Un journaliste est aidé par une jeune hackeuse dans sa quête pour retrouver l'assassin d'une femme morte depuis quarante ans.Un journaliste est aidé par une jeune hackeuse dans sa quête pour retrouver l'assassin d'une femme morte depuis quarante ans.Un journaliste est aidé par une jeune hackeuse dans sa quête pour retrouver l'assassin d'une femme morte depuis quarante ans.
- Réalisation
- Scénario
- Casting principal
- Victoire aux 1 BAFTA Award
- 18 victoires et 35 nominations au total
- Malin Eriksson
- (as Sofia Ledarp)
- Plague
- (as Thomas Köhler)
Avis à la une
Indeed, I can't say whether the movie proves adherence to the novel, which is something by the way difficult, considering the length of the book, however, I can say that the product is a well-crafted piece of cinema, which leaves also interesting food for thought. Used as we are, as southern Europeans, to see at Northern, and mainly Scandinavian countries, as models of democracy, economic progress and social welfare, it's quite surprising to see a modern Sweden stained by corruption and unscrupulous tycoons. Moreover, it is quite upsetting to get to know how Nazi extremist and insane ideas were rooted not so much in the history of the country, but in the conscience of people, in this case of a powerful and wealthy family, where the hatred towards the Jews has mixed with the hatred towards women, turning the lives of whole generations into a hell of ferocious violence and horror.
As far as the thriller story, it's engaging, but carried on very carefully, every aspect being under control, with flashbacks constantly reassuring us about aspects we have already perceived, without moving a little apart from a well consolidated stylistic model of this kind of movie genre. Sometimes a little slow, sometimes too indulging in violent scenes, but with a strong directing consciousness supporting it. Convincing and really good the performances offered by the whole cast, unknown to the great public, but I would underline the actress playing Lisbeth as really outstanding and upsetting in her mental and emotional distress. On the whole, it's not a masterpiece, but a good and well made movie.
I guess if you want to be overly critical you could punch a hole or two here or there, but I think this story comes off so most all viewers will ignore any inconsistencies in favor of the mysterious pieces which, eventually, add up, but not too fast – keeping the viewer invested and hoping to figure out how it may all end.
Though graphic at times, it isn't "porn-horror", "The Girl With The Dragon Tattoo" is a dark story where the unsettling pieces fit. I am fairly certain it will not be released in the US, but if you can see it do so as it is a well crafted and executed drama.
The films story is very exciting and puzzling (for those that haven't read the book) and the pace is steady with some really tense situations. The investigation part of the story is excellent. Although it is 2.5 hours long it is never boring.
The soundtrack was also very fitting and helped to set the mood of the film. This is far above any other Scandinavian thriller production, and I look forward to the rest of the films/series.
I recommend it to anyone!
Who Was Almost 'The Girl with the Dragon Tattoo'?
Who Was Almost 'The Girl with the Dragon Tattoo'?
Le saviez-vous
- AnecdotesNoomi Rapace got her motorcycle license as a preparation for the movie.
- GaffesWhen Lisbeth Salander is sending her encrypted mail to Plague, the screen shows "decrypting" instead of "encrypting".
- Citations
Mikael Blomkvist: [about Martin Vanger] For fuck's sake, Lisbeth. His father trained him to murder at age sixteen. Anyone would be sick in the head with that kind of upbringing.
Lisbeth Salander: Shut up about the victimisation! He almost killed you. He raped and murdered and he enjoyed it. He had the same chances as us to choose what he wanted to be. He was no victim. He was a sadistic motherfucker who hated women.
- Versions alternativesExtended/TV version runs 30 min. longer and has its aspect ratio changed to 1.78:1.
- ConnexionsEdited into Millénium (2010)
- Bandes originalesLjus I Varje Hjärta
Text and Music by Misen Groth (as Misen Groth)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Millenium, les hommes qui n'aimaient pas les femmes
- Lieux de tournage
- Tabernas, Almería, Andalucía, Espagne(Scene Australia)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 095 170 $US
- Week-end de sortie aux États-Unis et au Canada
- 335 502 $US
- 21 mars 2010
- Montant brut mondial
- 104 414 200 $US
- Durée
- 2h 32min(152 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1