Michael Peterson, un romancier, est accusé d'avoir tué sa femme Kathleen, après qu'elle a été retrouvée morte au bas d'un escalier dans leur maison, déclenchant une bataille judiciaire de se... Tout lireMichael Peterson, un romancier, est accusé d'avoir tué sa femme Kathleen, après qu'elle a été retrouvée morte au bas d'un escalier dans leur maison, déclenchant une bataille judiciaire de seize ans.Michael Peterson, un romancier, est accusé d'avoir tué sa femme Kathleen, après qu'elle a été retrouvée morte au bas d'un escalier dans leur maison, déclenchant une bataille judiciaire de seize ans.
- Nommé pour 2 Primetime Emmys
- 28 nominations au total
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Watched four episodes and am done. Too slow and just boring. I really love Toni Collette and Colin Firth, but it's all over the place. I'm just sick of the entire family. I watched the docu-drama on Netflix years ago. Bad situation. He probably did it.
This seems to be made in a way where the story just seems to drag on and on...
This could easily have been consolidated into a 4 or 5 episode series instead of the 8 episodes - the producers have stretched the story to the point where the viewer starts losing interest.
Also the way the timeline keeps switching between historical and present without giving the viewer much indication that we are going back in time can be confusing at times.
This could have been written so much better to reflect the true story this series is supposed to be based on. One could also argue that the creators also took a little too much artistic licence in telling the story.
Either way, it's not a complete waste of time, but the creation of this series was poorly executed in my opinion.
This could easily have been consolidated into a 4 or 5 episode series instead of the 8 episodes - the producers have stretched the story to the point where the viewer starts losing interest.
Also the way the timeline keeps switching between historical and present without giving the viewer much indication that we are going back in time can be confusing at times.
This could have been written so much better to reflect the true story this series is supposed to be based on. One could also argue that the creators also took a little too much artistic licence in telling the story.
Either way, it's not a complete waste of time, but the creation of this series was poorly executed in my opinion.
Intrigued by this story as it is based on real characters and thus far after watching 4 episodes have resisted the temptation of googling the real Michael Peterson. Since it is the mystery that is keeping me watching as well as the eye candy that is the former Mr Darcy. In all seriousness - I rate all of the actors that are in this mini series, 4 stars are deducted for the telling of the story through a timeline that is not in chronological order. Which would be fine - if it was made clear which year we were watching, it is sometimes but not always and that's why it is confusing. Put it this way one can't take one's eye away from the screen for too long in case in that second we jump to another year. And I'm not clear if the end of episode 4 is what really happened or what the jury believed happened. It's also taken about 3 episodes to reveal who are the parents of the various children in this blended family. My 6 is perhaps a little generous - its based on the optimism a cracking story will unfold. Yet to find out who Sophie is.
After three episodes, this is shaping up to be a fabulous story, it is true, yet ambiguous enough to carry tension and suspense. The cast is magnificent with strong headliners and a depth unusually strong for TV.
The pacing is good, though the heavy use of short and long scene non-linearity is haphazardly delineated, with occasional timestamps, but no stylistic changes making frequent rewinding necessary. Cinematography is generally well done, but there are some sporadic gimmicky techniques which detract by being more showy than necessary.
Colin Firth has brilliant range as novelist Michael Peterson, the husband in the frame for his wife, Kathleen's, probable murder. Not surprisingly there are fine performances too numerous to mention from a cast of this stature.
A persuasive story very well told, episode four cannot drop quickly enough!
The pacing is good, though the heavy use of short and long scene non-linearity is haphazardly delineated, with occasional timestamps, but no stylistic changes making frequent rewinding necessary. Cinematography is generally well done, but there are some sporadic gimmicky techniques which detract by being more showy than necessary.
Colin Firth has brilliant range as novelist Michael Peterson, the husband in the frame for his wife, Kathleen's, probable murder. Not surprisingly there are fine performances too numerous to mention from a cast of this stature.
A persuasive story very well told, episode four cannot drop quickly enough!
From creator Antonio Campos, HBO's "The Staircase" is an 8-part fictionalized dramatization of real life events based on the tendentious, transparently biased and manipulatively edited MaHa mockumentary from Jean-Xavier de Lestrade -- used by Michael Peterson to promote his fabricated fable featuring his wife, Kathleen, as a reckless woman who got too drunk, fell down the stairs and caused her own death.
Though initially a flat and, at times, fitful recounting of the basic facts covered in MaHa's docuseries, HBO's movie eventually manages to include some revealing and riveting moments behind the scenes of Michael's make-believe world.
While Lestrade left the dead victim on the cutting room floor, Campos' version brings Kathleen to life, examining some of the very real horrors she was facing at work and at home -- and in place of MaHa's one-big-happy fake family, HBO has scenes that hint at the dysfunctional dynamic that was truly at work in Michael's bat-infested mansion.
Of course, also included, much to Monsieur Lestrade's chagrin I'm certain, are scenes highlighting the questionable, curiously close relationships between Michael and MaHa's production team -- most notably, his long-term romantic involvement with Sophie Brunet, the main editor of Michael's movie.
HBO's new drama is good television, but for those who prefer non-fiction -- Michael's murderous machinations were laid bare, years ago, in the definitive book on the Peterson case: Written in Blood by Diane Fanning.
Though initially a flat and, at times, fitful recounting of the basic facts covered in MaHa's docuseries, HBO's movie eventually manages to include some revealing and riveting moments behind the scenes of Michael's make-believe world.
While Lestrade left the dead victim on the cutting room floor, Campos' version brings Kathleen to life, examining some of the very real horrors she was facing at work and at home -- and in place of MaHa's one-big-happy fake family, HBO has scenes that hint at the dysfunctional dynamic that was truly at work in Michael's bat-infested mansion.
Of course, also included, much to Monsieur Lestrade's chagrin I'm certain, are scenes highlighting the questionable, curiously close relationships between Michael and MaHa's production team -- most notably, his long-term romantic involvement with Sophie Brunet, the main editor of Michael's movie.
HBO's new drama is good television, but for those who prefer non-fiction -- Michael's murderous machinations were laid bare, years ago, in the definitive book on the Peterson case: Written in Blood by Diane Fanning.
Le saviez-vous
- AnecdotesHarrison Ford was originally attached to star as Michael Peterson but dropped out and was replaced by Colin Firth.
- GaffesIn what is supposed to be the Durham County Courthouse, a map of Raleigh appears on the wall. Raleigh is in neighboring Wake County.
- ConnexionsFeatured in Jeremy Vine: Épisode #5.105 (2022)
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What was the official certification given to The Staircase (2022) in Japan?
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