title already used for a Charlize Theron movie. "Cloverfield" has nothing to fear from this.
The plot (ha!) concerns two women, a documentary crew, who fly to Tokyo to interview an official about global warming. Everything in the movie is filmed vacation-video style from the girls' hand-held camera (just like "Cloverfield"). During the interview the monster attacks and the city becomes a disaster area. Our heroes are forced to run for cover and try to find people who speak English while still documenting the monster's rampage.
I expected weak CGI effects and bad dialogue, but I was also disappointed to find that the hand-held camera wasn't hand-held looking at all (the making-of feature on the DVD betrayed their real techniques) and the down-time that fills out most of the movie happens in spots that look more like L.A. than Tokyo. Transitions are accomplished with unconvincing video distortion, an attempt to sell us on the gimmick that we are watching found footage. There's an attempt at explanation for the monster too, which was perhaps the worst aspect of this mess.
"Monster" may be The Asylum's worst. In spite of a good trailer, this will be forgotten especially because they chose a title already used for a Charlize Theron movie. "Cloverfield" has nothing to fear from this.
Okay maybe this is not a rip-off of Cloverfield, and maybe I should not have watched it a few days after said movie. But still, Monster is almost exactly the same with chicks (you could sell anything with chicks, right?), without a decent plot, acting, and sadly, without a monster.
We get two girls who are in Japan to make a documentary, when Tokyo is hit by an earthquake. And this is when the movie starts to get irreversibly bad and annoying. Because the two girls, however cute they may be, just cannot seem to use the camera. In the middle of a monster attack, *everything* is filmed, except for what is actually happening. When our heroines are staring with their jaws dropped at something supposedly terrible, the camera is well... showing them, their jaws dropped, staring. Then cut, or artifacts on the film (at every 5 seconds, or when something interesting is about to happen), and we go to the next scene. Rinse and repeat. In the end, we are given 90 minutes of artifacts, girls being scared and talking nonsense, running somewhere (filming each other's legs in the process), and just hanging out in Tokyo, obviously afraid of some tentacle monster that they always fail to capture with the camera.
Besides of not being able to make a point (it is hard when you point the camera at your sister instead of at whatever is happening around you), the movie fails to convey a sense of plot. We know where the girls are trying to go, but we just do not care if they ever get there, or what happens if they do. There is simply no drama, no excitement, mostly due to the bad use of camera, and the long talky scenes, and short scary ones (usually cut by artifacts, or simply, darkness).
I can't help but to compare this movie to Cloverfield, where you got a monster, and after some time, you actually got interested in where the group is going, and in the end, you cared. Monster could have been a great movie, even without showing the monster, if it manages to make you feel for the girls, but it sadly fails. It is not simply bad, but also an uninteresting movie.
We get two girls who are in Japan to make a documentary, when Tokyo is hit by an earthquake. And this is when the movie starts to get irreversibly bad and annoying. Because the two girls, however cute they may be, just cannot seem to use the camera. In the middle of a monster attack, *everything* is filmed, except for what is actually happening. When our heroines are staring with their jaws dropped at something supposedly terrible, the camera is well... showing them, their jaws dropped, staring. Then cut, or artifacts on the film (at every 5 seconds, or when something interesting is about to happen), and we go to the next scene. Rinse and repeat. In the end, we are given 90 minutes of artifacts, girls being scared and talking nonsense, running somewhere (filming each other's legs in the process), and just hanging out in Tokyo, obviously afraid of some tentacle monster that they always fail to capture with the camera.
Besides of not being able to make a point (it is hard when you point the camera at your sister instead of at whatever is happening around you), the movie fails to convey a sense of plot. We know where the girls are trying to go, but we just do not care if they ever get there, or what happens if they do. There is simply no drama, no excitement, mostly due to the bad use of camera, and the long talky scenes, and short scary ones (usually cut by artifacts, or simply, darkness).
I can't help but to compare this movie to Cloverfield, where you got a monster, and after some time, you actually got interested in where the group is going, and in the end, you cared. Monster could have been a great movie, even without showing the monster, if it manages to make you feel for the girls, but it sadly fails. It is not simply bad, but also an uninteresting movie.
Le saviez-vous
- AnecdotesMockbuster of Cloverfield (2008).
- GaffesThe movie is set in the month of January. Within the movie, they walk around as though it is hot outside. This would not be the case as the average January temperature in Tokyo is approximately 43 degrees Fahrenheit (6 degrees Celsius).
- Citations
Sarah Lynch: So were down-town Tokyo, we just went through an earthquake magnitude 7.8. The earthquake happened a little north of the city. I don't know, we're just running.
Erin Lynch: Sarah, what are you doing, we have to get out of here.
Sarah Lynch: We're doing the story.
Erin Lynch: The story. Sarah I'm sorry, the story is over.
Sarah Lynch: The earthquake is the story, we have to document this.
- Crédits fousThe events, characters, and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, is purely coincidental. [Or is it? You be the judge.]
- ConnexionsReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)
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Détails
Box-office
- Budget
- 500 000 $US (estimé)
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