Esther

"Orphan" was a movie that truly did surprised me. I mean I came into this movie honestly not having any idea which direction it would take me, I mean sure it looked good, but then again the 30 second previews made it seem a bit mediocre. When the movie went off I was very pleased by what I had seen. The things I love most about Orphan is how they present and introduce these characters so well. The minute I saw the main couple I couldn't help but take a liking to them, and Esther who very easily steals the show, is incredibly likable. As a matter of fact the thing I do love a lot about the film is how they take their time in the story, I loved how for the first half or so you see Esther adapting to her new surroundings, and I became extremely indulged into this. I also think they balanced out the character of Esther well. I mean this performance, and character, could have easily been portrayed as this over-the-top, annoying, non-intimidating, and non-believable character, but not once do you ever feel that. Also it is very entertaining, and you're hooked from the moment you see this little girl Esther. It was also clever at times, to where you feel a sense of danger as far as the story goes because it's literally like anything can happen. Even if does begin to make you mad for whatever reason, you still can't help but keep watching and wondering. At times it may feel predictable, but they've already presented these characters so well, that you can't but feel that maybe you haven't predicted it. I will say I wished "Orphan" HAD paced itself a little better, I mean they don't immediately jump into the story, but when they do it feels rushed and as if they fear the audience won't care about the characters, when it's not true. Also towards the end the characters start to lose liking, so much so that I couldn't help but look at these characters(in particular the mom and dad) and say "Who are you, and why are you being such an unlikable stereotype!" As a result of the characters acting stupid and stereotypical at this point in the film it just became predictable to an extent where you knew what was going to happen. Last you know I don't know how I felt about the twist, it was done well enough to where it would fit the storyline, but I feel it defeats the shocking, brutal, and thrilling nature of the film. Anyways, overall "Orphan" is one of the better thrillers you'll probably see this year, and even if you're not too big on these kind of films, I still recommend "Orphan"

You've decided to adopt, now the pain's begun to stop, after traumas of the past, have resided at long last, like to increase two to three, making five in this family, there's an orphanage that has one, what could possibly go wrong. Esther makes a perfect fit, extremely charming: we shall commit; welcome her to our abode, open doors to a new road, but soon troubles bubbling, and events are troubling, as you sense there's something wrong, with this girl who's quite headstrong...

A perfectly executed escalating thriller, whose vice like grip will keep your hands upon the tiller, a few twists as you'd expect, there's no gruel I could detect, gets you thinking what you'd do, if these things happened to you.

You either love it or you hate it. That's really the effect of any great twist. I was one of those who absolutely loved it and found this creepy, disturbing movie even more terrifying with the reveal. Vera Farmiga (Conjuring) stars as a mother whose just gone through a miscarriage and with her husband played by Peter Sarsgaard (Skeleton Key) decides to adopt a mysterious young girl played by a very creepy Isabel Fuhrman (Hunger Games). At first Esther seems a little off but it's mostly acceptable until people begin having horrific accidents and some go missing. There is a palpable sense of dread that builds throughout the film and so many setpieces are expertly executed. The scene in the playground is an especially effective one. The film culminates in a surprising and edge of your seat fashion and all though there's a small loop hole here and there. Its completely successful at being a stylish, unique, intense piece of genre.

4/5

We've seen Orphan many times before (The Bad Seed, The Good Son and, of course, The Omen), yet, somehow, Jaume Collet Serra manages to squeeze something fresh out of an old tale.

There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.

Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).

Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.

My audience loved it, and so did I.

Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.

Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.

An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.

Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.

Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.