Ajouter une intrigue dans votre langueAfter the murder of his wife and son by an escaped criminal Sheriff Matt Austin sets out to capture him only to find he's been hired by a greedy land baron seeking to take land from a widow ... Tout lireAfter the murder of his wife and son by an escaped criminal Sheriff Matt Austin sets out to capture him only to find he's been hired by a greedy land baron seeking to take land from a widow and her son.After the murder of his wife and son by an escaped criminal Sheriff Matt Austin sets out to capture him only to find he's been hired by a greedy land baron seeking to take land from a widow and her son.
- Réalisation
- Scénario
- Casting principal
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It is the old-fashioned camera work that is most notable about this picture, and the color choices that hearken back to silent days, with blue tints for night scenes, an overall sepia wash to the day scenes and an amber touch to the interiors. There are lingering shots when people are riding horses, giving a leisurely but inevitable air to the entire proceedings. A very pleasant TV movie.
Luke's long outgrown the sideburns he made famous as Dylan McKay in Beverly Hills 90210, in fact he's now got a three days growth of beard on him. Like Wayne in El Dorado where he kills the youngest son of a family being threatened by a cattle baron and whom he becomes the protector of, Perry in killing one of the two men kills the brother of a widow whose ranch rich landowner C. Thomas Howell wants because it's the source of water for the valley.
Howell himself has outgrown his brat pack days and makes a fine villain. Francesco Quinn, son of Anthony Quinn is a nasty crooked sheriff doing Howell's bidding. Also note Jaclyn DeSantis as the widowed sister of the man Perry kills and who he becomes the protector of.
One really glaring error in the film. I believe the original intent was to have a sadder ending, but a happier one was shot and tacked on at the last minute. I won't explain any further, but if you see the film, you'll know exactly what I mean.
A Gunfighter's Pledge is a good western, the kind we sadly don't see on the big screen any more.
The film has some strenghts, the acting all round is decent enough, and the photography and sets all blend well, but the dialogue is just so ordinary and the score swamps the film, with music almost all the way through and rather than uplifting the scenes makes them all the more banal. Shame really.
But despite all that, and my love for westerns, I didn't find this movie to be especially exceptional. It's mainly because of the script - I don't think there's any scene in this movie that you haven't seen in another western before. There is no effort by the screenwriter to put in a few twists, and it's not directed in a way to pump in some juice. Heck, even some of the locations will be very familiar to those who have watched a lot of TV and movies! So we end up with a tired and familiar movie that will make you think you've seen this movie before.
Le saviez-vous
- AnecdotesHorn and Matt Austin are not in the same scene until forty minutes into the film.
- GaffesWhen Matt Austin first catches up to Tate in the saloon, just before he shoots and kills Eddie, the level of whiskey in Austin's shot glass changes between camera angles. Also it's a completely different style of shot glass in the insert closeup shot than the one he drinks from in the wide shot.
- Citations
Matt Austin: If you really want to do what's best for the people in this valley, you leave that family alone.
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Détails
Box-office
- Budget
- 2 000 000 $US (estimé)