L'oubli que nous serons

"El olvido que seremos" is a film with a particular feeling, highlighting the life of a man who fought for causes that are still of interest to the Colombian nation today. The way in which he approaches character development is appropriate and fits the Medellin's Society of the 70s and 80s, with an invaluable accuracy in the sets and costumes. The emotional relationship between shots and color to differentiate two different periods contribute to the greatness of the film, accompanied by good performances.

However, the film continues to depend on the original novel, and certain scenes do not have the same power that they surely have in the book and some errors in the editing that can be, rarely, stressful to the viewer, do not interfere with the fact that this film has a soul. , and very appropriate for our times.

This movie presents a past yet intimate take on an ever disappointing landscape of politics and violence within Colombia.

The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.

A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.

A good movie, with very good source material.

It is a shocking film that portrays the reality that is lived in Colombia; the plot is decent and the acting is good; it is recommended.

This film represents a reality in Latin American countries, where small elite groups manage politics and make decisions that affect many for their own benefits and economic interests, countries where a football game is promoted more than the importance of a good education, countries where few have all and most of the population nothing. Latin America has suffered since its conquest (NO DISCOVERY) in the 16th century and still continues to suffer new wounds while trying to heal the old ones. I have seen it and continue to see it in Honduras. Thank you for making this type of film, as well as "La Llorona" by Jayro Bustamante, cuz they allow these stories not to be lost as the intellectual authors of these crimes would like, they also help us to cure Latin America but do not forget. The technical aspect that I appreciated the most about the film was the black and white photography, really beautiful.

Cuando has leído el libro y conoces la historia, la película te conmueve aún más. Lloré de principio a fin con todo lo que Héctor Abad Gómez representaba para su familia y para la gente, y lloré recordando las injusticias de la vida y de la muerte.

When you have read the book and you know the story, the film touches you the double. I cried from the beginning to the end with everything Hector Abad represented for all his family and for the people.