Un mari et une femme ayant récemment perdu leur bébé adoptent une fillette de 9 ans qui n'est pas aussi innocente qu'elle le prétend.Un mari et une femme ayant récemment perdu leur bébé adoptent une fillette de 9 ans qui n'est pas aussi innocente qu'elle le prétend.Un mari et une femme ayant récemment perdu leur bébé adoptent une fillette de 9 ans qui n'est pas aussi innocente qu'elle le prétend.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
Avis à la une
I enjoyed much of this but there were a few silly moments and I feel if the film had been cut down to 90 minutes we could have got rid of those embarrasing bits and made the whole ting tighter. The acting is fine, especially the two girls and that of Isabelle Fuhrman, who at times seems to be carrying the film, is remarkable. Inevitably, perhaps there are unfortunately those times, as in 'gas lighting' films where we sit frustrated urging those on screen to notice the obvious to no avail and then on we go as everything gets more and more embroiled.
We've seen Orphan many times before (The Bad Seed, The Good Son and, of course, The Omen), yet, somehow, Jaume Collet Serra manages to squeeze something fresh out of an old tale.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
You either love it or you hate it. That's really the effect of any great twist. I was one of those who absolutely loved it and found this creepy, disturbing movie even more terrifying with the reveal. Vera Farmiga (Conjuring) stars as a mother whose just gone through a miscarriage and with her husband played by Peter Sarsgaard (Skeleton Key) decides to adopt a mysterious young girl played by a very creepy Isabel Fuhrman (Hunger Games). At first Esther seems a little off but it's mostly acceptable until people begin having horrific accidents and some go missing. There is a palpable sense of dread that builds throughout the film and so many setpieces are expertly executed. The scene in the playground is an especially effective one. The film culminates in a surprising and edge of your seat fashion and all though there's a small loop hole here and there. Its completely successful at being a stylish, unique, intense piece of genre.
4/5
4/5
Finally, a horror film about adults. Adults with complex issues and children that act like children and not hyper precocious sex models. The reason to see this film isn't to find out the over advertised " Esther's secret" of the film (a MAJOR misstep in marketing. Too many people now enter the film trying to figure out the "secret" before they normally would have been surprised), but rather to see a well-acted (extremely well acted by Vera F.)slow-building suspense story with excellent direction and cinematography. John Ottman's score also serves the film well, without becoming overpowering in signaling this is a "creepy" film. The actress who plays Esther shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. This film works because we LIKE the characters (Rob Zombie please take note!) and fear for them and their survival. Dark Castle's best film, and it gives one hope that the horror/suspense genre still can be presented with intelligence and depth. Hollywood take note: we don't want a xerox of this film, but we do want more films that share this films strenghts: good script, likable real characters, excellent acting and nice, tension building direction.
Le saviez-vous
- AnecdotesActress Aryana Engineer, who plays Max, their completely-deaf biological daughter in this film, is mostly deaf. She has Cochlear Implants which enhance her abilities to hear and speak.
- GaffesWhen Esther is introduced to her new class, she is holding a Nelson Spelling book. These books are not used in the United States, where the film is set; they are, however, used in Canada, where filming took place.
- Citations
Esther: Please... don't let me die, Mommy!
[holds knife behind her back, preparing to kill Kate]
Kate Coleman: [pause] I'm *NOT* your *FUCKING MOMMY!*
[she violently kicks Esther's head]
- Crédits fousAfter the end title sequence, the rest of the credits are, among other things, smeared and splattered with fluorescent paint, lipstick kisses, and Esther's violent artwork. A small heart is also painted next to "John" (Peter Sarsgaard) in the cast list.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La huérfana
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 41 596 251 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 871 483 $US
- 26 juil. 2009
- Montant brut mondial
- 77 912 251 $US
- Durée
- 2h 3min(123 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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