I Blame Society

The fact that Gillian Wallace Horvat not only directed but also starred and wrote this movie is impressive in itself. Having it shot as if a real life documentary showing a filmmakers decline into madness was interesting and I liked the way it was done. The rest of the cast felt real as well and played the roles well. Its not a concept you see a lot in a horror, thriller film and I fell it can be shown in more films. Adding to this I found Gillian to be cute despite the whole serial killer thing. I look forword to seeing more of her work and acting talents in the future.

Antisocial killers that murder on camera surly isn't a new trope (Hi Michael powell' Peeping Tom)

Here we get a young perky millennial named Gillian (a very game Gillian Wallace Horvath who also co-wrote the script) doing the dastardly deed and the result is, quite frankly, a nifty little feature, as far as I'm concerned.

I just wanted to do a quick writeup to hopefully convince any doubters, due to it low accumulated rating (4.2) that this is actually a pretty enjoyable and stinging comedy (in a dark and depraved sort of way)

Hope you like it.

Wanted to like it. However they tried to go the extra miles on some parts where they really shouldn't have, like adding in some really dumb effects in places where it would have been better without. The main plot just needed something extra. I get the main character was a bad person but they didn't really have any likable qualities for me to want to watch them and it didn't really feel like found footage either. I just wanted to the whole thing to be over. The end was just so lazy and predictable.

This has moments that really, really work. Black, dark comedy with a biting, cynical edge. The construction works for the most part but a few of the actors are really bad, and there are a few moments where the "fiction" slips due to too much camera work. But overall, I thought it was a strong, black comedy, especially for a no-budget movie.

A narcissist auteur goes full psycho to realize her ambition.

Retest of a tried idea, although I haven't seen it done from a female point of view before. This gets off to a ropey start, with a long scene that treads water with awkward performances, and then goes on to show us how annoying and unlikeable the protagonist is.

But wait! Once the change happens, I stopped thinking about the film and just got into the rhythm of the story as the protagonist became more likeable. There's plenty of clever satire on LA movie biz and relationships (with a David Lynch reference), but the sweetest irony is that the victims lead such detached lives that their patently fake suicide notes are convincing to those who knew them best - which turns out, hardly at all. The main killing goes surreal, with just the right tone. The end doubles down on the irony and satire, with a large dose of the American Psychos, leaving a pleasant sense of grimness.

The pacing was poor to begin with, but maybe the idea was to increase the sophistication of the production as the on-screen project picked up its own pace, with extra cameras and a winding dolly (overused gag), and more energy in the editing.

Performances were good. Music came on via too obvious orchestral stuff, but after that was good.

Overall: Fine addition to the honourable sub-genre of the 1st Person POV murder spree, but the early scenes needed more energy to carry the humour.