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2,0/10
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MA NOTE
Ajouter une intrigue dans votre langueAfter a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.After a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.After a massive earthquake in Tokyo, two American filmmakers document the true cause of the destruction.
- Réalisation
- Scénario
- Casting principal
Shin Shimizu
- Japanese Reporter
- (as Shinichiro Shimizu)
Avis à la une
Giving "Monster" a one star "awful" rating is wayyyyy too high. Without question this is the worst film I have ever seen. The tone was set with the first 5 minutes when the office of the Japanese Minister was smaller than my closet and the exact same sound effect was used 4 times outside the Ministry of the Interior Building.
The camera work was MUCH worse than Cloverfield and Blair Witch, mostly because even when stationery the objects on the screen were a conglomeration of the floor, the speakers legs, her breasts and mindless panning of the walls.
The plot was utter aimless with dialog to match - the inane banter was devoid of emotion and at the "scariest" moments the two wooden actresses sounded like Ben Stein lecturing on the economy! There wandering around the destroyed city was pointless to the story and lines like "it looks like it's going to be a beautiful morning" while overlooking the fake destruction made one want to throw a shoe at the TV screen.
The best way to describe this "movie" is Pointless waste of film! Another "Cloverfield" did not need to be made and this was a poor attempt at it anyway!
SOMEONE PLEASE!!!! TAKE THEIR CAMERA AWAY!
The camera work was MUCH worse than Cloverfield and Blair Witch, mostly because even when stationery the objects on the screen were a conglomeration of the floor, the speakers legs, her breasts and mindless panning of the walls.
The plot was utter aimless with dialog to match - the inane banter was devoid of emotion and at the "scariest" moments the two wooden actresses sounded like Ben Stein lecturing on the economy! There wandering around the destroyed city was pointless to the story and lines like "it looks like it's going to be a beautiful morning" while overlooking the fake destruction made one want to throw a shoe at the TV screen.
The best way to describe this "movie" is Pointless waste of film! Another "Cloverfield" did not need to be made and this was a poor attempt at it anyway!
SOMEONE PLEASE!!!! TAKE THEIR CAMERA AWAY!
If there is a thousand ways to disrupt a video feed in order to make it look like it's been badly damaged, these girls have now found 1200 ways. The cutting of the video feed had a purpose, I know that, but it was an annoying feature in this film. It almost made me go crazy, but I stuck with it just to see the rest and be able to give this film a fair judgment. The film (idea) itself is not bad at all. The acting has one or maybe two decent moments (although Erin is kinda cute (when she's not sobbing)). The script is just wonderful. It had the potential of being a new Orson Welles's 1938 radio broadcast The War of the Worlds, but unfortunately it just had the intention, but not the drive to actually make it. But honestly I think you should spend your 90 minutes on collecting navel lint instead. In the long run it'll do you much more good than watching this. I watched it - so you wont have to.
You've probably all figured out by now that this is the straight-to-video knock-off of the much anticipated "Cloverfield". I was pretty curious about this, partly because it comes from The Asylum (their stuff is just addictively bad!) and because the trailer for it looked nearly competent. So naturally I rented it as soon as I had the chance.
The plot (ha!) concerns two women, a documentary crew, who fly to Tokyo to interview an official about global warming. Everything in the movie is filmed vacation-video style from the girls' hand-held camera (just like "Cloverfield"). During the interview the monster attacks and the city becomes a disaster area. Our heroes are forced to run for cover and try to find people who speak English while still documenting the monster's rampage.
I expected weak CGI effects and bad dialogue, but I was also disappointed to find that the hand-held camera wasn't hand-held looking at all (the making-of feature on the DVD betrayed their real techniques) and the down-time that fills out most of the movie happens in spots that look more like L.A. than Tokyo. Transitions are accomplished with unconvincing video distortion, an attempt to sell us on the gimmick that we are watching found footage. There's an attempt at explanation for the monster too, which was perhaps the worst aspect of this mess.
"Monster" may be The Asylum's worst. In spite of a good trailer, this will be forgotten especially because they chose a title already used for a Charlize Theron movie. "Cloverfield" has nothing to fear from this.
The plot (ha!) concerns two women, a documentary crew, who fly to Tokyo to interview an official about global warming. Everything in the movie is filmed vacation-video style from the girls' hand-held camera (just like "Cloverfield"). During the interview the monster attacks and the city becomes a disaster area. Our heroes are forced to run for cover and try to find people who speak English while still documenting the monster's rampage.
I expected weak CGI effects and bad dialogue, but I was also disappointed to find that the hand-held camera wasn't hand-held looking at all (the making-of feature on the DVD betrayed their real techniques) and the down-time that fills out most of the movie happens in spots that look more like L.A. than Tokyo. Transitions are accomplished with unconvincing video distortion, an attempt to sell us on the gimmick that we are watching found footage. There's an attempt at explanation for the monster too, which was perhaps the worst aspect of this mess.
"Monster" may be The Asylum's worst. In spite of a good trailer, this will be forgotten especially because they chose a title already used for a Charlize Theron movie. "Cloverfield" has nothing to fear from this.
This time around, The Asylum decided to rip off "Cloverfield". There is one positive thing I can say about this movie, and that it employs a lot of Asian actors, a minority that just about all Hollywood movies do not use. Aside from that, I can't think of anything else that is good about this movie. The movie is obviously not filmed in Japan, just using occasional stock footage of Tokyo in an effort to fool the audience. The sound is awful - there were large sections of the movie where I simply could not understand what the characters were saying. The visual look of the movie is equally bad, clearly shot with a low-rent digital video camera. The direction is horrible, with some things like characters in the background walking casually when the city is being terrorized by the monster. There is far, FAR too much talk, when a movie like this needs plenty of adventure and special effects. (The limited special effects are pretty cheesy, and never gives us a good look at the title creature.) And there is no real ending to this movie - the last scene ends in a way that makes you think the director said, "Okay, we've got enough footage to make this movie 85 minutes long if you count the slow-moving end credits!" The writer/director, as of this date, has only this movie on his resume. No wonder.
Le saviez-vous
- AnecdotesMockbuster of Cloverfield (2008).
- GaffesThe movie is set in the month of January. Within the movie, they walk around as though it is hot outside. This would not be the case as the average January temperature in Tokyo is approximately 43 degrees Fahrenheit (6 degrees Celsius).
- Citations
Sarah Lynch: So were down-town Tokyo, we just went through an earthquake magnitude 7.8. The earthquake happened a little north of the city. I don't know, we're just running.
Erin Lynch: Sarah, what are you doing, we have to get out of here.
Sarah Lynch: We're doing the story.
Erin Lynch: The story. Sarah I'm sorry, the story is over.
Sarah Lynch: The earthquake is the story, we have to document this.
- Crédits fousThe events, characters, and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, is purely coincidental. [Or is it? You be the judge.]
- ConnexionsReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)
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Détails
Box-office
- Budget
- 500 000 $US (estimé)
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