White Material

A story of a distressed woman willing to die and sacrifice her own family rather than giving up some acres of land somewhere in the middle of nowhere merely to prove (to none) that she is not afraid.

Isabelle Huppert provides as always an excellent and charming neurotic character. Her character is brave and determined but the whole objective of her determination makes no sense at all.

Overall, the script is pretty poor. It is not certain if the movie wants to talk about female neurosis, ignorant expatriates behavior, social revolution, oppressed against colonizers, black and white or simply tell the story of how someone can get blind by her own ego.

Nice photography of landscapes, some minutes of enjoying to see Huppert acting and absolutely nothing more.

In French colonial Africa, Maria Vial (Isabelle Huppert) is struggling to finish the coffee bean harvest. The rebels are approaching. French forces are leaving. Local have turned to banditry and her workers have mostly abandoned her. The African mayor bullies André Vial (Christopher Lambert) to get his father to sell the plantation. Maria has their white son Manuel and André has his half-African son Jose. Maria stubbornly refuses to leave the harvest even after Manuel is stripped naked by a couple of boys. Manuel starts to deteriorate mentally. Maria discovers wounded rebel fighter Le Boxeur in her barn.

Isabelle Huppert embodies a fierce interior and stubbornness. The family's varying reaction to their situation can be mind-boggling. There is real tension but also frustration with Maria. These are maddening characters in a maddening world.

Claire Denis' works are always representative and significant, with an intensity and realism, raw, almost raw, the two previous ones with the same characteristics, but it was here, that I identified myself the most, she entered a patriarchal world, in the midst of civil war , and the unconditional love of a mother, photography and perfect characterizations, intense performances, script written between the lines, strong and captivating...

It is indeed Africa and a violent one truly depicted here. In a former French colony a white woman runs a coffee plantation in a zone ravaged by the fight between the army and rebels. A courageous woman who fights against everything and everybody (Isabelle Huppert),for besides the problems of the plantation she has got family problems with her ex-husband and a half-mad son. A movie that is directed in realistic style as almost documentar although not dimming the dramatic freature of the story. Also a real document of the relationship between Africans and Europeans. A movie worth to be seen though not exactly a masterpiece as far as a few behaviours are not utterly shown nor explained.

One of the important works of director Claire Denis. The film is important for two major themes it explores: one, the relationships of the colonial expats and the African natives and the resulting social and economic inequality; and two, the internal politics, corruption, and lack of respect for human life when one has gun power.

The film is one of the better performances of the lead actress Isabelle Huppert, who apparently approached the director for an opportunity to work with her. Denis works with regular actors and crew. Among the cast, Michel Subor (the owner of the coffee plantation) and Isaach de Bankole (the injured 'Boxer', a name referenced on the matchboxes he uses in Jarmusch's film 'The Limits of Control') come to mind. The crew includes music composer Stuart Staples and his band Tindersticks (and Ms Denis has a great ear for music that elevates her works). What constitutes the White Material? The white colonial expatriates born and living in Africa is one way to look at it. Another would be their possessions--cigarette lighters, clothes, masks (opening sequences), immovable property, mixed-race progeny they create, indoor table decorations that young native, blonde hair, blue eyes (all of which are stated in the script).